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Camilla Tilling, Paul Rivinius - Richard Strauss - Rote Rosen (2009) Hi-Res

Camilla Tilling, Paul Rivinius - Richard Strauss - Rote Rosen (2009) Hi-Res
  • Title: Richard Strauss - Rote Rosen
  • Year Of Release: 2009
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC 24bit-44.1kHz / FLAC (image+.cue,log,booklet)
  • Total Time: 00:59:10
  • Total Size: 527 / 238 Mb
  • WebSite:
Tracklist:

[1] Rote Rosen, AV 76 (1883) 2'14
Text: Karl Stieler
[2] Malven, AV 304 (1948) 2'58
Text: Betty Knobel
[3] Leises Lied, Op. 39 No. 1 (1897–98) 3'05
Text: Richard Dehmel
[4] Junghexenlied, Op. 39 No. 2 (1897–98) 2'39
Text: Otto Julius Bierbaum
[5] Cäcilie, Op. 27 No. 2 (1894) 2'03
Text: Heinrich Hart
[6] Befreit, Op. 39 No. 4 (1897–98) 5'22
Text: Richard Dehmel
[7]-[9] Drei Lieder der Ophelia, Op. 67 Nos 1–3 (1918) 8'02
Texts: Karl Simrock (based on William Shakespeare)
[10] Allerseelen, Op. 10 No. 8 (1885) 3'05
Text: Hermann von Gilm
[11] Ich schwebe, Op. 48 No. 2 (1900) 2'10
Text: Karl Henckell
[12] Muttertändelei, Op. 43 No. 2 (1899) 2'28
Text: Gottfried August Bürger
[13] Einerlei, Op. 69 No. 3 (1918) 2'17
Text: Achim von Arnim
[14] Schlechtes Wetter, Op. 69 No. 5 (1918) 2'24
Text: Heinrich Heine
[15] Das Rosenband, Op. 36 No. 1 (1897–98) 2'54
Text: Friedrich Gottlieb Klopstock
[16] Hat gesagt – bleibt’s nicht dabei Op. 36 No. 3 (1897–98) 2'21
Text: from ‘Des Knaben Wunderhorn’
[17] All mein’ Gedanken, Op. 21 No. 1 (1889–90) 1'12
Text: Felix Dahn
[18] Du meines Herzens Krönelein, Op. 21 No. 2 (1889–90) 2'02
Text: Felix Dahn
[19] Meinem Kinde, Op. 37 No. 3 (1897–98) 2'31
Text: Gustav Falke
[20] Mein Auge, Op. 37 No. 4 (1897–98) 3'01
Text: Richard Dehmel
[21] Morgen!, Op. 27 No. 4 (1894) 4'00
Text: John Henry Mackay

Personnel:
Camilla Tilling - soprano
Paul Rivinius - piano
Ulf Wallin - violin (Morgen!)

Richard Strauss, the great composer of symphonic poems and grand operas, wrote solo songs throughout his life: his first compositions, performed within his family circle, were songs and his setting of the poem Malven (Mallows) was to be the last piece he completed. Taking a keen interest in the possibilities and limitations of the human voice, Strauss in the solo song genre found the opportunity to try out various musical options and to discover his own individual style. But the writing of songs also served as a form of relaxation, a way of passing the time. The result is a varied spectrum of atmospheres, moods and emotions: from the jesting tone of Hat gesagt — bleibt’s nicht dabei to the heart-felt declaration of love in Cäcilie and the portrayal of madness of the Three Songs of Ophelia.

Camilla Tilling, whose successful opera career in a very short time has taken her to some of the world’s most prestigious venues — including Covent Garden, the Metropolitan, La Scala and La Monnaie — made her international breakthrough in the role of Sophie in Strauss’s Der Rosenkavalier. Ever since, Strauss’s music has held a special place for her, and on her first solo recording she has chosen to perform some of her favourites among his songs. She is partnered by the fine German pianist Paul Rivinius, with violinist Ulf Wallin making a guest appearance in Morgen!, where he plays the solo that Strauss added when making an orchestral version of the song.


Camilla Tilling, Paul Rivinius - Richard Strauss - Rote Rosen (2009) Hi-Res




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