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Royal Philharmonic Orchestra, National Youth Choir of Great Britain & Jonathan Griffith - Messiah ... Refreshed! (2020) [CD-Rip]

Royal Philharmonic Orchestra, National Youth Choir of Great Britain & Jonathan Griffith - Messiah ... Refreshed! (2020) [CD-Rip]
  • Title: Messiah ... Refreshed!
  • Year Of Release: 2020
  • Label: Signum
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 2:14:09
  • Total Size: 731 MB
  • WebSite:
Tracklist:

Disc 1
01. MESSIAH, Oratorio in three parts, HWV 56 (edition by Eugène Goossens & Thomas Beecham, 1959) - PART ONE. Sinfonia (Overture)
02. Recitative (Tenor): “Comfort ye, comfort ye my people, saith your God”
03. Air (Tenor): “Ev’ry valley shall be exalted”
04. Chorus: “And the glory of the Lord shall be revealed”
05. Recitative (Bass): “Thus saith the Lord, the Lord of hosts”
06. Air (Bass): “But who may abide the day of his coming”
07. Chorus: “And He shall purify the sons of Levi”
08. Recitative (Mezzo): “Behold, a virgin shall conceive”
09. Air (Mezzo) & Chorus: “O thou that tellest good tidings to Zion”
10. Recitative (Bass): “For, behold, darkness shall cover the earth”
11. Air (Bass): “The people that walked in darkness have seen a great light”
12. Chorus: “For unto us a Child is born, unto us a Son is given”
13. Pifa (Pastoral Symphony)
14. Recitative (Soprano): “There were shepherds abiding in the field” ; “And lo! the angel of the Lord came upon them”
15. Recitative (Soprano): “And the angel said unto them”
16. Recitative (Soprano): “And suddenly there was with the angel”
17. Chorus: “Glory to God in the highest”
18. Air (Soprano): “Rejoice greatly, O daughter of Zion”
19. Recitative (Mezzo): “Then shall the eyes of the blind be opened,”
20. Air (Mezzo & Soprano): “He shall feed His flock like a shepherd”
21. Chorus: “His yoke is easy, and his burthen is light”

Disc 2
01. PART TWO. Chorus: “Behold the Lamb of God”
02. Air (Mezzo): “He was despised and rejected of men”
03. Chorus: “Surely he hath borne our griefs”
04. Chorus: “And with his stripes we are healed”
05. Chorus: “All we like sheep have gone astray”
06. Recitative (Tenor): “All they that see him laugh him to scorn”
07. Chorus: “He trusted in God that He would deliver Him”
08. Recitative (Tenor): “Thy rebuke hath broken his heart”
09. Air (Tenor): “Behold, and see if there be any sorrow like unto His sorrow”
10. Recitative (Tenor): “He was cut off out of the land of the living”
11. Air (Tenor): “But thou didst not leave his soul in hell”
12. Chorus: “Lift up your heads, O ye gates”
13. Chorus: “The Lord gave the word”
14. Air (Soprano): “How beautiful are the feet of them that preach the gospel of peace”
15. Chorus: “Their sound is gone out into all lands”
16. Air (Bass): “Why do the nations so furiously rage together?”
17. Chorus: “Let us break their bonds asunder”
18. Recitative (Tenor): “He that dwelleth in heaven shall laugh them to scorn”
19. Air (Tenor): “Thou shalt break them with a rod of iron”
20. Chorus: “Hallelujah! for the Lord God omnipotent reigneth”
21. PART THREE. Air (Soprano): “I know that my redeemer liveth”
22. Chorus: “Since by man came death, by man came also the resurrection of the dead”
23. Recitative (Bass): “Behold, I tell you a mystery”
24. Air (Bass): “The trumpet shall sound”
25. Chorus: “Worthy is the lamb that was slain”

One might guess from the title that Messiah... Refreshed! is among the large group of pop adaptations of Handel's holiday oratorio that have appeared, but in fact, it dates back to 1959, and in style, it is older than that, a full-blown throwback to the late Romantic era. It is a reorchestration of Messiah by conductor Eugene Goossens, written for the group that performs it on the present recording, the Royal Philharmonic Orchestra. It's not the subtle amplification that Mozart achieved in his orchestration, but a high-powered tour through the full symphony orchestra, including tuba, bass drum, and cymbals. Listeners' reactions to this will necessarily be individual, but if you're curious to check this out, you will do well with this version, even as the original, with Sir Thomas Beecham conducting, is still available. Conductor Jonathan Griffith has lived with this work for a while, and here everything comes into balance, with a fine performance by his mixed Jonathan Griffith Singers and National Youth Choir of Great Britain, large enough all together to stand up to the orchestration. Mezzo-soprano Claudia Chapa is the richest-voiced of the crew of soloists. Sample the "Hallelujah Chorus," which will have real splendor for all but the strictest of historical performance devotees. CD buyers get a detailed booklet containing some interesting context for the work, including tales of Goossens' divagation into the world of porn and the occult. With the various phases of Baroque music's reception history getting new attention, this release is worthwhile; it is also likely to be fun for most. ~ James Manheim


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  • jojo5
  •  wrote in 17:08
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Many thanks