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Dan Laurin, Anna Paradiso, Domen Marinčič - Sonates et Suites (2016)

Dan Laurin, Anna Paradiso, Domen Marinčič - Sonates et Suites (2016)
  • Title: Sonates et Suites
  • Year Of Release: 2016
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 85:25
  • Total Size: 549 Mb
  • WebSite:
Tracklist:

Nicolas Chédeville (1705–82)
[1]-[4] Sonata VI
from Il Pastor Fido, Sonates pour la Musette, Viele, Flûte, Hautbois, Violon,
avec la Basse Continüe. Del Sigr. Antonio Vivaldi. Opera XIIIa. (publ. 1737)
Anne Danican Philidor (1681–1728)
[5]-[9] Sonate pour la Flute à bec
from I er. Livre de Pieces pour la Flute Traversiere, Flute a Bec,
Violons et Haut-Bois avec La Baße continüe (publ. 1712)
Charles Dieupart (after 1667–c. 1740)
[10]-[16] Première Suite
from Six Suittes de Clavessin… pour un Violon & flûte
avec une Basse de Viole & un Archilut (publ. 1701)
Marin Marais (1656–1728)
[17] Couplets de folies (Les folies d’Espagne)
No. 20 from Pieces de viole, Livre II (publ. 1701)
(arranged for solo recorder by Dan Laurin)
Jacques-Martin Hotteterre (1674–1763)
[18]-[22] Troisième Suite. Sonate
from Deuxiéme Livre de Pieces pour la Flûte-Traversiere
et autres Instruments, avec la Basse (publ. 1715)
Jean-Marie Leclair (1697–1764)
[23]-[25] Sonata XI
from Second Livre de Sonates pour le Violon et pour la
Flute Traversiere avec la Basse Continue (publ. 1728)
Michel Blavet (1700–68)
[26]-[28] Sonata II
from Troisieme Livre de Sonates pour la Flûte traversiere, avec la Basse (publ. 1740)
André Chéron (1695–1766)
[29]–[31] Sonate III
from Sonates en duo et en trio pour la flute traversiere
et le violon avec la basse continue. OEuvre II (publ. 1729)

Performers:
Dan Laurin, recorder
Anna Paradiso, harpsichord
Domen Marinčič, cello

Since 1987, Dan Laurin has released some thirty titles on BIS. On his latest disc, Sonates et Suites he has chosen to visit France at an exciting point in time. In the early 18th century, when all of the sonatas and suites included here were composed, the system of censorship that ensured that nothing was printed without royal permission was beginning to crumble, at least in the field of music. One contributing factor was ‘le Concert Spirituel’, a series of privately arranged public concerts which was inaugurated in 1725, and which meant nothing less than an aesthetic revolution for the attending Parisians. Sometimes performances of Italian music in particular led to actual brawls between advocates of the French and the Italian styles. On this expansive disc, Laurin and his fellow musicians Anna Paradiso on harpsichord and cellist Domen Marinčič illustrate this process in sound, with a quintessentially French suite by Charles Dieupart rubbing shoulders with an italianate 'Suite-Sonate' by Jacques-Martin Hotteterre. The disc also presents Dan Laurin with the perfect opportunity to perform on his own instrument the most iconic piece of French music from this period. Prepare yourself for Marin Marais' Folies d'Espagne like you have never heard them before, in Laurin's own arrangement for solo recorder!





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