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Gaétan Jarry - Le Grand Jeu. French Baroque Organ Favourites (Collection "L'âge d'or de l'orgue français", No. 4) (2020) [Hi-Res]

Gaétan Jarry - Le Grand Jeu. French Baroque Organ Favourites (Collection "L'âge d'or de l'orgue français", No. 4) (2020) [Hi-Res]

BAND/ARTIST: Gaétan Jarry

  • Title: Le Grand Jeu. French Baroque Organ Favourites (Collection "L'âge d'or de l'orgue français", No. 4)
  • Year Of Release: 2020
  • Label: Château de Versailles Spectacles
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 65:15
  • Total Size: 314 MB / 1.22 GB
  • WebSite:
Tracklist:

1. Troisième livre d'orgue: Grand dialogue en Ut (8:50)
2. Les Boréades, RCT 31: Contredanse en rondeau (2:57)
3. Les Boréades, RCT 31: Contredanse très vive (2:01)
4. Premier livre de pièces d'orgue: Offertoire pour le jour de Pâques "O filii et filiæ" (6:19)
5. Messe des Couvents: Plain chant du premier Kyrie, en taille (1:30)
6. Premier livre d'orgue: Gloria. Récit de tierce en taille (5:09)
7. Atys, LWV 53: Ouverture (2:20)
8. Concerto No. 2 en La Majeur, Op. 26: I. Allegro (2:36)
9. Concerto No. 2 en La Majeur, Op. 26: II. Adagio (3:19)
10. Concerto No. 2 en La Majeur, Op. 26: III. Giga (Allegro) (2:36)
11. Armide: Passacaille (4:51)
12. Pièces de clavecin en concert No. 1, RCT 7: La Livri. Rondeau gracieux (2:37)
13. Les Indes Galantes, RCT 44: Les sauvages (4:21)
14. Atys, LWV 53, Acte III scène 4: Le Sommeil. "Dormons, dormons tous" (6:41)
15. Te Deum, H. 146: Prélude (2:20)
16. Didon et Énée, Z. 626, Act 3: "When I Am laid" (3:19)
17. Salomon, HWV 67: The arrival of Queen of Sheba - Sinfonia (3:36)

This is a sort of selfportrait of the Great Organ of the Royal Chapel of Versailles, delivering all its aspects, enhanced by the choice of a repertoire emblematic of the baroque era: the major classic French organ works (Couperin, Marchand, Grigny, Corrette) composed to glorify the very specific aesthetics of instruments like that of Louis XIV’s Chapel; but also to reveal its other sound riches, transcriptions of chefs d’œuvres, from Le Sommeil d’Atys by Lully, to the contredanses of Rameau’s Boréades. To add a new dimension to the organ’s sound universe and to enhance its orchestral qualities, modern editing and “re-recording” processes were gently used to serve the superposition of musical voices, as if invisible hands filled in for the organist in certain works, which are true Proust’s “madeleines” for Gaétan Jarry. He goes all out to play the instrument of Versailles “for the Glory of God and the King”!


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  • User offline
  • platico
  •  wrote in 22:20
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gracias...
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  • w.pili
  •  wrote in 15:56
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Grazie! meraviglia!
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  • Kolomito
  •  wrote in 18:46
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Many thanks