Orlando Bass - Olivier Penard & Orlando Bass: Piano Works (2020)
BAND/ARTIST: Orlando Bass
- Title: Olivier Penard & Orlando Bass: Piano Works
- Year Of Release: 2020
- Label: DUX
- Genre: Classical Piano
- Quality: flac lossless +booklet
- Total Time: 01:57:57
- Total Size: 384 mb
- WebSite: Album Preview
Tracklist
CD1
01. Piano Sonata No. 2, Op. 45: I. —
02. Piano Sonata No. 2, Op. 45: II. —
03. Piano Sonata No. 2, Op. 45: III. Disparition
04. Piano Sonata No. 2, Op. 45: IV. —
05. Trois interludes funèbres d’après Ophélie, Op. 47: No. 1, Dans les plaintes de l’arbre et les soupirs des nuits
06. Trois interludes funèbres d’après Ophélie, Op. 47: No. 2, Un chant mystérieux tombe des astres d’or
07. Trois interludes funèbres d’après Ophélie, Op. 47: No. 3, Aux rayons des étoiles
08. Piano Sonata No. 1, Op. 37
CD2
01. Ironies: No. 1, Passacaille
02. Ironies: No. 2, Étude sur π
03. Ironies: No. 3, Berceuse
04. Ironies: No. 4, Barcarolle
05. Ironies: No. 5, Scherzo
06. Ironies: No. 6, Undae transeunt
07. Ironies: No. 7, Impromptu
08. Ironies: No. 8, De volubilita condimentorum
09. Ironies: No. 9, Cruditas colombo urbano
10. Ironies: No. 10, Undae dissolvunt
11. Ironies: No. 11, Mouvement perpétuel A
12. Ironies: No. 12, Mouvement perpétuel B
13. Ironies: No. 13, Sarabande funèbre
14. Un pot-très-pourri d’opéra
This double album is the testimony of an encounter between two artists delighted to discover that they hold a number of facets in common with regards to creative approach: a freedom of sound, aesthetic diversity, a unique vision of keyboard writing where the piano is treated more like an orchestra than as a solo instrument, the desire for expressiveness which excludes neither references to Neo-Romanticism nor the use of modern techniques, and finally, a wealth of creative energy as well as a profound desire for artistic collaboration.
Despite these similarities, their artistic worlds are singular in their own right. While the music of one is often narrative, at times brutal, yet always striving towards rhythmic and poetic ideal, not unlike a Greek Aed recounting a captivating tale, the other composer uses a language steeped towards the fantastical, mischievously playful and sometimes reeling joyfully in its extraordinary mobility, at once constructed with utmost care while offering the listener a liberating sense of improvisation. They are a generation apart, a factor that could easily divide them or achieve just the opposite, connecting them as the composers choose to enter a dialogue, confronting themselves in their work, resulting in a fruitful collaboration. This approach gives way to a healthy emulation, inspiring creativity and diverting from the often solitary world of the composer.
CD1
01. Piano Sonata No. 2, Op. 45: I. —
02. Piano Sonata No. 2, Op. 45: II. —
03. Piano Sonata No. 2, Op. 45: III. Disparition
04. Piano Sonata No. 2, Op. 45: IV. —
05. Trois interludes funèbres d’après Ophélie, Op. 47: No. 1, Dans les plaintes de l’arbre et les soupirs des nuits
06. Trois interludes funèbres d’après Ophélie, Op. 47: No. 2, Un chant mystérieux tombe des astres d’or
07. Trois interludes funèbres d’après Ophélie, Op. 47: No. 3, Aux rayons des étoiles
08. Piano Sonata No. 1, Op. 37
CD2
01. Ironies: No. 1, Passacaille
02. Ironies: No. 2, Étude sur π
03. Ironies: No. 3, Berceuse
04. Ironies: No. 4, Barcarolle
05. Ironies: No. 5, Scherzo
06. Ironies: No. 6, Undae transeunt
07. Ironies: No. 7, Impromptu
08. Ironies: No. 8, De volubilita condimentorum
09. Ironies: No. 9, Cruditas colombo urbano
10. Ironies: No. 10, Undae dissolvunt
11. Ironies: No. 11, Mouvement perpétuel A
12. Ironies: No. 12, Mouvement perpétuel B
13. Ironies: No. 13, Sarabande funèbre
14. Un pot-très-pourri d’opéra
This double album is the testimony of an encounter between two artists delighted to discover that they hold a number of facets in common with regards to creative approach: a freedom of sound, aesthetic diversity, a unique vision of keyboard writing where the piano is treated more like an orchestra than as a solo instrument, the desire for expressiveness which excludes neither references to Neo-Romanticism nor the use of modern techniques, and finally, a wealth of creative energy as well as a profound desire for artistic collaboration.
Despite these similarities, their artistic worlds are singular in their own right. While the music of one is often narrative, at times brutal, yet always striving towards rhythmic and poetic ideal, not unlike a Greek Aed recounting a captivating tale, the other composer uses a language steeped towards the fantastical, mischievously playful and sometimes reeling joyfully in its extraordinary mobility, at once constructed with utmost care while offering the listener a liberating sense of improvisation. They are a generation apart, a factor that could easily divide them or achieve just the opposite, connecting them as the composers choose to enter a dialogue, confronting themselves in their work, resulting in a fruitful collaboration. This approach gives way to a healthy emulation, inspiring creativity and diverting from the often solitary world of the composer.
Year 2020 | Classical | Instrumental | FLAC / APE
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