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The Blasters - The Blasters (1981) [24bit FLAC]
BAND/ARTIST: The Blasters
- Title: The Blasters
- Year Of Release: 1981
- Label: Slash – SR-109 / Vinyl, LP
- Genre: Blues Rock, Roots, Rock & Roll, Rockabilly
- Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-96kHz
- Total Time: 30:35
- Total Size: 77 / 200 / 629 Mb
- WebSite: Album Preview
Tracklist:
01. Marie Marie (2:05)
02. No Other Girl (2:29)
03. I'm Shakin' (2:22)
04. Border Radio (2:46)
05. American Music (2:10)
06. So Long Baby Goodbye (2:22)
07. Hollywood Bed (3:33)
08. Never No More Blues (2:47)
09. This Is It (2:15)
10. Highway 61 (3:00)
11. I Love You So (2:51)
12. Stop The Clock (1:55)
01. Marie Marie (2:05)
02. No Other Girl (2:29)
03. I'm Shakin' (2:22)
04. Border Radio (2:46)
05. American Music (2:10)
06. So Long Baby Goodbye (2:22)
07. Hollywood Bed (3:33)
08. Never No More Blues (2:47)
09. This Is It (2:15)
10. Highway 61 (3:00)
11. I Love You So (2:51)
12. Stop The Clock (1:55)
You might have thought the Blasters had been in suspended animation for 25 years when their major-label debut turned up in late 1981 sounding for all the world like something cut in the Sun Studios in Memphis in 1956. Dave Alvin knew all the licks and his brother Phil had the R&B/country wail down. Best of all, you couldn't tell the oldies from Dave's newly written classics. Welcome to the birth of rock & roll, all over again.
Ex-Canned Heat piano man Gene Taylor and a horn section anchored by New Orleans's own Mr. Lee Allen wreck that neobilly image, as do the three reempowered remakes from their debut. Neobilly's just an excuse that lets them play blues--plus r&b, country, New Orleans, all the unfashionable vernaculars they love--to a young and hungry audience in a recharged dramatic context. If the originals work better than the covers, that's partly because Phil Alvin's expressive moan does sound pinched sometimes, so even when you don't know the source recording (which you probably don't), you can imagine it fuller. And it's partly because Dave Alvin is a songwriter with John Fogerty's bead on the wound-tight good times of America's tough white underbelly.
Ex-Canned Heat piano man Gene Taylor and a horn section anchored by New Orleans's own Mr. Lee Allen wreck that neobilly image, as do the three reempowered remakes from their debut. Neobilly's just an excuse that lets them play blues--plus r&b, country, New Orleans, all the unfashionable vernaculars they love--to a young and hungry audience in a recharged dramatic context. If the originals work better than the covers, that's partly because Phil Alvin's expressive moan does sound pinched sometimes, so even when you don't know the source recording (which you probably don't), you can imagine it fuller. And it's partly because Dave Alvin is a songwriter with John Fogerty's bead on the wound-tight good times of America's tough white underbelly.
Blues | Rock | FLAC / APE | Mp3 | HD & Vinyl
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