Alison McGillivray, The English Concert, Andrew Manze - C.P.E. Bach: Symphonies 1-4, Cello Concerto in A (2006) [Hi-Res]
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BAND/ARTIST: Alison McGillivray, The English Concert, Andrew Manze
- Title: C.P.E. Bach: Symphonies 1-4, Cello Concerto in A
- Year Of Release: 2006
- Label: harmonia mundi
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
- Total Time: 01:04:32
- Total Size: 327 mb / 1.11 gb
- WebSite: Album Preview
Tracklist
01. Symphony No. 1 in D major, Wq. 183/1: I. Allegro di molto
02. Symphony No. 1 in D major, Wq. 183/1: II. Largo
03. Symphony No. 1 in D major, Wq. 183/1: III. Presto
04. Symphony No. 2 in E-flat major, Wq. 183/2: I. Allegro di molto
05. Symphony No. 2 in E-flat major, Wq. 183/2: II. Larghetto
06. Symphony No. 2 in E-flat major, Wq. 183/2: III. Allegretto
07. Cello Concerto in A major, Wq. 172: I. Allegro di molto
08. Cello Concerto in A major, Wq. 172: II. Largo con sordini, mesto
09. Cello Concerto in A major, Wq. 172: III. Allegro assai
10. Symphony No. 3 in F major, Wq. 183/3: I. Allegro di molto
11. Symphony No. 3 in F major, Wq. 183/3: II. Larghetto
12. Symphony No. 3 in F major, Wq. 183/3: III. Presto
13. Symphony No. 4 in G major, Wq. 183/4: I. Allegro assai
14. Symphony No. 4 in G major, Wq. 183/4: II. Poco Andante
15. Symphony No. 4 in G major, Wq. 183/4: III. Presto
Let the musicologists and other critics analyze, discuss, and debate C.P.E. Bach's role as a Baroque/Classical, Classical/Romantic transitional figure--meanwhile the rest of us will simply enjoy the pure delight of "the Hamburg Bach's" music, exemplified in these five vibrant, curiously inventive, infinitely attractive, continuously surprising works. Let others worry about form--or lack thereof--or which style a particular work represents; the real pleasure comes with the listening. A great place to begin is with the E-flat major symphony (No. 2), where Bach's knack for weaving together a dazzling array of seemingly disparate elements into a cohesive and colorful if sometimes quirky fabric is on full display. The stop and start rhythmic/melodic patterns of the first movement are followed by the ardent emotion of the second, concluding with an energetic, Haydn-esque finale, which alternates emphatic, firm-footed rhythms with swirling string figures and delicately uttered asides by a few instruments. The cello concerto is a gem, a substantial work (20 minutes) that offers the soloist plenty of clever challenges in the fast movements while providing a slow movement of astonishing expressive intensity that transcends time, place, and stylistic formality. You will definitely want to hear this more than a few times.
01. Symphony No. 1 in D major, Wq. 183/1: I. Allegro di molto
02. Symphony No. 1 in D major, Wq. 183/1: II. Largo
03. Symphony No. 1 in D major, Wq. 183/1: III. Presto
04. Symphony No. 2 in E-flat major, Wq. 183/2: I. Allegro di molto
05. Symphony No. 2 in E-flat major, Wq. 183/2: II. Larghetto
06. Symphony No. 2 in E-flat major, Wq. 183/2: III. Allegretto
07. Cello Concerto in A major, Wq. 172: I. Allegro di molto
08. Cello Concerto in A major, Wq. 172: II. Largo con sordini, mesto
09. Cello Concerto in A major, Wq. 172: III. Allegro assai
10. Symphony No. 3 in F major, Wq. 183/3: I. Allegro di molto
11. Symphony No. 3 in F major, Wq. 183/3: II. Larghetto
12. Symphony No. 3 in F major, Wq. 183/3: III. Presto
13. Symphony No. 4 in G major, Wq. 183/4: I. Allegro assai
14. Symphony No. 4 in G major, Wq. 183/4: II. Poco Andante
15. Symphony No. 4 in G major, Wq. 183/4: III. Presto
Let the musicologists and other critics analyze, discuss, and debate C.P.E. Bach's role as a Baroque/Classical, Classical/Romantic transitional figure--meanwhile the rest of us will simply enjoy the pure delight of "the Hamburg Bach's" music, exemplified in these five vibrant, curiously inventive, infinitely attractive, continuously surprising works. Let others worry about form--or lack thereof--or which style a particular work represents; the real pleasure comes with the listening. A great place to begin is with the E-flat major symphony (No. 2), where Bach's knack for weaving together a dazzling array of seemingly disparate elements into a cohesive and colorful if sometimes quirky fabric is on full display. The stop and start rhythmic/melodic patterns of the first movement are followed by the ardent emotion of the second, concluding with an energetic, Haydn-esque finale, which alternates emphatic, firm-footed rhythms with swirling string figures and delicately uttered asides by a few instruments. The cello concerto is a gem, a substantial work (20 minutes) that offers the soloist plenty of clever challenges in the fast movements while providing a slow movement of astonishing expressive intensity that transcends time, place, and stylistic formality. You will definitely want to hear this more than a few times.
Classical | FLAC / APE | HD & Vinyl
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