The Back Porch Majority - The Willy Nilly Wonder Of Illusion (1967) [Hi-Res]
![The Back Porch Majority - The Willy Nilly Wonder Of Illusion (1967) [Hi-Res]](https://www.dibpic.com/uploads/posts/2021-02/1613576774_0886446388885_600.jpg)
BAND/ARTIST: The Back Porch Majority
- Title: The Willy Nilly Wonder Of Illusion
- Year Of Release: 1967
- Label: Epic - Legacy
- Genre: Folk, World
- Quality: 16-bit/44.1kHz FLAC / 24-bit/192kHz FLAC
- Total Time: 00:24:32
- Total Size: 163; 1018 MB
The Back Porch Majority was one of several large folk music ensembles that were popular during the first half of the '60s. Along with the Serendipity Singers, they were considered rivals and imitators of the New Christy Minstrels, but they had a closer relationship to the latter group than any of their rivals, as they were founded by the same man, Randy Sparks. In 1963, Sparks decided to give up performing with the New Christy Minstrels, the folk ensemble that he'd founded two years earlier. His exit, and the decision to move group-member Barry McGuire to center-stage as his replacement as "leader" of the Christys on-stage, caused singer Dolan Ellis to quit the ten-man group. After briefly trying out Doug Brookins for the spot, Sparks latched onto Gene Clark, a member of a group called the Surf Riders, and put him into the Christys. As compensation for breaking up the Surf Riders, Sparks and his manager, Jack Daley, agreed to put the other two members of Clark's old group, Jimmy Glover and Mike Crumm, into a new group that eventually came to be called the Back Porch Majority.
Sparks' idea was to get the Back Porch Majority (visualized as a sextet or septet, slightly smaller than the Christys' ten-person lineup) off the ground as a performing unit and get them as much exposure as possible, but also to use them as a source for new members of the New Christy Minstrels; they would, in effect, be the minor league "farm team" for the Christys. The Back Porch Majority did better than Sparks could have hoped, despite the fact that they entered the field of "big-band" folk music somewhat late -- they were chosen to entertain at the White House in 1965, and were signed by Columbia Records's Epic label, where they ultimately released five LPs, including a live album recorded at Sparks' club, Ledbetters. They also appeared on installments of the network music showcase Hullabaloo, and were guests on other variety shows as well. Among the earliest alumni of the Back Porch Majority to make the jump to the Christys was Paul Potash, a former Greenwich Village folkie who'd moved to California, originally as a partner with Art Podell (who'd been a member of the Christys since 1962) -- Podell joined in 1964, replacing Gene Clark. The Back Porch Majority continued making records through 1967 before breaking up, but their most successful member, apart from Clark, was probably singer-guitarist Kin Vassy, who appeared on records by artists as different as Frank Zappa (Apostrophe), Dolly Parton, Kenny Rogers, and Lionel Richie, and sang on the USA for Africa: We Are the World album.
Tracklist:
01. The Back Porch Majority - Camp Street Hooligans (02:54)
02. The Back Porch Majority - Second-Hand Man (02:52)
03. The Back Porch Majority - Meet Me Down At The Bath House, Honey, In Rome On A Saturday Night (02:49)
04. The Back Porch Majority - Richard Cory (03:05)
05. The Back Porch Majority - In The Ocean Of Time (03:02)
07. The Back Porch Majority - Slippery Sal And Dirty Dan, The Oyster Man (02:38)
08. The Back Porch Majority - Jack The Ripper (02:36)
09. The Back Porch Majority - Good-Time Joe (02:22)
10. The Back Porch Majority - Southtown, U. S. A. (02:10)
Sparks' idea was to get the Back Porch Majority (visualized as a sextet or septet, slightly smaller than the Christys' ten-person lineup) off the ground as a performing unit and get them as much exposure as possible, but also to use them as a source for new members of the New Christy Minstrels; they would, in effect, be the minor league "farm team" for the Christys. The Back Porch Majority did better than Sparks could have hoped, despite the fact that they entered the field of "big-band" folk music somewhat late -- they were chosen to entertain at the White House in 1965, and were signed by Columbia Records's Epic label, where they ultimately released five LPs, including a live album recorded at Sparks' club, Ledbetters. They also appeared on installments of the network music showcase Hullabaloo, and were guests on other variety shows as well. Among the earliest alumni of the Back Porch Majority to make the jump to the Christys was Paul Potash, a former Greenwich Village folkie who'd moved to California, originally as a partner with Art Podell (who'd been a member of the Christys since 1962) -- Podell joined in 1964, replacing Gene Clark. The Back Porch Majority continued making records through 1967 before breaking up, but their most successful member, apart from Clark, was probably singer-guitarist Kin Vassy, who appeared on records by artists as different as Frank Zappa (Apostrophe), Dolly Parton, Kenny Rogers, and Lionel Richie, and sang on the USA for Africa: We Are the World album.
Tracklist:
01. The Back Porch Majority - Camp Street Hooligans (02:54)
02. The Back Porch Majority - Second-Hand Man (02:52)
03. The Back Porch Majority - Meet Me Down At The Bath House, Honey, In Rome On A Saturday Night (02:49)
04. The Back Porch Majority - Richard Cory (03:05)
05. The Back Porch Majority - In The Ocean Of Time (03:02)
07. The Back Porch Majority - Slippery Sal And Dirty Dan, The Oyster Man (02:38)
08. The Back Porch Majority - Jack The Ripper (02:36)
09. The Back Porch Majority - Good-Time Joe (02:22)
10. The Back Porch Majority - Southtown, U. S. A. (02:10)
World | Folk | FLAC / APE | HD & Vinyl
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