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London Symphony Orchestra, Richard Hickox - Orff: Carmina Burana (2005)

London Symphony Orchestra, Richard Hickox - Orff: Carmina Burana (2005)
  • Title: Orff: Carmina Burana
  • Year Of Release: 1993 (2005)
  • Label: LSO Live
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:03:18
  • Total Size: 253 Mb
  • WebSite:
Tracklist:

Carmina Burana (Cantiones Profanae)
Fortuna Imperatrix Mundi
1. O Fortuna
2. Fortune Plango Vulnera
Primo Vera
3. Veris Leta Facies
4. Omnia Sol Temperat
5. Ecce Gratum
Uf Dem Anger
6. Tanz
7. Floret Silva
8. Chramer, Gip Die Varwa Mir
9. Reie
10. Were Diu Werlt Alle Min
In Taberna
11. Estuans Interius
12. Olim Lacus Colueram
13. Ego Sum Abbas
14. In Taberna Quando Sumus
Cours D'Amours
15. Amor Volat Undique
16. Dies, Nox Et Omnia
17. Stetit Puella
18. Circa Mea Pectora
19. Si Puer Cum Puellula
20. Veni, Veni, Venias
21. In Trutina
22. Tempus Est Iocundum
23. Dulcissime
Blanzifor Et Helena
24. Ave Formosissima
Fortuna Imperatrix Mundi
25. O Fortuna

Performers:
The Southend Boys' Choir
The London Symphony Chorus
The London Symphony Orchestra
Conductor – Richard Hickox

There's no shortage of good recordings of Carl Orff's Carmina Burana on the market, and unless one has been neglectful in collecting SACDs of the big choral showpieces, there's probably little reason to indulge in this 2008 package from Chandos, except perhaps to honor the career of Richard Hickox. This recording was one of his last releases before his death in late 2008, and it is a fitting tribute to his excellence as a conductor that this live performance, with soprano Laura Claycomb, tenor Barry Banks, baritone Christopher Maltman, the Tiffin Boys' Choir, and the London Symphony Orchestra and Chorus, is given a brilliant presentation, thanks to the exceptional DSD multichannel technology used by the label. It's a solid performance, full of variety, drama, sonic depth, and ritualistic energy, and Hickox guides the vocal soloists and ensembles in a bold reading that never stints on color, excitement, and the expected bombast. The most noteworthy difference in interpretation is the way Hickox gives the vocalists considerable freedom in their lyrical numbers, and this gentle, almost dreamy feeling of rubato lends Carmina Burana some subtle expressive touches that are most welcome. All the same, if one already has a top-notch recording of this work, then this one will seem a bit redundant and not especially compelling. For all his virtues, Hickox is evenly matched by many fine conductors on other recordings, and for all its fine points, this performance does not trump its competition.




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