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Levon Helm - Ramble at the Ryman (2011)

Levon Helm - Ramble at the Ryman (2011)

BAND/ARTIST: Levon Helm

  • Title: Ramble at the Ryman
  • Year Of Release: 2011
  • Label: Vanguard/Dirt Farmer Music
  • Genre: Blues Rock, Country Rock
  • Quality: Mp3 320 / Flac (image, .cue, log)
  • Total Time: 01:10:53
  • Total Size: 191/536 Mb (scans)
  • WebSite:
Levon Helm - Ramble at the Ryman (2011)


Tracklist:

01. Ophelia
02. Back To Memphis
03. Fannie Mae
04. Baby Scratch My Back
05. Evangeline
06. No Depression In Heaven
07. Wide River To Cross
08. Deep Elem Blues
09. Anna Lee
10. Rag Mama Rag
11. Time Out For The Blues
12. A Train Robbery
13. The Shape I'm In
14. Chest Fever
15. The Weight

Line-up:
The Levon Helm Band:
Bass – Paul Ossola
Drums – Tony Leone
Saxophone – Erik Lawrence, Jay Collins
Trombone, Tuba – Clark Gayton
Trumpet – Steven Bernstein
Vocals, Acoustic Guitar – Teresa Williams
Vocals, Drums, Mandolin – Amy Helm, Levon Helm
Vocals, Electric Guitar, Acoustic Guitar, Fiddle, Mandolin – Larry Campbell
Vocals, Harmonica – Sammy Davis
Vocals, Piano, Organ, Accordion – Brian Mitchell
Guest:
Percussion – George Receli
Vocals – Billy Bob Thornton
Vocals, Acoustic Guitar – John Hiatt
Vocals, Autoharp – Sheryl Crow
Vocals, Guitar – Buddy Miller
Vocals, Mandolin – Sam Bush

Every week at his Woodstock home and studio, Band drummer Levon Helm entertains folks with his Midnight Ramble. It’s a casual, intimate show that features Helm with his band and a variety of guests. He’s brought his ramble to the road and this recording is from his performance at Nashville’s Ryman Auditorium during the fall of 2008. Multi-instrumentalist Larry Campbell leads the band. This set features guests Sam Bush, Sheryl Crow, John Hiatt, and Buddy Miller. The tracks range from Band classics, “The Weight,” “The Shape I’m In” and “Chest Fever” to New Orleans-style R&B versions of “Back to Memphis,” “Fannie Mae” and “Baby Scratch My Back.” His voice is in surprisingly good form. Helm beat throat cancer, but his voice has become even more ragged but right over the years. There’s a downhome authenticity to the performances here. The sawing of the fiddle during “Anna Lee,” the deep country of “No Depression In Heaven” and the rockabilly-meets-Appalachia of “Time Out for the Blues” are in a world of their own.


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  • whiskers
  •  wrote in 21:18
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Many Thanks
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  • correctomundo
  •  wrote in 00:04
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great I have been looking for this re-up thanks