Larry Goldings & Harry Allen - When Larry Met Harry (2010) flac
BAND/ARTIST: Larry Goldings, Harry Allen
- Title: When Larry Met Harry
- Year Of Release: 2010
- Label: Palmetto Records
- Genre: Jazz
- Quality: 320 kbps / FLAC (tracks)
- Total Time: 00:52:54
- Total Size: 120.9 MB / 275.7 MB
- WebSite: Album Preview
[3:15] 01. Larry Goldings & Harry Allen - Morning Has Broken
[4:52] 02. Larry Goldings & Harry Allen - Slo-Boat
[3:04] 03. Larry Goldings & Harry Allen - The Look of Love
[4:12] 04. Larry Goldings & Harry Allen - Lucky Am I
[3:55] 05. Larry Goldings & Harry Allen - Benny's Dream
[6:44] 06. Larry Goldings & Harry Allen - Sous Le Ciel De Paris
[5:43] 07. Larry Goldings & Harry Allen - Salad Days
[4:11] 08. Larry Goldings & Harry Allen - Miles Above
[4:15] 09. Larry Goldings & Harry Allen - Bud's In Bloom
[5:13] 10. Larry Goldings & Harry Allen - I Can See Forever
[4:29] 11. Larry Goldings & Harry Allen - Valse D'antan
[3:00] 12. Larry Goldings & Harry Allen - Hester Street, 1896
There is always a place in the world for beautifully played jazz, where the saxophonist doesn't sound like he's trying to inflict pain on his horn, and the pianist just hits all the right notes. Tenor player Harry Allen and his keyboard partner, Larry Goldings, are the musicians, and the album is When Larry Met Harryl.
Of the twelve tracks on the record, eight were penned by Goldings, which is noteworthy because they would sound right at home with a 1950s Ben Webster combo playing standards. They are mostly slow to mid-tempo tunes with an emphasis on melody and tasteful presentation. Mercifully, the affair never dips into a syrupy morass, even on "Benny's Dream," which features a string section in the background—a potential kitschy trap. The device, which is only deployed on this track, adds just enough effect to compliment the tune without overwhelming it.
"Bud's In Bloom," the most up-tempo song of the set, shows off some solid bebop chops in the tradition of Charlie Parker's best compositions, but without any frenetic eruptions to upset the overall tone of the record. This band can cook, but it does so in good taste. One of the few covers on the date, Burt Bacharach's "The Look of Love," brings the syncopated bounce of the rhythm section—drummer Andy Watson and bassist Doug Weiss—forward into the mix, as the leaders lay back on a song that's as much about the notes that aren't played as the ones that are.
Despite its generally laconic pace, this is a tautly performed album. The musicians are clearly in sync with each other, and there are virtually no musical loose ends in evidence. Allen is a buttery, warm player with an elegant tone, and a gentle but insistent presentation. Goldings sticks mostly to the piano, but overlays some very subtle keyboard accents throughout. The production values are very strong, with a natural presentation and big wide soundstage. The piano, in particular, sounds very full and lifelike, captured with all of its harmonic textures intact.
Track Listing: Morning Has Broken; Slo-Boat; The Look of Love; Lucky Am I; Benny's Dream; Sous le ciel de Paris; Salad Days; Miles Above; Bud's in Bloom; I Can See Forever; Valse d'antan; Hester Street, 1986.
Personnel:
Larry Goldings: piano, bells, vibes, organ;
Harry Allen: tenor saxophone;
Doug Weiss: bass (3, 5, 6, 8, 10, 11);
Neil Miner: bass (2, 4, 7, 9);
Andy Watson: drums.
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[4:52] 02. Larry Goldings & Harry Allen - Slo-Boat
[3:04] 03. Larry Goldings & Harry Allen - The Look of Love
[4:12] 04. Larry Goldings & Harry Allen - Lucky Am I
[3:55] 05. Larry Goldings & Harry Allen - Benny's Dream
[6:44] 06. Larry Goldings & Harry Allen - Sous Le Ciel De Paris
[5:43] 07. Larry Goldings & Harry Allen - Salad Days
[4:11] 08. Larry Goldings & Harry Allen - Miles Above
[4:15] 09. Larry Goldings & Harry Allen - Bud's In Bloom
[5:13] 10. Larry Goldings & Harry Allen - I Can See Forever
[4:29] 11. Larry Goldings & Harry Allen - Valse D'antan
[3:00] 12. Larry Goldings & Harry Allen - Hester Street, 1896
There is always a place in the world for beautifully played jazz, where the saxophonist doesn't sound like he's trying to inflict pain on his horn, and the pianist just hits all the right notes. Tenor player Harry Allen and his keyboard partner, Larry Goldings, are the musicians, and the album is When Larry Met Harryl.
Of the twelve tracks on the record, eight were penned by Goldings, which is noteworthy because they would sound right at home with a 1950s Ben Webster combo playing standards. They are mostly slow to mid-tempo tunes with an emphasis on melody and tasteful presentation. Mercifully, the affair never dips into a syrupy morass, even on "Benny's Dream," which features a string section in the background—a potential kitschy trap. The device, which is only deployed on this track, adds just enough effect to compliment the tune without overwhelming it.
"Bud's In Bloom," the most up-tempo song of the set, shows off some solid bebop chops in the tradition of Charlie Parker's best compositions, but without any frenetic eruptions to upset the overall tone of the record. This band can cook, but it does so in good taste. One of the few covers on the date, Burt Bacharach's "The Look of Love," brings the syncopated bounce of the rhythm section—drummer Andy Watson and bassist Doug Weiss—forward into the mix, as the leaders lay back on a song that's as much about the notes that aren't played as the ones that are.
Despite its generally laconic pace, this is a tautly performed album. The musicians are clearly in sync with each other, and there are virtually no musical loose ends in evidence. Allen is a buttery, warm player with an elegant tone, and a gentle but insistent presentation. Goldings sticks mostly to the piano, but overlays some very subtle keyboard accents throughout. The production values are very strong, with a natural presentation and big wide soundstage. The piano, in particular, sounds very full and lifelike, captured with all of its harmonic textures intact.
Track Listing: Morning Has Broken; Slo-Boat; The Look of Love; Lucky Am I; Benny's Dream; Sous le ciel de Paris; Salad Days; Miles Above; Bud's in Bloom; I Can See Forever; Valse d'antan; Hester Street, 1986.
Personnel:
Larry Goldings: piano, bells, vibes, organ;
Harry Allen: tenor saxophone;
Doug Weiss: bass (3, 5, 6, 8, 10, 11);
Neil Miner: bass (2, 4, 7, 9);
Andy Watson: drums.
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