Christoph Prégardien - Bach & Telemann: Cantatas for Baritone (2018) [Hi-Res]
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BAND/ARTIST: Christoph Prégardien
- Title: Bach & Telemann: Cantatas for Baritone
- Year Of Release: 2018
- Label: deutsche harmonia mundi
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +booklet
- Total Time: 01:07:16
- Total Size: 355 / 729 mb
- WebSite: Album Preview
Tracklist
01. Ouverture-Suite in G Minor, FaWV K:g2: I. Ouverture
02. Was gibst du denn, o meine Seele, TWV 1:1510: I. Choral
03. Was gibst du denn, o meine Seele, TWV 1:1510: II. Recitativo
04. Was gibst du denn, o meine Seele, TWV 1:1510: III. Aria
05. Was gibst du denn, o meine Seele, TWV 1:1510: IV. Recitativo
06. Was gibst du denn, o meine Seele, TWV 1:1510: V. Aria
07. Was gibst du denn, o meine Seele, TWV 1:1510: VI. Choral
08. Jesus liegt in letzten Zügen, TWV 1:983: I. Aria
09. Jesus liegt in letzten Zügen, TWV 1:983: II. Recitativo
10. Jesus liegt in letzten Zügen, TWV 1:983: III. Aria
11. Jesus liegt in letzten Zügen, TWV 1:983: IV. Recitativo
12. Jesus liegt in letzten Zügen, TWV 1:983: V. Aria
13. Ouverture-Suite in D Minor, TWV 55:d3
14. I. Ich will den Kreuzstab gerne tragen (Aria)
15. II. Mein Wandel auf der Welt (Recitativo)
16. III. Endlich, endlich wird mein Joch (Aria)
17. IV. Ich stehe fertig und bereit (Recitativo)
18. Ich will den Kreuzstab gerne tragen, BWV 56: V. Komm, o Tod, du Schlafes Bruder (Choral)
19. Concerto grosso in E Minor, Op. 6, No. 4: I. Larghetto
A famous cantata for baritone by Johann Sebastian Bach (“Kreuzstabkantate”), combined with two cantatas by Georg Philipp Telemann. In addition and as a supplementary musical colour there are three purely instrumental pieces: overtures by J. F. Fasch and Telemann, and as an “encore”, the Larghetto from Handel’s Concerto Grosso Op. 6/4.
Christoph Prégardien was and is well known as one of the most versatile lyric tenors of our time. Actually, he now more and more discovers the “lower” musical repertoire for baritones and bass baritones. The legendary Dietrich Fischer-Dieskau has been one of the most famous interpreters of Bach’s “Kreuzstabkantate”. To compete with such an important predecessor is a great challenge and interesting undertaking for the artist.
The Vox Orchestra represents a selection of young and enthusiastic musicians. They all grew up with the practically trained knowledge about historically informed performances. The combination of these musical “hotheads” with the experienced Christoph Prégardien is particularly attractive.
Bach’s cantata ends with the moving and impressive chorale “Komm, o Tod, du Schlafes Bruder” (“Come, o death, brother of sleep”). On our album, this chorale is sung by the young musicians of the orchestra themselves, who were especially trained for this occasion by Christoph Prégardien.
01. Ouverture-Suite in G Minor, FaWV K:g2: I. Ouverture
02. Was gibst du denn, o meine Seele, TWV 1:1510: I. Choral
03. Was gibst du denn, o meine Seele, TWV 1:1510: II. Recitativo
04. Was gibst du denn, o meine Seele, TWV 1:1510: III. Aria
05. Was gibst du denn, o meine Seele, TWV 1:1510: IV. Recitativo
06. Was gibst du denn, o meine Seele, TWV 1:1510: V. Aria
07. Was gibst du denn, o meine Seele, TWV 1:1510: VI. Choral
08. Jesus liegt in letzten Zügen, TWV 1:983: I. Aria
09. Jesus liegt in letzten Zügen, TWV 1:983: II. Recitativo
10. Jesus liegt in letzten Zügen, TWV 1:983: III. Aria
11. Jesus liegt in letzten Zügen, TWV 1:983: IV. Recitativo
12. Jesus liegt in letzten Zügen, TWV 1:983: V. Aria
13. Ouverture-Suite in D Minor, TWV 55:d3
14. I. Ich will den Kreuzstab gerne tragen (Aria)
15. II. Mein Wandel auf der Welt (Recitativo)
16. III. Endlich, endlich wird mein Joch (Aria)
17. IV. Ich stehe fertig und bereit (Recitativo)
18. Ich will den Kreuzstab gerne tragen, BWV 56: V. Komm, o Tod, du Schlafes Bruder (Choral)
19. Concerto grosso in E Minor, Op. 6, No. 4: I. Larghetto
A famous cantata for baritone by Johann Sebastian Bach (“Kreuzstabkantate”), combined with two cantatas by Georg Philipp Telemann. In addition and as a supplementary musical colour there are three purely instrumental pieces: overtures by J. F. Fasch and Telemann, and as an “encore”, the Larghetto from Handel’s Concerto Grosso Op. 6/4.
Christoph Prégardien was and is well known as one of the most versatile lyric tenors of our time. Actually, he now more and more discovers the “lower” musical repertoire for baritones and bass baritones. The legendary Dietrich Fischer-Dieskau has been one of the most famous interpreters of Bach’s “Kreuzstabkantate”. To compete with such an important predecessor is a great challenge and interesting undertaking for the artist.
The Vox Orchestra represents a selection of young and enthusiastic musicians. They all grew up with the practically trained knowledge about historically informed performances. The combination of these musical “hotheads” with the experienced Christoph Prégardien is particularly attractive.
Bach’s cantata ends with the moving and impressive chorale “Komm, o Tod, du Schlafes Bruder” (“Come, o death, brother of sleep”). On our album, this chorale is sung by the young musicians of the orchestra themselves, who were especially trained for this occasion by Christoph Prégardien.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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