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Damien Guillon, Eric Bellocq - Dowland: Lute Songs (2011) [Hi-Res]

Damien Guillon, Eric Bellocq - Dowland: Lute Songs (2011) [Hi-Res]
  • Title: Dowland: Lute Songs
  • Year Of Release: 2011
  • Label: Zig-Zag Territoires
  • Genre: Classical
  • Quality: 24bit-88.2kHz FLAC (tracks)
  • Total Time: 01:00:06
  • Total Size: 375 MB
  • WebSite:
Tracklist:

1. Can she excuse my wrongs (John Dowland) 2:42
2. What then is love but mourning (Philip Rosseter) 2:04
3. Come away, Come sweet love (John Dowland) 2:21
4. Sir John Smith, His Almain (John Dowland) 2:45
5. Sorrow, stay (John Dowland) 3:33
6. Burst forth my tears (John Dowland) 4:23
7. Galliard to Lachrimae (John Dowland) 3:29
8. Flow my tears (John Dowland) 4:06
9. The Eglantine Branche (Anonymous) 1:45
10. A shepherd in a shade (John Dowland) 2:33
11. Away with these self-loving lads (John Dowland) 2:37
12. The Gilly flower (Anonymous / English Traditional) 0:56
13. Say Love if ever thou didst find (John Dowland) 1:52
14. Almayn (Robert Johnson) 0:49
15. Fine knacks for ladies (John Dowland) 2:15
16. Awake sweet love (John Dowland) 2:40
17. I saw my lady weep (John Dowland) 5:27
18. Mr. Dowland's midnight (John Dowland) 0:56
19. Dear, if you change (John Dowland) 3:20
20. Now, O now I needs must part (John Dowland) 4:36
21. Come Heavy sleep (John Dowland) 4:59

Damien Guillon has chosen for his first solo recital disc a refined, subtle and melancholy repertoire, which he has gone on to explore in depth and polish in genuine chamber style with the lutenist Eric Bellocq, an expert in Renaissance music. Dowland is heir to the English polyphonic tradition (middle age conception) where words and music coincide not on meaning but through proportions generated by the planets, however he also explores the new modes of expression which were emerging on the continent related to italian renaissance which linked meaning of the words and musical effect, favoring harmony towards polyphony. His ambivalent attitude seems to have caught the attention of the performers on this recording. Damien Guillon and Éric Bellocq succeed in finding an unprecedented balance between these two facets of the composers art. Both singer and lutenist dramatise theirdiscourse by means of great variety of dynamics, yet without breaking up the polyphonic lines. Jean-Luc Tamby


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