Ensemble Caprice, Matthias Maute - Vivaldi and The Baroque Gypsies (2007)
BAND/ARTIST: Ensemble Caprice, Matthias Maute
- Title: Vivaldi and The Baroque Gypsies
- Year Of Release: 2007
- Label: Analekta
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:15:55
- Total Size: 420 mb
- WebSite: Album Preview
Tracklist
01. Pièces gitanes: Hungaricus 15
02. Pièces gitanes: C 256
03. Pièces gitanes: lag Bari
04. Concerto en si bémol majeur RV 375: Cadenza
05. Concerto en si bémol majeur RV 375: Allegro non molto
06. Concerto en si bémol majeur RV 375: Adagio
07. Concerto en si bémol majeur RV 375: Allegro
08. Pièces gitanes: Hungaricus 25
09. Pièces gitanes: Hungaricus 23
10. Pièces gitanes: Cadenza / Hungaricus 53
11. Pièces gitanes: C 106
12. Concerto en do majeur RV 533: Präambulum / Allegro
13. Concerto en do majeur RV 533: Largo
14. Concerto en do majeur RV 533: Allegro
15. Pièces gitanes: C 206
16. Pièces gitanes: C 207
17. Pièces gitanes: C 208
18. Pièces gitanes: C 345
19. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: I. Largo
20. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: II. Presto
21. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: III. Largo
22. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: IV. Fantasmi
23. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: V. Il Sonno
24. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: VI. Allegro
25. Pièces gitanes: Präambulum I
26. Pièces gitanes: Pulcher
27. Pièces gitanes: Anglicus
28. Pièces gitanes: Ballet doctoris Fausti Ad Mensam
29. Concerto en do majeur P. 81: Adagio / Allegro
30. Concerto en do majeur P. 81: Cadence / Adagio
31. Concerto en do majeur P. 81: Allegro
32. Pièces gigtanes: C 272
33. Pièces gigtanes: C 275
34. Pièces gigtanes: Asztali Nota
Throughout his life, Antonio Vivaldi never elaborated on the sources of inspiration for his compositions. This could be one of the reasons why the spiritual kinship between his concerto pieces and Eastern European gypsy music has hitherto gone unnoticed. While this assumption may seem absurd at a first glance at the geographic situation, it becomes clearly apparent upon closer inspection.
This collection of concertos is named after the town in Slovakia in which they were found. The compositions represent a very small sample of the 350 works in the collection.
01. Pièces gitanes: Hungaricus 15
02. Pièces gitanes: C 256
03. Pièces gitanes: lag Bari
04. Concerto en si bémol majeur RV 375: Cadenza
05. Concerto en si bémol majeur RV 375: Allegro non molto
06. Concerto en si bémol majeur RV 375: Adagio
07. Concerto en si bémol majeur RV 375: Allegro
08. Pièces gitanes: Hungaricus 25
09. Pièces gitanes: Hungaricus 23
10. Pièces gitanes: Cadenza / Hungaricus 53
11. Pièces gitanes: C 106
12. Concerto en do majeur RV 533: Präambulum / Allegro
13. Concerto en do majeur RV 533: Largo
14. Concerto en do majeur RV 533: Allegro
15. Pièces gitanes: C 206
16. Pièces gitanes: C 207
17. Pièces gitanes: C 208
18. Pièces gitanes: C 345
19. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: I. Largo
20. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: II. Presto
21. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: III. Largo
22. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: IV. Fantasmi
23. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: V. Il Sonno
24. Concerto La Notte en sol mineur Op. X,. No. 2 RV104: VI. Allegro
25. Pièces gitanes: Präambulum I
26. Pièces gitanes: Pulcher
27. Pièces gitanes: Anglicus
28. Pièces gitanes: Ballet doctoris Fausti Ad Mensam
29. Concerto en do majeur P. 81: Adagio / Allegro
30. Concerto en do majeur P. 81: Cadence / Adagio
31. Concerto en do majeur P. 81: Allegro
32. Pièces gigtanes: C 272
33. Pièces gigtanes: C 275
34. Pièces gigtanes: Asztali Nota
Throughout his life, Antonio Vivaldi never elaborated on the sources of inspiration for his compositions. This could be one of the reasons why the spiritual kinship between his concerto pieces and Eastern European gypsy music has hitherto gone unnoticed. While this assumption may seem absurd at a first glance at the geographic situation, it becomes clearly apparent upon closer inspection.
This collection of concertos is named after the town in Slovakia in which they were found. The compositions represent a very small sample of the 350 works in the collection.
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