Leopold Stokowski - Igor Stravinsky: Firebird & Petrushka (1958) [2012]
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BAND/ARTIST: Leopold Stokowski
- Title: Igor Stravinsky: Firebird & Petrushka
- Year Of Release: 1958 [2012]
- Label: HDTT [HDTT1570]
- Genre: Classical
- Quality: FLAC (Tracks) | 24 Bit/96 kHz
- Total Time: 00:37:36
- Total Size: 700 mb (+3%rec.)
- WebSite: Album Preview
Leopold Stokowski was one of the greatest conductors of all time. Born in London on April 18, 1882, he started his musical career as an organist. In 1903, he took the post of principal organist at St. James’ Church
in London, situated in a small side o the famous Piccadilly. Although only 21 years old, he became soon well-known and after two years received an oer from St. Bartholomew’s Church in New York, which he accepted enthusiastically.
The congregation loved him, particularly for his uncommon musical repertoire.
In 1909, the famous pianist Olga Samaro made it possible for him to conduct a concert with the Cincinnati Symphony Orchestra on May 12, in which she was the soloist. The concert was a great success and Stokowski was instantly
engaged for the next season. Despite triumphal successes, however, he left Cincinnati in 1911, due to internal quarrels. Back in Europe, he married Olga. In 1912, he returned to the United States, this time to the Philadelphia Orchestra,
where he conducted his rst concert on October 11. The Philadelphia Orchestra was then rather a middle-class orchestra but Stokowski improved its sound within short time. The result became later known as the Philadelphia Sound and
was achieved with some unusual innovations. First, he allowed the strings free bowing, which means the string players were free to move their bows up and down as they pleased, rather than in unison. This produces a very warm, silky
and vivid sound, as it had never been heard before. Stokowski also made several changes to the orchestra’s seating arrangement to improve the transparency and clarity of the sound. But it was not only this what made him popular. He
sometimes produced his concerts like a stage-play by placing light spots on him or his always baton-less conducting hands, by speeches to the audience and even once by hiding the orchestra behind a curtain. Stokowski always made a
mystery of himself. Asked about his age, he would give 1887 as his year of birth instead of 1882 . Throughout his whole life he spoke with a strange pseudo-east-European accent of which nobody ever had an idea where he, as a born
Lodoner, could have it from.
In 1940, Stokowski made the famous lm Fantasia together with Walt Disney, in which cartoon gures move in ballet-like sequences to classical music. The music for the lm was recorded in eight-channel stereophony and surprised its
spectators for both its visual and acoustical achievements. Stokowski also appeared in some other, rather slushy lms, which are listed here.
His private life also brought him into the newspapers. He was married several times - once to the million heiress Gloria Vanderbilt - and had a well-publicized aair with Greta Garbo.
Musically, he provoked a still-lasting controversy over his bombastic symphonic transcriptions of Bach works, which are considered sacrilege by baroque purists. He also had no inhibitions about making changes to the scores of other
great masters, such as Beethoven or Tchaikovsky, if this served the work in any way. He also made his own orchestral arrangements of
other works, such as Mussorgski’s Pictures at an Exhibition and A Night on the Bare Mountain or Debussy’s La cathédrale engloutie.
Stokowski left Philadelphia in 1941, turning to various musical projects. He had many engagements as guest conductor all over the
world and founded several orchestras, such as The All-American Youth Orchestra, The American Symphony Orchestra, The Symphony
of the Air and "His" Symphony Orchestra (for recording sessions with Capitol Records).
With a legendary concert on June 14, 1972, Stokowski celebrated the sixtieth anniversary of his rst appearance with the London
Symphony Orchestra. Stokowski was always very interested in improving the sound quality of recording media. Therefore, it is a great
luck for the record lover that he became so old. He made still excellent (perhaps even his best) stereo recordings in his higher age. The
dierence between his recordings and those of other conductors is simply that he is a magician. When you hear Stokowski, suddenly
the music begins to develop its own life. The sound is usually richer than everywhere else and so intense that you can’t believe it is
produced by a hundred people and not by only one. It is said that Stokowski kept on playing the organ his whole life: through the
orchestra.
At 94, he was optimistic enough to sign a ve years contract with Columbia Records. Unfortunately, this could not avert his destiny.
He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England. It was the day on which he was to
record Rachmaninov’s Second Symphony, a wonderful work he never recorded commercially. Stokowski was buried at Marylebone
Cemetery, East Finchley, in north London. Should you wish to visit his grave, you will nd it at position D 10 147.
