The Chorus and Symphony Orchestra of the Bavarian Radio, Daniel Harding, Patricia Petibon - Orff: Carmina Burana (2010)
BAND/ARTIST: The Chorus and Symphony Orchestra of the Bavarian Radio, Daniel Harding, Patricia Petibon
- Title: Orff: Carmina Burana
- Year Of Release: 2010
- Label: Deutsche Grammophon (DG)
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:04:53
- Total Size: 283 mb
- WebSite: Album Preview
Tracklist
01. Carmina Burana Fortuna Imperatrix Mundi O Fortuna
02. Carmina Burana Fortuna Imperatrix Mundi Fortune plango vulnera
03. Carmina Burana 1. Primo vere Veris leta facies
04. Carmina Burana 1. Primo vere Omnia Sol temperat
05. Carmina Burana 1. Primo vere Ecce gratum
06. Carmina Burana Uf dem Anger Dance
07. Carmina Burana Uf dem Anger Floret silva nobilis
08. Carmina Burana Uf dem Anger Chramer, gip die varwe mir
09. Carmina Burana Uf dem Anger Swaz hie gat umbe
10. Swaz hie gat umbe
11. Carmina Burana Uf dem Anger Were diu werlt alle min
12. Carmina Burana 2. In Taberna Estuans interius
13. Estuans interius
14. Carmina Burana 2. In Taberna Olim lacus colueram
15. Carmina Burana 2. In Taberna Ego sum abbas
16. Carmina Burana 2. In Taberna In taberna quando sumus
17. Carmina Burana 3. Cour d'amours Amor volat undique
18. Carmina Burana 3. Cour d'amours Dies, nox et omnia
19. Carmina Burana 3. Cour d'amours Stetit puella
20. Carmina Burana 3. Cour d'amours Circa mea pectora
21. Carmina Burana 3. Cour d'amours Si puer cum puellula
22. Carmina Burana 3. Cour d'amours Veni, veni, venias
23. Carmina Burana 3. Cour d'amours In trutina
24. Carmina Burana 3. Cour d'amours Tempus est iocundum
25. Carmina Burana 3. Cour d'amours Dulcissime
26. Carmina Burana Blanziflor et Helena Ave formosissima
27. Carmina Burana Fortuna Imperatrix Mundi O Fortuna
28. Apollon musagete (1947 version) Second Tableau 9. Coda
For his second Deutsche Grammophon recording, Daniel Harding conducts one of the most popular pieces of the classical canon: Carl Orff’s cantata, Carmina Burana, a composition that continually attracts an audience both inside and outside of classical music.
The Carmina Burana concerts in Munich in April 2010 got excellent reviews in the press. Characteristic are these comments in the Süddeutsche Zeitung: “All operatic and pseudo-medievally picturesque features have been purged from this Carmina Burana. If one is at first a bit surprised by how lean, modern and almost unsensuous the Bavarian Radio Chorus and Tölz Boys Choir sound when delivering such juicy texts, the bigger picture soon becomes clear: everything here – diction and verbal intonation especially – are treated to a discipline that only heightens the unleashing of archaic elements out of the rhythmic tension. The girlish, gleaming white tone of Patricia Petibon fits wonderfully into this conception. Secure even in the highest heights, the French soprano presents the ‘Cour d’amour’ with an insinuating chasteness in which the very act of denial hits directly below the belt... Baritone Christian Gerhaher brings off the register shifts between melancholic and bawdy with sovereign ease and masters the part’s demandingly high tessitura with magnificent security. The timeless astringency that Orff calls for is finally realized so that Carmina Burana no longers seems merely a higher grade of outdoor entertainment. Harding discovers its truly medieval quality: immutability.”
