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Cyprien Katsaris - Mozart: Complete Piano Concertos, Vol. 9 (Live - K. 466 & 467) (2020)

Cyprien Katsaris - Mozart: Complete Piano Concertos, Vol. 9 (Live - K. 466 & 467) (2020)

BAND/ARTIST: Cyprien Katsaris

  • Title: Mozart: Complete Piano Concertos, Vol. 9 (Live - K. 466 & 467)
  • Year Of Release: 2020
  • Label: Piano 21
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 73:10 min
  • Total Size: 260 MB
  • WebSite:
Tracklist:

01. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro (Live - Cadenza A by Katsaris)
02. Piano Concerto No. 20 in D Minor, K. 466: II. Romanze (Live)
03. Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai (Live - Lead-in at Bar 166 by Katsaris - Cadenza A by Katsaris)
04. Piano Concerto No. 20 in D Minor, K. 466: Additional Cadenza for the First Movement (Live - Cadenza B by Katsaris)
05. Piano Concerto No. 20 in D Minor, K. 466: Additional Cadenza for the Third Movement (Live - Cadenza B by Katsaris)
06. Piano Concerto No. 21 in C Major, K. 467: I. Allegro maestoso (Live - Lead-in at Bar 79 by Katsaris - Cadenza A by Katsaris)
07. Piano Concerto No. 21 in C Major, K. 467: II. Andante (Live)
08. Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai (Live - 2 Lead-ins at Bars 20 and 177 by Katsaris - Cadenza A by Katsaris)
09. Piano Concerto No. 21 in C Major, K. 467: Additional Cadenza for the First Movement (Live - Cadenza B by Katsaris)
10. Piano Concerto No. 21 in C Major, K. 467: Additional Cadenza for the Third Movement (Live - Cadenza B by Katsaris)

"Composed simultaneously in February 1785, Concertos K. 466 and K. 467 are virtually twin works, but dissimilar twins. His recent masonic experience may well have rubed off on Mozart’s creativity, for we can detect, dare I say it, “live”, a sudden deepening of his comprehension of the human tragedy in the first movement of Concerto K. 466 in D Minor, along with K. 491 in C Minor the only concertos in minor key. The breathless syncopes at the very beginning seem to anticipate Schubertian “Angst” in the face of the inexorable approach of death. Introspection bore Mozart towards the heights of expressive maturity. He was able to attain a degree of calmness in the Romanze, albeit interrupted by an agitated interlude. The final movement brings this masterpiece to a conquering, joyful conclusion.

In contrast, in its first movement, the optimism of Concerto K. 467 expresses the need for bravery to maintain the grandeur of humanity notwithstanding the various inroads made by failing courage to gain the ascendancy without ever achieving it. The highly celebrated, divine Andante is in and of itself a purifying panacea. Truly, an angel passes. The derisive tone of the Finale is surprising but it brings us back to earth, perhaps to remind us that there is much work to be done before we can ascend to the Olympus of Spirituality and that, in the meantime, we should partake of earthly pleasures!

Cyprien Katsaris, piano
Salzburger Kammerphilharmonie
Yoon Kuk Lee, conductor


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