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Carlo Vistoli, Filippo Pantieri, Sezione Aurea - Amor tiranno. Broken-hearted Lovers in Seventeenth-Century Venice (2020) [Hi-Res]

Carlo Vistoli, Filippo Pantieri, Sezione Aurea - Amor tiranno. Broken-hearted Lovers in Seventeenth-Century Venice (2020) [Hi-Res]
  • Title: Amor tiranno. Broken-hearted Lovers in Seventeenth-Century Venice
  • Year Of Release: 2020
  • Label: Arcana
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
  • Total Time: 01:10:39
  • Total Size: 351 / 720 MB
  • WebSite:
Tracklist:

1. Gli amori di Apollo e Dafne, Act III Scene 3: I. Ohimè, che miro? Ohimè dunque, in alloro (0:46)
2. Gli amori di Apollo e Dafne, Act III Scene 3: II. Lamento. Misero Apollo, i tuoi trionfi or vanta (4:27)
3. Gli amori di Apollo e Dafne, Act III Scene 3: III. Giove, crea novo lume, io più non voglio (1:01)
4. Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore (1:32)
5. Erismena, Act II Scene 15: I. Che veggio? Oh dèi, fermate (0:51)
6. Erismena, Act II Scene 15: II. Lamento. Uscitemi dal cor, lacrime amare (5:41)
7. La Didone, Act II Scene 1: I. Per eccesso d'affetto (4:03)
8. La Didone, Act II Scene 1: II. Che ti diss'io (1:32)
9. Sonata Cromatica (6:38)
10. Amanti, io vi so dire (5:10)
11. Chi può mirar costei e poi non dire (5:54)
12. La finta pazza, Act III Scene 5: Se ad un altro si sposa (2:58)
13. Tornate o cari baci (5:45)
14. L'incoronazione di Poppea, Act I, Scene 11: I. Ad altri tocca in sorte (6:38)
15. L'incoronazione di Poppea, Act I, Scene 11: II. Ahi, chi si fida in un bel volto (1:23)
16. L'incoronazione di Poppea, Act II, Scene 7: I. I miei sùbiti sdegni (2:22)
17. L'incoronazione di Poppea, Act II, Scene 7: II. Sprezzami quanto sai (1:56)
18. Ohimè, ch'io cado, ohimè (4:37)
19. Sì dolce è 'l tormento (4:09)
20. Aria di Passagaglia: Così mi disprezzate? (3:22)

Following the success of 'Arias for Nicolino', a musical portrait of the celebrated castrato of Handel's era (A427), Carlo Vistoli turns his attention to Venetian opera of the seventeenth century. The Italian countertenor - 'a voice [...] intrinsically beautiful, strong and powerful' (Opera Magazine) - has been delving into this repertory since the beginning of his international career with specialists such as Leonardo García Alarcón, William Christie and John Eliot Gardiner. In this anthology accompanied by the ensemble Sezione Aurea, the focus is on operatic scenes and chamber music by the leading composers of the time, such as Francesco Cavalli and Claudio Monteverdi, whose famous aria 'Sì dolce è 'l tormento' exemplifies the linking thread of the arias in this recording: disappointed lovers. They express their disillusion not only through lamenti, but also in a lighter, more humorous fashion that can include dance forms, as in the chaconne 'Amanti, io vi so dire' by Benedetto Ferrari, a lesser-known but historically important composer who, like Filiberto Laurenzi and Francesco Sacrati, contributed to the development of the dramma per musica as a genre.




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  • platico
  •  wrote in 22:10
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gracias....