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Auckland Philharmonia Orchestra, Giordano Bellincampi, Antony Hermus - Ross Harris: Symphony No. 6 "Last Letter" & Face (Live) (2020) [Hi-Res]

Auckland Philharmonia Orchestra, Giordano Bellincampi, Antony Hermus - Ross Harris: Symphony No. 6 "Last Letter" & Face (Live) (2020) [Hi-Res]
  • Title: Ross Harris: Symphony No. 6 "Last Letter" & Face (Live)
  • Year Of Release: 2020
  • Label: Naxos
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:04:59
  • Total Size: 285 mb / 1.19 gb
  • WebSite:
Tracklist

01. Symphony No. 6 "Last Letter": No. 1, Last Letter Home
02. Symphony No. 6 "Last Letter": Interlude I
03. Symphony No. 6 "Last Letter": No. 2, Mother I Asked You
04. Symphony No. 6 "Last Letter": Interlude II
05. Symphony No. 6 "Last Letter": No. 3, This Word I Carry with You
06. Symphony No. 6 "Last Letter": Interlude III
07. Symphony No. 6 "Last Letter": No. 4, Listen as I Tell You
08. Face: No. 1, Blessed Be the Features I (Live)
09. Face: No. 2, It Is the Same Line of Trees (Live)
10. Face: No. 3a, The Words One Hears in Silence - No. 3b, And How Do I Look My Best? (Live)
11. Face: No. 4, Blessed Be the Features II (Live)
12. Face: No. 5, They'll Want to Talk About Home (Live)
13. Face: No. 6, The Jawline (Live)
14. Face: No. 7, How Do I Look My Best? (Live)
15. Face: No. 8, It's the Constant Thing (Live)
16. Face: No. 9, Blessed Be the Features III (Live)
17. Face: No. 10, I Remember Your Hands (Live)
18. Face: No. 11, This Morning Is All That Matters (Live)
19. Face: No. 12, That Last Enchanting Summer (Live)

Auckland Philharmonia Orchestra, Giordano Bellincampi, Antony Hermus - Ross Harris: Symphony No. 6 "Last Letter" & Face (Live) (2020) [Hi-Res]


In Symphony No. 6 ‘Last Letter’, Ross Harris explores settings of four poems by Vincent O’Sullivan, interlinking them with three musical interludes. The darkness of the subject matter draws from the composer music of powerful and at times despairing intensity. Face was written as the First World War centenary approached its conclusion and confronts the trauma of facial injuries suffered by soldiers in the conflict. Choruses and solos are punctuated by orchestral commentary, the music freely mixing tonal and atonal elements to heighten the expressive gravity of the personal tragedies depicted.


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  •  wrote in 00:31
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gracias...