Tracks:
01. Suite From "The Firebird" 21:11
02. Suite From "Petroushka" 16:25
Personnel:
Leopold Stokowski
The Berlin Philharmonic Orchestra
Source used for Transfer: Capital 2-track tape
Recording Info: Date of Recording: 05/1957
Venue: Grunewaldkirche, Berlin
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in London, situated in a small side o the famous Piccadilly. Although only 21 years old, he became soon well-known and after two years received an oer from St. Bartholomew’s Church in New York, which he accepted enthusiastically.
The congregation loved him, particularly for his uncommon musical repertoire.
In 1909, the famous pianist Olga Samaro made it possible for him to conduct a concert with the Cincinnati Symphony Orchestra on May 12, in which she was the soloist. The concert was a great success and Stokowski was instantly
engaged for the next season. Despite triumphal successes, however, he left Cincinnati in 1911, due to internal quarrels. Back in Europe, he married Olga. In 1912, he returned to the United States, this time to the Philadelphia Orchestra,
where he conducted his rst concert on October 11. The Philadelphia Orchestra was then rather a middle-class orchestra but Stokowski improved its sound within short time. The result became later known as the Philadelphia Sound and
was achieved with some unusual innovations. First, he allowed the strings free bowing, which means the string players were free to move their bows up and down as they pleased, rather than in unison. This produces a very warm, silky
and vivid sound, as it had never been heard before. Stokowski also made several changes to the orchestra’s seating arrangement to improve the transparency and clarity of the sound. But it was not only this what made him popular. He
sometimes produced his concerts like a stage-play by placing light spots on him or his always baton-less conducting hands, by speeches to the audience and even once by hiding the orchestra behind a curtain. Stokowski always made a
mystery of himself. Asked about his age, he would give 1887 as his year of birth instead of 1882 . Throughout his whole life he spoke with a strange pseudo-east-European accent of which nobody ever had an idea where he, as a born
Lodoner, could have it from.
In 1940, Stokowski made the famous lm Fantasia together with Walt Disney, in which cartoon gures move in ballet-like sequences to classical music. The music for the lm was recorded in eight-channel stereophony and surprised its
spectators for both its visual and acoustical achievements. Stokowski also appeared in some other, rather slushy lms, which are listed here.
His private life also brought him into the newspapers. He was married several times - once to the million heiress Gloria Vanderbilt - and had a well-publicized aair with Greta Garbo.
Musically, he provoked a still-lasting controversy over his bombastic symphonic transcriptions of Bach works, which are considered sacrilege by baroque purists. He also had no inhibitions about making changes to the scores of other
great masters, such as Beethoven or Tchaikovsky, if this served the work in any way. He also made his own orchestral arrangements of
other works, such as Mussorgski’s Pictures at an Exhibition and A Night on the Bare Mountain or Debussy’s La cathédrale engloutie.
Stokowski left Philadelphia in 1941, turning to various musical projects. He had many engagements as guest conductor all over the
world and founded several orchestras, such as The All-American Youth Orchestra, The American Symphony Orchestra, The Symphony
of the Air and "His" Symphony Orchestra (for recording sessions with Capitol Records).
With a legendary concert on June 14, 1972, Stokowski celebrated the sixtieth anniversary of his rst appearance with the London
Symphony Orchestra. Stokowski was always very interested in improving the sound quality of recording media. Therefore, it is a great
luck for the record lover that he became so old. He made still excellent (perhaps even his best) stereo recordings in his higher age. The
dierence between his recordings and those of other conductors is simply that he is a magician. When you hear Stokowski, suddenly
the music begins to develop its own life. The sound is usually richer than everywhere else and so intense that you can’t believe it is
produced by a hundred people and not by only one. It is said that Stokowski kept on playing the organ his whole life: through the
orchestra.
At 94, he was optimistic enough to sign a ve years contract with Columbia Records. Unfortunately, this could not avert his destiny.
He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England. It was the day on which he was to
record Rachmaninov’s Second Symphony, a wonderful work he never recorded commercially. Stokowski was buried at Marylebone
Cemetery, East Finchley, in north London. Should you wish to visit his grave, you will nd it at position D 10 147.
Tracks:
01. Suite From "The Firebird" 21:11
02. Suite From "Petroushka" 16:25
Personnel:
Leopold Stokowski
The Berlin Philharmonic Orchestra
Source used for Transfer: Capital 2-track tape
Recording Info: Date of Recording: 05/1957
Venue: Grunewaldkirche, Berlin
Classical | Oldies | FLAC / APE | HD & Vinyl
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