Wolfgang Rübsam - J.S. Bach: French Suites BWV812-817 (2020)
BAND/ARTIST: Wolfgang Rübsam
- Title: J.S. Bach: French Suites BWV812-817
- Year Of Release: 2020
- Label: Brilliant Classics
- Genre: Classical Lute, Harpsichord
- Quality: flac lossless +Booklet
- Total Time: 02:30:07
- Total Size: 819 mb
- WebSite: Album Preview
Tracklist
01. French Suite No. 1 in D Minor, BWV 812: I. Allemande
02. French Suite No. 1 in D Minor, BWV 812: II. Courante
03. French Suite No. 1 in D Minor, BWV 812: III. Sarabande
04. French Suite No. 1 in D Minor, BWV 812: IV. Menuet 1 & 2
05. French Suite No. 1 in D Minor, BWV 812: V. Gigue
06. French Suite No. 2 in C Minor, BWV 813: I. Allemande
07. French Suite No. 2 in C Minor, BWV 813: II. Courante
08. French Suite No. 2 in C Minor, BWV 813: III. Sarabande
09. French Suite No. 2 in C Minor, BWV 813: IV. Air
10. French Suite No. 2 in C Minor, BWV 813: V. Menuet
11. French Suite No. 2 in C Minor, BWV 813: VI. Gigue
12. French Suite No. 3 in B Minor, BWV 814: I. Allemande
13. French Suite No. 3 in B Minor, BWV 814: II. Courante
14. French Suite No. 3 in B Minor, BWV 814: III. Sarabande
15. French Suite No. 3 in B Minor, BWV 814: IV. Menuet-Trio-Menuet
16. French Suite No. 3 in B Minor, BWV 814: V. Anglaise
17. French Suite No. 3 in B Minor, BWV 814: VI. Gigue
18. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude
19. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fugue
20. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro
21. French Suite No. 4 in E-Flat Major, BWV 815: I. Allemande
22. French Suite No. 4 in E-Flat Major, BWV 815: II. Courante
23. French Suite No. 4 in E-Flat Major, BWV 815: III. Sarabande
24. French Suite No. 4 in E-Flat Major, BWV 815: IV. Gavotte
25. French Suite No. 4 in E-Flat Major, BWV 815: V. Air
26. French Suite No. 4 in E-Flat Major, BWV 815: VI. Gigue
27. French Suite No. 5 in G Major, BWV 816: I. Allemande
28. French Suite No. 5 in G Major, BWV 816: II. Courante
29. French Suite No. 5 in G Major, BWV 816: III. Sarabande
30. French Suite No. 5 in G Major, BWV 816: IV. Gavotte
31. French Suite No. 5 in G Major, BWV 816: V. Bourrée
32. French Suite No. 5 in G Major, BWV 816: VI. Loure
33. French Suite No. 5 in G Major, BWV 816: VII. Gigue
34. French Suite No. 6 in E Major, BWV 817: I. Allemande
35. French Suite No. 6 in E Major, BWV 817: II. Courante
36. French Suite No. 6 in E Major, BWV 817: III. Sarabande
37. French Suite No. 6 in E Major, BWV 817: IV. Gavotte
38. French Suite No. 6 in E Major, BWV 817: V. Polonaise
39. French Suite No. 6 in E Major, BWV 817: VI. Bourrée
40. French Suite No. 6 in E Major, BWV 817: VII. Menuet
41. French Suite No. 6 in E Major, BWV 817: VIII. Gigue
42. Suite in E Minor, BWV 996: I. Passaggio
43. Suite in E Minor, BWV 996: II. Presto
44. Suite in E Minor, BWV 996: III. Allemande
45. Suite in E Minor, BWV 996: IV. Courante
46. Suite in E Minor, BWV 996: V. Sarabande
47. Suite in E Minor, BWV 996: VI. Bourrée
48. Suite in E Minor, BWV 996: VII. Gigue
It was Georg Böhm who introduced Bach to French harpsichord music and the appropriate manner of playing. Thanks to Böhm’s introduction, Bach, the German harpsichordist, was able to perform French dance music of the era of Louis XIV at gatherings of the nobility, thus becoming familiar with the music of his French contemporaries such as François Couperin, Jean-Philippe Rameau and Louis Marchand. Among the harpsichord pieces which Bach composed in the French style, besides many separate suites, are the English and French Suites (both completed as series in Cöthen and Leipzig in 1718-1725), and the Six Partitas. Bach included in the French Suites the customary sequence of allemande, courante, sarabande and gigue, with additional short movements between the sarabande and gigue. The dances are based on French models, but have no preludes and are generally of a more modest scale, both less stylized and less demanding technically.
Played by one of the foremost keyboard players of today, Wolfgang Rübsam, on the Lute Harpsichord. The quality of the sound of this instrument is much warmer than a regular harpsichord, as it has gut strings and no dampers.
