Herbie Hancock - The Prisoner (1969) {RVG Edition} CD Rip
BAND/ARTIST: Herbie Hancock
- Title: The Prisoner
- Year Of Release: 2000
- Label: Blue Note[7243 5 25649 2 7]
- Genre: Jazz, Post Bop
- Quality: FLAC (tracks + .cue,log,scans)
- Total Time: 55:43
- Total Size: 371 MB(+3%)
- WebSite: Album Preview
Tracklist
01 - I Have a Dream (10:58)
02 - The Prisoner (07:57)
03 - Firewater (07:33)
04 - He Who Lives in Fear (06:51)
05 - Promise of the Sun (07:52)
06 - The Prisoner [Alternate Take][x] (05:47)
07 - Firewater [Alternate Take][x] (08:38)
Recorded on April 18 (#2,4,6), April 21 (#1) and April 23 (#3,5,7), 1969 at the Van Gelder Studio, Englewood Cliffs, New Jersey.
All transfers from analog to digital were made at 24-bit resolution.
personnel :
Herbie Hancock – acoustic piano, electric piano
Johnny Coles – flugelhorn
Garnett Brown – trombone
Joe Henderson – tenor saxophone, alto flute
Buster Williams – bass
Tootie Heath – drums
Tony Studd – bass trombone (1, 2, 4)
Jack Jeffers – bass trombone (3, 5)
Hubert Laws – flute (1, 2, 4)
Jerome Richardson – bass clarinet (1, 2, 4), flute (3, 5)
Romeo Penque – bass clarinet (3, 5)
As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert "Tootie" Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' "Firewater") have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely, even if the music meanders a little too often to be judged a complete success.~ Stephen Thomas Erlewine
01 - I Have a Dream (10:58)
02 - The Prisoner (07:57)
03 - Firewater (07:33)
04 - He Who Lives in Fear (06:51)
05 - Promise of the Sun (07:52)
06 - The Prisoner [Alternate Take][x] (05:47)
07 - Firewater [Alternate Take][x] (08:38)
Recorded on April 18 (#2,4,6), April 21 (#1) and April 23 (#3,5,7), 1969 at the Van Gelder Studio, Englewood Cliffs, New Jersey.
All transfers from analog to digital were made at 24-bit resolution.
personnel :
Herbie Hancock – acoustic piano, electric piano
Johnny Coles – flugelhorn
Garnett Brown – trombone
Joe Henderson – tenor saxophone, alto flute
Buster Williams – bass
Tootie Heath – drums
Tony Studd – bass trombone (1, 2, 4)
Jack Jeffers – bass trombone (3, 5)
Hubert Laws – flute (1, 2, 4)
Jerome Richardson – bass clarinet (1, 2, 4), flute (3, 5)
Romeo Penque – bass clarinet (3, 5)
As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert "Tootie" Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' "Firewater") have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely, even if the music meanders a little too often to be judged a complete success.~ Stephen Thomas Erlewine
Jazz | FLAC / APE | CD-Rip
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