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Osibisa - Black Magic Night: Live At the Royal Festival Hall (1977/2013)

Osibisa - Black Magic Night: Live At the Royal Festival Hall (1977/2013)

BAND/ARTIST: Osibisa

  • Title: Black Magic Night: Live At the Royal Festival Hall
  • Year Of Release: 1977/2013
  • Label: Sanctuary Records
  • Genre: Funk, Afrobeat
  • Quality: 320 kbps | FLAC (tracks)
  • Total Time: 01:24:42
  • Total Size: 194 mb | 527 mb
  • WebSite:
Tracklist:

CD1

01. Introduction: The Dawn (Live at the Royal Festival Hall)
02. Welcome Home (Live at the Royal Festival Hall)
03. Ayiko Bia (Live at the Royal Festival Hall)
04. Living Loving Feeling (Live at the Royal Festival Hall)
05. Woyaya (Live at the Royal Festival Hall)
06. Spirits Up Above (Live at the Royal Festival Hall)

CD2

01. Kelele (Live at the Royal Festival Hall)
02. Fire (Live at the Royal Festival Hall)
03. Music for Gong Gong (Live at the Royal Festival Hall)
04. Beautiful Seven Y Sharp (Live at the Royal Festival Hall)
05. Sunshine Day (Live at the Royal Festival Hall)
06. Encore: Survival (Live at the Royal Festival Hall)

Recorded on July 19, 1977, this double LP (reissued as a two-CD set) contained live versions of songs that appeared on several of their 1971-1977 albums, as well as one ("Living Loving Feeling") that only came out as a single. Osibisa, who anticipated many of the features of the worldbeat sound, cover a lot of ground on this lengthy set maybe too much for some tastes. Sometimes the material gets close to traditional African music in its rhythms and chanting; at others, it nearly treads on jazz fusion territory, though not in a bad way. And while Osibisa singer and multi-instrumentalist Teddy Osei says in the liner notes that the band wasn't influenced by Santana, the Afro-Latin rhythms and chant-style vocals in some of the songs certainly remind you of Santana, though again not in an objectionable fashion. There's also some Rahsaan Roland Kirk-style flute playing, and a rendition of their substantial 1976 British hit "Sunshine Day" that finds them at their most pop-friendly. While they might not have been the most innovative or original of these kind of groups, overall this is a lively document of an ensemble that fused African, soul-funk, and some Latin and jazz elements when that sort of mixture was far less accessible outside Africa than it would be in subsequent decades.


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  • nilesh65
  •  wrote in 16:13
    • Like
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Thank you so much!!!!!