Wolfgang Rübsam has an immense discography to his name. His more than 100 recordings include organ and harpsichord works from the Baroque and the Romantic era.
01. French Suite No. 1 in D Minor, BWV 812: I. Allemande
02. French Suite No. 1 in D Minor, BWV 812: II. Courante
03. French Suite No. 1 in D Minor, BWV 812: III. Sarabande
04. French Suite No. 1 in D Minor, BWV 812: IV. Menuet 1 & 2
05. French Suite No. 1 in D Minor, BWV 812: V. Gigue
06. French Suite No. 2 in C Minor, BWV 813: I. Allemande
07. French Suite No. 2 in C Minor, BWV 813: II. Courante
08. French Suite No. 2 in C Minor, BWV 813: III. Sarabande
09. French Suite No. 2 in C Minor, BWV 813: IV. Air
10. French Suite No. 2 in C Minor, BWV 813: V. Menuet
11. French Suite No. 2 in C Minor, BWV 813: VI. Gigue
12. French Suite No. 3 in B Minor, BWV 814: I. Allemande
13. French Suite No. 3 in B Minor, BWV 814: II. Courante
14. French Suite No. 3 in B Minor, BWV 814: III. Sarabande
15. French Suite No. 3 in B Minor, BWV 814: IV. Menuet-Trio-Menuet
16. French Suite No. 3 in B Minor, BWV 814: V. Anglaise
17. French Suite No. 3 in B Minor, BWV 814: VI. Gigue
18. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: I. Prelude
19. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fugue
20. Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro
21. French Suite No. 4 in E-Flat Major, BWV 815: I. Allemande
22. French Suite No. 4 in E-Flat Major, BWV 815: II. Courante
23. French Suite No. 4 in E-Flat Major, BWV 815: III. Sarabande
24. French Suite No. 4 in E-Flat Major, BWV 815: IV. Gavotte
25. French Suite No. 4 in E-Flat Major, BWV 815: V. Air
26. French Suite No. 4 in E-Flat Major, BWV 815: VI. Gigue
27. French Suite No. 5 in G Major, BWV 816: I. Allemande
28. French Suite No. 5 in G Major, BWV 816: II. Courante
29. French Suite No. 5 in G Major, BWV 816: III. Sarabande
30. French Suite No. 5 in G Major, BWV 816: IV. Gavotte
31. French Suite No. 5 in G Major, BWV 816: V. Bourrée
32. French Suite No. 5 in G Major, BWV 816: VI. Loure
33. French Suite No. 5 in G Major, BWV 816: VII. Gigue
34. French Suite No. 6 in E Major, BWV 817: I. Allemande
35. French Suite No. 6 in E Major, BWV 817: II. Courante
36. French Suite No. 6 in E Major, BWV 817: III. Sarabande
37. French Suite No. 6 in E Major, BWV 817: IV. Gavotte
38. French Suite No. 6 in E Major, BWV 817: V. Polonaise
39. French Suite No. 6 in E Major, BWV 817: VI. Bourrée
40. French Suite No. 6 in E Major, BWV 817: VII. Menuet
41. French Suite No. 6 in E Major, BWV 817: VIII. Gigue
42. Suite in E Minor, BWV 996: I. Passaggio
43. Suite in E Minor, BWV 996: II. Presto
44. Suite in E Minor, BWV 996: III. Allemande
45. Suite in E Minor, BWV 996: IV. Courante
46. Suite in E Minor, BWV 996: V. Sarabande
47. Suite in E Minor, BWV 996: VI. Bourrée
48. Suite in E Minor, BWV 996: VII. Gigue
It was Georg Böhm who introduced Bach to French harpsichord music and the appropriate manner of playing. Thanks to Böhm’s introduction, Bach, the German harpsichordist, was able to perform French dance music of the era of Louis XIV at gatherings of the nobility, thus becoming familiar with the music of his French contemporaries such as François Couperin, Jean-Philippe Rameau and Louis Marchand. Among the harpsichord pieces which Bach composed in the French style, besides many separate suites, are the English and French Suites (both completed as series in Cöthen and Leipzig in 1718-1725), and the Six Partitas. Bach included in the French Suites the customary sequence of allemande, courante, sarabande and gigue, with additional short movements between the sarabande and gigue. The dances are based on French models, but have no preludes and are generally of a more modest scale, both less stylized and less demanding technically.
Played by one of the foremost keyboard players of today, Wolfgang Rübsam, on the Lute Harpsichord. The quality of the sound of this instrument is much warmer than a regular harpsichord, as it has gut strings and no dampers.
Wolfgang Rübsam has an immense discography to his name. His more than 100 recordings include organ and harpsichord works from the Baroque and the Romantic era.
Year 2020 | Classical | FLAC / APE
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