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Sally Silver - Songs by William Vincent Wallace (2014)

Sally Silver - Songs by William Vincent Wallace (2014)
  • Title: Songs by William Vincent Wallace
  • Year Of Release: 2014
  • Label: SOMM Recordings
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 62:12 min
  • Total Size: 300 MB
  • WebSite:
Tracklist:

01. Why Do I Weep for Thee?
02. The Desert Flower: Through the Pathless Forests Drear
03. Bird of the Wild Wing
04. Orange Flowers
05. Softly, ye night winds
06. Happy Birdling of the Forest, Op. 63
07. The Gypsy Maid
08. Alice
09. Seabirds Wing their Way
10. Over the Silvery Lake
11. It Is the Happy Summer Time
12. Wild Flowers
13. Go! Thou Restless Wind
14. Cradle Song
15. The Star of Love
16. The Spring and Summer Both are Past
17. The Winds that Waft My Sighs to Thee
18. Good Night, and Pleasant Dreams
19. Old Friends and Other Days
20. The Leaves are Turning Red


Wallace wrote for some of the great singers of his day (1830’s – 1860’s), Jenny Lind (Gipsy Maid), the Irish soprano Carherine Hayes (Happy Birdling), the baritone Johann Baptist Pischek (Go thou restless wind), Henriette Sontag (Orange Flower) and his soprano wife (Cradle Song).

Wallace was nothing if not versatile. He was born in Waterford, Ireland in 1812 and died in France at the age of 53 after a colourful career as a violinist (dubbed ‘the Australian Paganini’ at the age of 23, whilst in New South Wales), pianist and conductor (in South America and the USA) and finally in London as an operatic composer whose operas, particularly Maritana, Lurline and the Amber Witch gained great popularity when premiered in the London theatres.

In his excellent CD booklet notes, Andrew Lamb (author of William Vincent Wallace: Composer, Virtuoso and Adventurer), writes: “Wallace’s songs readily display his instinctive melodic gift, and the graceful melodic lines are allied to the same comfortable grasp of keyboard technique that pervades his piano output. The collection recorded here is mostly upbeat, avoiding the maudlin sentiment that disfigures much of Victorian balladry.”


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