Manuel Minguillón & Carlos Mena - Per voi ardo (2021) [Hi-Res]
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BAND/ARTIST: Manuel Minguillón, Carlos Mena
- Title: Per voi ardo
- Year Of Release: 2021
- Label: IBS Classical
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:52
- Total Size: 294 / 817 mb
- WebSite: Album Preview
Tracklist
01. Amor tu sai (Arr. E. de Valderrábano)
02. Vita de la mia vita (Arr. E. de Valderrábano)
03. Soneto No. 20 "Benedicto sea el giorno"
04. Fantasia No. 14 "Contrahecha a una del milanes"
05. La vita fugge
06. O gelosia d'amanti
07. Sparci sparcium (Arr. D. Pisador)
08. Lagrime mesti (Arr. D. Pisador)
09. A quando a quando havea (Arr. D. Pisador)
10. Fantasia No. 7
11. Il bianco e dolce cigno (Arr. M. de Fuenllana)
12. Quanto sia lieto il giorno (Arr. M. de Fuenllana)
13. Quanto ti vegio
14. Fantasía No. 1
15. Fantasía No. 7
16. Itene a l'ombra
17. Fantasia No. 13 "De contrapunto"
18. Soneto No. 2
19. Gloriar mi poss'io donne (Arr. E. de Valderrábano)
20. Madonna qual certezza (Arr. E. de Valderrábano)
21. Tiento No. 2
22. O s'io potessi donna (Arr. M. de Fuenllana)
23. O felici occhi miei (Arr. M. de Fuenllana)
24. Madonna per voi ardo (Arr. M. de Fuenllana)
25. O bene mio (Arr. D. Pisador)
26. Madonna mia fa (Arr. D. Pisador)
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Per voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán’s, using Italian texts of the same flavour, and with accompaniments that parallel the arranged madrigals in many ways. Some solo works by Mudarra and Fuenllana offer brief momeThe arrangements by Valderrábano, Pisador and Fuenllana, on the other hand, follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.
01. Amor tu sai (Arr. E. de Valderrábano)
02. Vita de la mia vita (Arr. E. de Valderrábano)
03. Soneto No. 20 "Benedicto sea el giorno"
04. Fantasia No. 14 "Contrahecha a una del milanes"
05. La vita fugge
06. O gelosia d'amanti
07. Sparci sparcium (Arr. D. Pisador)
08. Lagrime mesti (Arr. D. Pisador)
09. A quando a quando havea (Arr. D. Pisador)
10. Fantasia No. 7
11. Il bianco e dolce cigno (Arr. M. de Fuenllana)
12. Quanto sia lieto il giorno (Arr. M. de Fuenllana)
13. Quanto ti vegio
14. Fantasía No. 1
15. Fantasía No. 7
16. Itene a l'ombra
17. Fantasia No. 13 "De contrapunto"
18. Soneto No. 2
19. Gloriar mi poss'io donne (Arr. E. de Valderrábano)
20. Madonna qual certezza (Arr. E. de Valderrábano)
21. Tiento No. 2
22. O s'io potessi donna (Arr. M. de Fuenllana)
23. O felici occhi miei (Arr. M. de Fuenllana)
24. Madonna per voi ardo (Arr. M. de Fuenllana)
25. O bene mio (Arr. D. Pisador)
26. Madonna mia fa (Arr. D. Pisador)
Per voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán’s, using Italian texts of the same flavour, and with accompaniments that parallel the arranged madrigals in many ways. Some solo works by Mudarra and Fuenllana offer brief momeThe arrangements by Valderrábano, Pisador and Fuenllana, on the other hand, follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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