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Matthias Jung, Sächsisches Vocalensemble - Mirabile mysterium: Choral Music for Christmas (2020)

Matthias Jung, Sächsisches Vocalensemble - Mirabile mysterium: Choral Music for Christmas (2020)
  • Title: Mirabile mysterium: Choral Music for Christmas
  • Year Of Release: 2020
  • Label: CPO
  • Genre: Classical
  • Quality: flac lossless
  • Total Time: 00:58:44
  • Total Size: 217 mb
  • WebSite:
Tracklist

01. Ecce virgo concipies
02. Nun komm, der Heiden Heiland
03. Maria durch ein Dornwald ging
04. Machet die Tore weit
05. Vespro della Beata Vergine, SV 206 No. 12a, Ave maris stella (Arr. for Choir)
06. Geistliche Chor-Music, Op. 11 (Excerpts Arr. for Choir) No. 13, O lieber Herre Gott
07. Geistliche Chor-Music, Op. 11 (Excerpts Arr. for Choir) No. 14, Trostet, trostet mein Volk, SWV 382
08. Ave Maria, WoO 34 (Arr. for Choir)
09. 8 Geistliche Gesange, Op. 138 No. 4, Unser lieben Frauen Traum
10. Mirabile mysterium
11. In dulci jubilo
12. Auf dem Berge, da geht der Wind
13. Lux aurumque (Version for Choir)
14. Es ist ein Ros entsprungen
15. A Spotless Rose Is Blowing
16. I Wonder as I Wander
17. A Child Is Born in Bethlehem
18. O magnum mysterium
19. Ich steh an deiner Krippen hier


The title of the present selection of choral music from various countries and epochs, Mirabile Mysterium (Latin for “Wondrous / Astonishing Mystery”), refers to the birth of Jesus Christ, by which nothing less than the incarnation of God is meant: out of love God renounces his almighty power and becomes a weak human being who like us is subject to suffering and death. Spiritual consideration of this mystery of faith, which the whole of Christendom celebrates every year at Christmas, has inspired composers of various religious persuasions to write very special works. Along with the works specifically concerning themselves with the Christmas event and qualifying as Christmas songs in the stricter sense of the term, we also find, primarily at the beginning of the program, some genuine Advent songs. Even during what for Christians were pagan times, the word adventus (Latin for “arrival”) designated both the visit of a human ruler and the presence of a deity in his temple. As in the case of the visit of a state dignitary, certain spiritual exercises were undertaken in preparation for the visit of a god. As a result, the idea that an event begins already with its preparation was transferred to the spiritual sphere. The Church borrowed this concept for a period of inner reflection intended to convey an inkling of the incomprehensible gift granted to humankind in the miracle of Christmas. This program spanning six centuries offers us the opportunity to trace the history of the spiritual fusion of the Advent and Christmas seasons in music.


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