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Peter Schreier, Erik Werba, Peter Schreier - Mozart: Lieder (2016) CD-Rip

Peter Schreier, Erik Werba, Peter Schreier - Mozart: Lieder (2016) CD-Rip
  • Title: Mozart: Lieder
  • Year Of Release: 2016
  • Label: Belvedere
  • Genre: Classical
  • Quality: APE (image+.cue,log,scans)
  • Total Time: 01:12:46
  • Total Size: 484 Mb
  • WebSite:
Tracklist:

01. An Chloe, K524
02. An die Hoffnung, K390
03. An die Einsamkeit, K391
04. Das Lied der Trennung, K519
05. Wie unglucklich bin ich nit, K147
06. Dans un bois solitaire, K308
07. Lied zur Gesellenreise, K468
08. Die ihr des unermesslichen Weltfalls, K619
09. Die betrogne Welt, K474
10.Die Zufriedenheit, K473
11.Die Verschweigung, K518
12.Komm, liebe Zither, K351
13.Das Veilchen, K476
14.Das Traumbild, K530
15.Abendempfindung an Laura, K523
16.Sehnsucht nach dem Fruhling, K596
17.Der Fruhling, K597
18.Das Kinderspiel, K598
19.Die Zufriedenheit, K349
20.Lied der Freiheit, K506

Performers:
Peter Schreier (tenor)
Erik Werba (piano)
Margarete Gebhardt (mandoline) [12, 19]

The concert that brought together Peter Schreier, the leading Mozart tenor of the 1970s from Dresden, and Erik Werba, the Vienna-born doyen of lied accompanists on 25 January 1978 featured 17 songs, the cantata with piano accompaniment 'Die ihr des unermesslichen Weltalls Schöpfer ehrt' K619 from the final year of Mozart s life, as well as two encore pieces. Schreier and Werba obviously intended to present Mozart s entire lied repertoire, except for those songs whose texts were too obviously written from the perspective of a female protagonist. From today s perspective the interpretation of the Mozart songs in this recital is remarkably homogeneous. For Peter Schreier, the opera singer, Mozart was the first true romantic composer. The songs are presented in a deeply emotional, but never sentimental manner. The chosen tempos are therefore rather on the slow side of the spectrum and here as well as in the ballad-like song 'Das Veilchen' K476, Schreier makes it apparent how he reads Mozart s mature, through-composed songs as text based and text centered, as if they were foreshadowing Schubert, Schumann and Brahms.





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