The Chorus and Symphony Orchestra of the Bavarian Radio, well versed in Carmina Burana, pull out new stops under Daniel Harding’s idiosyncratic guidance. Rhythmically unpredictable, its musical content veering from the devotional to the sensual and savage, Orff’s masterpiece requires, and here gets, inspirational leadership from Daniel Harding. The superb trio of vocal soloists are soprano Patricia Petibon, tenor Hans-Werner Bunz, and baritone Christian Gerhaher.
01. Carmina Burana Fortuna Imperatrix Mundi O Fortuna
02. Carmina Burana Fortuna Imperatrix Mundi Fortune plango vulnera
03. Carmina Burana 1. Primo vere Veris leta facies
04. Carmina Burana 1. Primo vere Omnia Sol temperat
05. Carmina Burana 1. Primo vere Ecce gratum
06. Carmina Burana Uf dem Anger Dance
07. Carmina Burana Uf dem Anger Floret silva nobilis
08. Carmina Burana Uf dem Anger Chramer, gip die varwe mir
09. Carmina Burana Uf dem Anger Swaz hie gat umbe
10. Swaz hie gat umbe
11. Carmina Burana Uf dem Anger Were diu werlt alle min
12. Carmina Burana 2. In Taberna Estuans interius
13. Estuans interius
14. Carmina Burana 2. In Taberna Olim lacus colueram
15. Carmina Burana 2. In Taberna Ego sum abbas
16. Carmina Burana 2. In Taberna In taberna quando sumus
17. Carmina Burana 3. Cour d'amours Amor volat undique
18. Carmina Burana 3. Cour d'amours Dies, nox et omnia
19. Carmina Burana 3. Cour d'amours Stetit puella
20. Carmina Burana 3. Cour d'amours Circa mea pectora
21. Carmina Burana 3. Cour d'amours Si puer cum puellula
22. Carmina Burana 3. Cour d'amours Veni, veni, venias
23. Carmina Burana 3. Cour d'amours In trutina
24. Carmina Burana 3. Cour d'amours Tempus est iocundum
25. Carmina Burana 3. Cour d'amours Dulcissime
26. Carmina Burana Blanziflor et Helena Ave formosissima
27. Carmina Burana Fortuna Imperatrix Mundi O Fortuna
28. Apollon musagete (1947 version) Second Tableau 9. Coda
For his second Deutsche Grammophon recording, Daniel Harding conducts one of the most popular pieces of the classical canon: Carl Orff’s cantata, Carmina Burana, a composition that continually attracts an audience both inside and outside of classical music.
The Carmina Burana concerts in Munich in April 2010 got excellent reviews in the press. Characteristic are these comments in the Süddeutsche Zeitung: “All operatic and pseudo-medievally picturesque features have been purged from this Carmina Burana. If one is at first a bit surprised by how lean, modern and almost unsensuous the Bavarian Radio Chorus and Tölz Boys Choir sound when delivering such juicy texts, the bigger picture soon becomes clear: everything here – diction and verbal intonation especially – are treated to a discipline that only heightens the unleashing of archaic elements out of the rhythmic tension. The girlish, gleaming white tone of Patricia Petibon fits wonderfully into this conception. Secure even in the highest heights, the French soprano presents the ‘Cour d’amour’ with an insinuating chasteness in which the very act of denial hits directly below the belt... Baritone Christian Gerhaher brings off the register shifts between melancholic and bawdy with sovereign ease and masters the part’s demandingly high tessitura with magnificent security. The timeless astringency that Orff calls for is finally realized so that Carmina Burana no longers seems merely a higher grade of outdoor entertainment. Harding discovers its truly medieval quality: immutability.”
The Chorus and Symphony Orchestra of the Bavarian Radio, well versed in Carmina Burana, pull out new stops under Daniel Harding’s idiosyncratic guidance. Rhythmically unpredictable, its musical content veering from the devotional to the sensual and savage, Orff’s masterpiece requires, and here gets, inspirational leadership from Daniel Harding. The superb trio of vocal soloists are soprano Patricia Petibon, tenor Hans-Werner Bunz, and baritone Christian Gerhaher.
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