Jörg Halubek - 49°18'10.3"N 10°34'26.2"E (Bach Organ Landscapes / Ansbach) (2020) [Hi-Res]
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BAND/ARTIST: Jörg Halubek
- Title: 49°18'10.3"N 10°34'26.2"E (Bach Organ Landscapes / Ansbach)
- Year Of Release: 2020
- Label: Berlin Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:49:57
- Total Size: 471 mb / 1.81 gb
- WebSite: Album Preview
Tracklist
01. Fantasia super Komm, Heiliger Geist, BWV 651
02. Komm, Heiliger Geist, BWV 652
03. An Wasserflussen Babylon, BWV 653b
04. An Wasserflussen Babylon, BWV 653
05. Schmucke dich, o liebe Seele, BWV 654
06. Trio super Herr Jesu Christ, dich zu uns wend, BWV 655
07. O Lamm Gottes, unschuldig, BWV 656
08. Nun danket alle Gott, BWV 657
09. Von Gott will ich nicht lassen, BWV 658
10. Nun komm der Heiden Heiland, BWV 659
11. Trio super Nun komm der Heiden Heiland, BWV 660
12. Nun komm der Heiden Heiland, BWV 661
13. Allein Gott in der Hoh sei Ehr, BWV 662
14. Allein Gott in der Hoh sei Ehr, BWV 663
15. Trio super Allein Gott in der Hoh sei Ehr, BWV 664
16. Jesus Christus, unser Heiland, BWV 665
17. Jesus Christus, unser Heiland, BWV 666
18. Komm, Gott Schopfer, Heiliger Geist, BWV 667
19. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 1
20. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 2
21. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 3
22. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 4
23. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 5
24. Vor deinen Thron tret ich Wenn wir in hochsten Noten, BWV 668
The roots of the Franconian organ builder Johann Christoph Wiegleb are to be found in Thuringia. Surpassing even the achievements of Tobias Heinrich Gottfried Trost with his organs in Altenburg and Waltershausen, Wiegleb broke new ground with his great organ in Ansbach, now fully reconstructed (1738/2007). The abundance and fine differentiation of the foundation stops allow incredible combinations and prefigure the Romantic era with their wealth of tone colour; furthermore, Wiegleb built the first swell-box into a German organ. At about the same time in Leipzig, Bach was reworking eighteen chorale settings that he had composed much earlier. That is of course a coincidence – and yet an interesting example of how this fertile period of organ writing witnessed compositional ideas and soundscapes in a constant state of flux. Registrations were not noted down in Germany at the time, indicating an individual approach to organ sound. Joyous experimentation with colourful stop combinations is reported of Bach himself: in his Bach biography (Leipzig, 1802), Johann Nikolaus Forkel describes Bach’s “peculiar manner, with which he associated the different voices of the Organ with one another (…) It was so unusual, that many organ builders and organists were shocked, when they saw him choosing stops, (…) but were most amazed, when they later observed that the Organ sounded best just so, and had now acquired something strange and unaccustomed.”
01. Fantasia super Komm, Heiliger Geist, BWV 651
02. Komm, Heiliger Geist, BWV 652
03. An Wasserflussen Babylon, BWV 653b
04. An Wasserflussen Babylon, BWV 653
05. Schmucke dich, o liebe Seele, BWV 654
06. Trio super Herr Jesu Christ, dich zu uns wend, BWV 655
07. O Lamm Gottes, unschuldig, BWV 656
08. Nun danket alle Gott, BWV 657
09. Von Gott will ich nicht lassen, BWV 658
10. Nun komm der Heiden Heiland, BWV 659
11. Trio super Nun komm der Heiden Heiland, BWV 660
12. Nun komm der Heiden Heiland, BWV 661
13. Allein Gott in der Hoh sei Ehr, BWV 662
14. Allein Gott in der Hoh sei Ehr, BWV 663
15. Trio super Allein Gott in der Hoh sei Ehr, BWV 664
16. Jesus Christus, unser Heiland, BWV 665
17. Jesus Christus, unser Heiland, BWV 666
18. Komm, Gott Schopfer, Heiliger Geist, BWV 667
19. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 1
20. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 2
21. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 3
22. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 4
23. Canonische Veranderungen uber Vom Himmel hoch, BWV 769 Variatio 5
24. Vor deinen Thron tret ich Wenn wir in hochsten Noten, BWV 668
The roots of the Franconian organ builder Johann Christoph Wiegleb are to be found in Thuringia. Surpassing even the achievements of Tobias Heinrich Gottfried Trost with his organs in Altenburg and Waltershausen, Wiegleb broke new ground with his great organ in Ansbach, now fully reconstructed (1738/2007). The abundance and fine differentiation of the foundation stops allow incredible combinations and prefigure the Romantic era with their wealth of tone colour; furthermore, Wiegleb built the first swell-box into a German organ. At about the same time in Leipzig, Bach was reworking eighteen chorale settings that he had composed much earlier. That is of course a coincidence – and yet an interesting example of how this fertile period of organ writing witnessed compositional ideas and soundscapes in a constant state of flux. Registrations were not noted down in Germany at the time, indicating an individual approach to organ sound. Joyous experimentation with colourful stop combinations is reported of Bach himself: in his Bach biography (Leipzig, 1802), Johann Nikolaus Forkel describes Bach’s “peculiar manner, with which he associated the different voices of the Organ with one another (…) It was so unusual, that many organ builders and organists were shocked, when they saw him choosing stops, (…) but were most amazed, when they later observed that the Organ sounded best just so, and had now acquired something strange and unaccustomed.”
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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