Jeroen van Veen, Tamara Rumiantsev, Sandra van Veen - Ten Holt: Incantatie IV for Three Pianos (2014) [Hi-Res]
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BAND/ARTIST: Jeroen van Veen, Tamara Rumiantsev, Sandra van Veen
- Title: Ten Holt: Incantatie IV for Three Pianos
- Year Of Release: 2014
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 44.1kHz
- Total Time: 02:03:53
- Total Size: 453 / 1010 mb
- WebSite: Album Preview
Tracklist
01. Incantatie IV, Pt. I Tableau I, Section 1-26
02. Incantatie IV, Pt. I Tableau II, Section 27-44
03. Incantatie IV, Pt. I Tableau III, Section 45-68
04. Incantatie IV, Pt. I Tableau IV, section 69-73
05. Incantatie IV, Part II Tableau IV, Section 73-139
06. Incantatie IV, Pt. II Tableau IV, Section 140-147
07. Incantatie IV, Pt. II Tableau V, Section 147-196
08. Incantatie IV Pt. II Tableau VI, Section 197-203
09. Incantatie IV, Pt. II Tableau VII, Section 204-213
![Jeroen van Veen, Tamara Rumiantsev, Sandra van Veen - Ten Holt: Incantatie IV for Three Pianos (2014) [Hi-Res]](https://www.dibpic.com/uploads/posts/2020-11/1605177831_jeroen-van-veen-tamara-rumiantsev-sandra-van-veen-ten-holt-incantatie-iv-for-three-pianos-2014-back.jpg)
Dutch minimalist icon Simeon ten Holt, who recently passed away at the age of 89, studied composition with, among others, Honegger and Milhaud. After exploring serialist techniques in the 1960s, he began to focus on more conventional styles of composition from the 70s onwards concentrating on tone and timbre in particular and it is from this period (between 1976 and 1998) in Ten Holts wide-ranging career that the Incantatie IV for three pianos dates. Widely famed for his Canto Ostinato, written in five layers, the composers Incantatie IV for three pianos stands out for its complexity and is made up of no less than 15 layers for multiple keyboards. Both pieces allow the performers to decide upon the final form of the music, but Incantatie IV leaves much more open; with timbre and pitch, style of play and tempo, number of voices or instruments, and the amount of repetitions all left to the players discretion, the length of the composition is undetermined and the piece effectively exists in a grey area between composed and improvised music. One of the artists featured on the recording, Jeroen van Veen, describes the sound world as if looking at the sea for a long time; the waves, the rays of sunshine and the air all influence the glittering and different colours of the sea. Jeroen van Veen is one of Brilliant Classics most prolific artists. Chairman of the Simeon ten Holt Foundation (dedicated to keeping Ten Holts fascinating music alive) and himself a successful minimalist composer, he is the perfect exponent of this repertoire, championing it on this, his fifth release of the composers music. In Incantatie IV for three pianos, Jeroen is joined by his wife and habitual collaborator, Sandra van Veen, as well as Tamara Rumiantsev herself no stranger to minimalist music, having featured on Brilliant Classics Minimal Piano Collection (BC 9171). Other information: Recorded in 2014. Booklet includes notes on the music and composer, and artist biographies.
01. Incantatie IV, Pt. I Tableau I, Section 1-26
02. Incantatie IV, Pt. I Tableau II, Section 27-44
03. Incantatie IV, Pt. I Tableau III, Section 45-68
04. Incantatie IV, Pt. I Tableau IV, section 69-73
05. Incantatie IV, Part II Tableau IV, Section 73-139
06. Incantatie IV, Pt. II Tableau IV, Section 140-147
07. Incantatie IV, Pt. II Tableau V, Section 147-196
08. Incantatie IV Pt. II Tableau VI, Section 197-203
09. Incantatie IV, Pt. II Tableau VII, Section 204-213
Dutch minimalist icon Simeon ten Holt, who recently passed away at the age of 89, studied composition with, among others, Honegger and Milhaud. After exploring serialist techniques in the 1960s, he began to focus on more conventional styles of composition from the 70s onwards concentrating on tone and timbre in particular and it is from this period (between 1976 and 1998) in Ten Holts wide-ranging career that the Incantatie IV for three pianos dates. Widely famed for his Canto Ostinato, written in five layers, the composers Incantatie IV for three pianos stands out for its complexity and is made up of no less than 15 layers for multiple keyboards. Both pieces allow the performers to decide upon the final form of the music, but Incantatie IV leaves much more open; with timbre and pitch, style of play and tempo, number of voices or instruments, and the amount of repetitions all left to the players discretion, the length of the composition is undetermined and the piece effectively exists in a grey area between composed and improvised music. One of the artists featured on the recording, Jeroen van Veen, describes the sound world as if looking at the sea for a long time; the waves, the rays of sunshine and the air all influence the glittering and different colours of the sea. Jeroen van Veen is one of Brilliant Classics most prolific artists. Chairman of the Simeon ten Holt Foundation (dedicated to keeping Ten Holts fascinating music alive) and himself a successful minimalist composer, he is the perfect exponent of this repertoire, championing it on this, his fifth release of the composers music. In Incantatie IV for three pianos, Jeroen is joined by his wife and habitual collaborator, Sandra van Veen, as well as Tamara Rumiantsev herself no stranger to minimalist music, having featured on Brilliant Classics Minimal Piano Collection (BC 9171). Other information: Recorded in 2014. Booklet includes notes on the music and composer, and artist biographies.
Classical | FLAC / APE | HD & Vinyl
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