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Syntagma Amici, Bernhard Stilz - Krummhorn, cromorne, storto, tournebout ? (2008)

Syntagma Amici, Bernhard Stilz - Krummhorn, cromorne, storto, tournebout ? (2008)
  • Title: Krummhorn, cromorne, storto, tournebout ?
  • Year Of Release: 2008
  • Label: Ricercar
  • Genre: Classical
  • Quality: flac lossless
  • Total Time: 00:58:48
  • Total Size: 349 mb
  • WebSite:
Tracklist

01. In Den Cromhorn: Allemaigne I
02. In Den Cromhorn: Bergerette "Sans Roch"
03. In Den Cromhorn: La Morisque
04. In Den Cromhorn: Ronde "Il Estoit Une Fillette"
05. In Den Cromhorn: Pavane Et Gaillarde "Mille Ducats"
06. Deutsche Lieder Und Tänze: T'andernaken
07. Deutsche Lieder Und Tänze: Carmen In Fa
08. Deutsche Lieder Und Tänze: Ich Kumm Aus Fremden Landen Her
09. Deutsche Lieder Und Tänze: Die Vollen Brüedern
10. Deutsche Lieder Und Tänze: Bruder Conrads Tantzmass
11. Deutsche Lieder Und Tänze: Es Hett Ein Biedermann Ein Weib
12. Deutsche Lieder Und Tänze: Pavana
13. Deutsche Lieder Und Tänze: Innsbruck Ich Muß Dich Lassen
14. Deutsche Lieder Und Tänze: Du Fond de Ma Pensée
15. Deutsche Lieder Und Tänze: Erzürne Dich Nicht
16. Per I Storti: La Spagna À 5
17. Per I Storti: Chi la Gagliarda
18. Per I Storti: Pavana "La Cornetta"
19. Per I Storti: Saltarello "Zorzi"
20. Per I Storti: Cingari Simo
21. Per I Storti: Pavana "El Bisson"
22. Per I Storti: Saltarello "Tutu"
23. Per I Storti: Vecchie Lettrose
24. Per I Storti: Pavana "La Morte de la Ragione"
25. Per I Storti: L'arboscello Ballo Furlano & Puta Nera Ballo Furlano
26. Intermezzi de Firenze: Guardane Almo Pastore
27. Intermezzi de Firenze: La Fiorentina À 8
28. Schwannengesang: Padouana À 4
29. Schwannengesang: Passameze À 6
30. Schwannengesang: Gaillarde À 5

Syntagma Amici, Bernhard Stilz - Krummhorn, cromorne, storto, tournebout ? (2008)


Whether it was called Krummhorn in German, storto in Italian or tournebout in French, this was an instrument whose performing life was limited to the Renaissance. After having carried out a great deal of research on the adjustment and tuning of these instruments, the musicians of Syntagma Amici have now turned their attention to its repertoire. They now shed light on several compositions for these instruments, having chosen pieces that suited the instruments best from German, Low Countries and Italian sources. This recording provides a touch of folly for all those who are devoted to this ephemeral instrument: its swan song was a Padouana by J.H. Schein that was published in 1617.

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