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Claudia Barainsky - J. Strauss II: Der Zigeunerbaron (Live) (2016)

Claudia Barainsky - J. Strauss II: Der Zigeunerbaron (Live) (2016)

BAND/ARTIST: Claudia Barainsky

  • Title: J. Strauss II: Der Zigeunerbaron (Live)
  • Year Of Release: 2016
  • Label: PentaTone
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 117:55 min
  • Total Size: 587 MB
  • WebSite:
Tracklist:

CD1:

01. Overture
02. Act I: Introduction: Das wär kein rechter Schiffersknecht (Chorus, Ottokar, Czipra)
03. Act I: Melodrama and ensemble: Zum Teufel! Schon wieder die alte Zigeunerhexe (Ottokar, Czipra, Chorus, Carnero)
04. Act I: Entrance: Als flotter Geist (Barinkay) - Couplet: Ja, das alles auf Ehr (Barinkay, Chorus, Carnero)
05. Act I: Melodrama and ensemble: Wer klopft an meine Tür! (Czipra, Carnero, Barinkay, Saffi, Chorus)
06. Act I: Da bin ich! (Zsupán, Carnero) - Ja, das Schreiben und das Lesen (Zsupán, Chorus, Carnero, Barinkay, Mirabella)
07. Act I: Couplet: Just sind es vierundzwanzig Jahre (Mirabella, Chorus)
08. Act I: Ensemble: Dem Freier naht die Braut (Chorus, Arsena, Barinkay, Zsupán, Carnero, Mirabella, Girls, Ottokar)
09. Act I: Dialogue: Na, Barinkay: (Zsupán, Barinkay, Ottokar, Arsena)
10. Act I: Gypsy song: So elend und so treu (Saffi, Barinkay)
11. Act I: Dialogue: Das Lied, ich kenne es aus meiner Kindheit (Barinkay, Czipra, Saffi)
12. Act I: Finale: Arsena! Arsena! (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chorus, Gypsies, Zsupán, Mirabella, Carnero, Zsupán's Me

CD2:

01. Act II: Trio: Mein Aug bewacht bei Tag und Nacht (Czipra, Barinkay, Saffi)
02. Act II: Trio: Ein Greis ist mir im Traum erschienen (Czipra, Barinkay, Saffi)
03. Act II: Auf, auf, auf! (Pali, Gypsies, Gypsy Women) - Ha, das Eisen wird gefüge (Gypsies)
04. Act II: Dialogue: Hoch, Saffi! Hoch, Barinkay! (Chorus, Carnero, Barinkay)
05. Act II: Duet: Wer uns getraut: (Barinkay, Saffi, Chorus)
06. Act II: Dialogue: Dompfaff, Nachtigall und Störche: (Carnero, Ottokar, Arsena, Chorus, Homonay, Barinkay)
07. Act II: Her die Hand, es muss ja sein (Homonay, Chorus)
08. Act II: Dialogue: Wer kein Feigling und kein Schurke ist (Homonay, Chorus, Zsupán, Ottokar, Arsena, Carnero, Saffi, Barinkay)
09. Act II: Finale: Nach Wien! (All, Chorus)
10. Act III: Entr'acte: Tempo di valse
11. Act III: Dialogue: Der Krieg ist zu Ende! (A Herald, Chorus) - Chorus: Freuet Euch (Chorus)
12. Act III: Dialogue: Arsena, mein Kind (Mirabella, Arsena, Carnero)
13. Act III: Ein Mädchen hat es gar nicht gut (Arsena, Mirabella, Carnero)
14. Act III: Dialogue: Arsena, Arsena, sie kommen! (Carnero, Arsena, Zsupán, Mirabella)
15. Act III: March: Couplet with chorus: Von des Tajo Strand (Zsupán, Chorus)
16. Act III: Entrance march: Hurra, die Schlacht mitgemacht (Chorus)
17. Act III: Dialogue: Ich danke Euch (Homonay, Zsupán, Barinkay)
18. Act III: Finale: Heiraten vivat! (Chorus, Barinkay, Arsena, Mirabella, Zsupán, Homonay, Saffi, Czipra)


Johann Strauss Jr. is the most prominent member of the famous musical Strauss family and with more than 500 dance compositions to his name, became known as ‘The Waltz King’. While conducting the world première of his operetta Der Zigeunerbaron at the Theater an der Wien on 24 October 1885, Strauss junior lived one of, if not the biggest, stage successes of his career. Der Zigeunerbaron received 87 successive performances, which made it even more successful than Die Fledermaus and during the composer’s lifetime alone, the operetta was performed in more than 140 theaters. Originally Strauss intended to perform the 3 act operetta, on a libretto by Ignaz Schnitzer, at the Vienna Court Opera,rather than the Theater an der Wien. Even though this didn’t work out for contractual reasons, it may be seen as a reflection of the composer’s ambition to outgrow the dance hall. Der Zigeunerbaron clearly is a much more dramatic piece than Die Fledermaus and is by many considered to be a comic opera, instead of a genuine operetta. Johann Strauss junior forever stayed The Waltz King, but Der Zigeunerbaron became a success until present day. With the release of this 2-SACD album, now to be enjoyed in a splendid May 2015 recording by the NDR Radiophilharmonie and the NDR Chor conducted by Lawrence Foster.


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