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Arturo Tamayo - Ginastera: Concerto Per Corde (2016)

Arturo Tamayo - Ginastera: Concerto Per Corde (2016)
  • Title: Ginastera: Concerto Per Corde
  • Year Of Release: 2016
  • Label: Capriccio
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 77:21 min
  • Total Size: 269 MB
  • WebSite:
Tracklist:

01. Estudios sinfonicos, Op. 35: I. Para el Modo Festivo
02. Estudios sinfonicos, Op. 35: II. Para los Movimientos Aligeros
03. Estudios sinfonicos, Op. 35: III. Para las Densidades
04. Estudios sinfonicos, Op. 35: IV. Para una Sola Nota
05. Estudios sinfonicos, Op. 35: V. Para los Microtonos y las Sonoridades Insolitas
06. Estudios sinfonicos, Op. 35: VI. Para el Virtuosimo Orquestal
07. Glosses sobre temes de Pau Casals, Op. 46: I. Introduccio: Tempo rubato - Allegro - Lento - Un poco piu lento - Allegro - Molto lento - Tempo rubato -
08. Glosses sobre temes de Pau Casals, Op. 46: II. Romanc: Adagio intimo -
09. Glosses sobre temes de Pau Casals, Op. 46: III. Sardanes: Tempo di sardana - Gioiosamente, brillante -
10. Glosses sobre temes de Pau Casals, Op. 46: IV. Cant: Molto lento -
11. Glosses sobre temes de Pau Casals, Op. 46: V. Conclusio delirant: Vivace, con fuoco - In modo popolare, gioiante! - Prestissimo
12. Iubilum, Op. 51: I. Fanfare
13. Iubilum, Op. 51: II. Chorale
14. Iubilum, Op. 51: III. Finale
15. Concerto per corde, Op. 33: I. Variazioni per i solisti
16. Concerto per corde, Op. 33: II. Scherzo fantastico
17. Concerto per corde, Op. 33: III. Adagio angoscioso
18. Concerto per corde, Op. 33: IV. Finale furioso

After achieving independence from Spain, Argentina developed its own models for concert- and opera-going, even though these continued in many respects to reflect European traditions. Musical legends emerged during this time: Astor Piazzolla, the founder of the Tango Nuevo, Mauricio Kagel, Carlos Gardel and Alberto Ginastera, the man considered for decades to be the country's most significant composer of classical music. Three of the works recorded on this CD fall into Ginastera's final ‘Neo-Expressionist’ period: the Concerto per corde Op.33 (1965), cast in a classical, four-movement form; the Estudios sinfonicos Op.35 (1967), which represent Ginastera at his most adventurous with the avant-garde style; and the Glosses sobra temes de Pau Casals Op.48 (1976/77), in which Ginastera experiments by taking traditional themes by the great Spanish cellist Pablo Casals and holding them up to an avant-garde mirror.


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