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Carys Lane, Robin Blaze, The Clerk's Group, Edward Wickham - Ockeghem - Missa Au Travail Suis, Missa Sine Nomine a5 (2001)

Carys Lane, Robin Blaze, The Clerk's Group, Edward Wickham - Ockeghem - Missa Au Travail Suis, Missa Sine Nomine a5 (2001)
  • Title: Ockeghem - Missa Au Travail Suis, Missa Sine Nomine a5
  • Year Of Release: 2001
  • Label: AS&V "Gaudeamus"
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 54:44
  • Total Size: 365 Mb
  • WebSite:
Tracklist:

BARBINGANT
(fl. 1445-1455)
1. Au travail suis [4:33]
soprano, 2 tenors
Johannes OCKEGHEM
(c. 1410-1497)
Missa Au travail suis
altos, basses JA FB ED
2. Kyrie [1:37]
3. Gloria [4:09]
4. Credo [5:23]
5. Sanctus and Benedictus [3:41]
6. Agnus Dei [4:11]
7. Mort tu as navré [7:59]
alto LB, tenor TR, basses RM EW
8. S'elle m'amera ~ Petite camusette [3:52]
alto WM, tenors, bass JA
9. Permanente vierge ~ Pulchra es ~ Sancta Dei genetrix [6:20]
(attr. OCKEGHEM)
alto RB, tenors, basses JA EW
Missa Sine nomine a 5
altos RB WM, tenors, basses JA RM
10. Kyrie [0:56]
11. Gloria [2:28]
12. Credo [3:41]
13. Intemerata Dei mater [5:54]
alto WM, tenor MV, basses JA RM EW JFA

Performers:
THE CLERKS' GROUP
Soprano: Carys Lane
Alto: Lucy Ballard, Robin Blaze, William Missin, Kim Porter
Tenor: Tom Raskin, Matthew Vine
Bass: Jonathan Arnold, Francis Brett, Eamonn Dougan,
Jonathan Freeman-Attwood, Robert Macdonald, Edward Wickham
director - Edward Wickham

The Franco-Flemish composer, Johannes Ockeghem, sang at Antwerp at the Bourbon court before joining the French royal chapel in 1451. Ockeghem spent most of his professional life at the French chapel and his output was quite prolific. He composed 14 settings of the Mass, including one of the earliest polyphonic versions of the Requiem. Ockeghem also composed numerous motets and secular songs. He was one of the most original voices in early Renaissance polyphony and his music dazzles with its ingenuity and beauty.
This recording by the Clerks' Group under the direction of Edward Wickham features two of Ockeghem's more concise mass settings: 'Missa Au Travail Suis,' and 'Missa Sine Nomine a5.' The 'Missa Au Travail Suis' is based on an old song of the same name and features some unique writing for two high and two low voices. Ockeghem's scoring results in some challenging textures and tonalities that are sung with skill by this excellent English ensemble. The Clerks' Group uses female voices along with male altos and high tenors to stunning effect. The voices weave and blend beautifully, while the text is always clearly articulated.





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