Midori Seiler, Concerto Koln - La Venezia di Anna Maria (2018) CD-Rip
BAND/ARTIST: Midori Seiler, Concerto Koln
- Title: La Venezia di Anna Maria
- Year Of Release: 2018
- Label: Berlin Classics
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 01:22:43
- Total Size: 570 Mb
- WebSite: Album Preview
Tracklist:
CD 1
Antonio Vivaldi
Concerto in C minor RV 120
1. I. Allegro non molto
2. II. Largo
3. III. Allegro
Violin Concerto in E flat major RV 260 "Per Anna Maria"
4. I. Allegro
5. II. Adagio
6. III. Allegro
Baldassare Galuppi
Concerto a quattro in G minor No.1
7. I. Grave e adagio
8. II. Spiritoso
9. III. Allegro
Antonio Vivaldi
Violin Concerto in G major RV 308
10. I. Allegro
11. II. Largo cantabile
12. III. Allegro
CD 2
Antonio Vivaldi
Concerto in A major RV 158
1. I. Allegro molto
2. II. Andante molto
3. III. Allegro
Violin Concerto in E major RV 270a "Il Riposo"
4. I. Allegro
5. II. Andante
6. III. Allegro
Sinfonia in F major RV 140
7. I. Allegro
8. II. Andante
9. III. Allegro
Tomaso Albinoni
Concerto a cinque in B flat major Op.10 No.1
10. I. Allegro
11. II. Adagio
12. III. Allegro
Antonio Vivaldi
Violin Concerto in D minor RV 248 "Per Anna Maria"
13. I. Allegro
14. II. Largo - Presto - Adagio - Presto - Adagio
15. III. Allegro ma non molto
Performers:
Midori Seiler, violin
Concerto Koln
CD 1
Antonio Vivaldi
Concerto in C minor RV 120
1. I. Allegro non molto
2. II. Largo
3. III. Allegro
Violin Concerto in E flat major RV 260 "Per Anna Maria"
4. I. Allegro
5. II. Adagio
6. III. Allegro
Baldassare Galuppi
Concerto a quattro in G minor No.1
7. I. Grave e adagio
8. II. Spiritoso
9. III. Allegro
Antonio Vivaldi
Violin Concerto in G major RV 308
10. I. Allegro
11. II. Largo cantabile
12. III. Allegro
CD 2
Antonio Vivaldi
Concerto in A major RV 158
1. I. Allegro molto
2. II. Andante molto
3. III. Allegro
Violin Concerto in E major RV 270a "Il Riposo"
4. I. Allegro
5. II. Andante
6. III. Allegro
Sinfonia in F major RV 140
7. I. Allegro
8. II. Andante
9. III. Allegro
Tomaso Albinoni
Concerto a cinque in B flat major Op.10 No.1
10. I. Allegro
11. II. Adagio
12. III. Allegro
Antonio Vivaldi
Violin Concerto in D minor RV 248 "Per Anna Maria"
13. I. Allegro
14. II. Largo - Presto - Adagio - Presto - Adagio
15. III. Allegro ma non molto
Performers:
Midori Seiler, violin
Concerto Koln
Her life reads like the classic Baroque success story: brought up motherless in a Venetian orphanage, maturing into an “unparalleled violin virtuosa”, treated as an equal by Antonio Vivaldi: Anna Maria dal Violin. Midori Seiler and Concerto Köln depict the life of this exceptional woman in La Venezia di Anna Maria.
All her life long, Anna Maria (born 1696, died 1782) lived and worked in the Ospedale della Pietà. The Venetian orphanage for girls did more than just offer a home and a refuge to girls abandoned by their mothers. It was a school, a musical conservatory and a tourist attraction at the same time, a flourishing part of the city-state’s economy in which Anna Maria rapidly rose to stardom. Defying conventional expectations, the orphanage provided the springboard and proved the perfect setting for a career otherwise denied a female orphan in 18th-century Italy.
As maestro di concerto of the Ospedale, Antonio Vivaldi took Anna Maria under his wing. Starting out as her mentor and teacher, he eventually wrote over two dozen Concerti per Anna Maria. She for her part brilliantly mastered the violin and a host of other instruments, and was praised as the “veritable embodiment of all that is good and beautiful”, as a creature “ascending into Paradise”. Before long everyone was demanding to hear her and it is largely thanks to her that Vivaldi’s instrumental concertos blossomed as they did. Baroque specialist Midori Seiler and her congenial partners in Concerto Köln offer a virtuoso portrayal of this artistic teamwork between Anna Maria and Vivaldi. This album is the record of a fruitful collaboration: Antonio Vivaldi and Anna Maria – Midori Seiler and Concerto Köln.
Midori Seiler and Anna Maria: as an equally virtuosic female violinist, Midori Seiler is the ideal candidate to challenge and emulate her Baroque predecessor. As a member of Berlin’s Akademie für Alte Musik, Seiler was a part of the ensemble’s international breakthrough, from 2005 to 2014 directing from the leader’s desk. After a period as Professor at the Salzburg Mozarteum University she returned to Germany in 2017 as Professor at the Franz Liszt College of Music in Weimar. Holder of the Saxon Mozart Prize, she has enjoyed a long partnership with Concerto Köln. The orchestra has been one of the leading ensembles in the field of historical performance practice for more than 30 years, and as EU Cultural Ambassador 2012 is one of North Rhine-Westphalia’s claims to musical fame.
Four of the Concerti per Anna Maria have been selected for this album, together with one concerto each by Vivaldi’s contemporaries Galuppi and Albinoni. On La Venezia di Anna Maria, exceptional readings by Midori Seiler and Concerto Köln shed unique light on Venice as a flourishing centre of the arts at the height of its musical prowess.
All her life long, Anna Maria (born 1696, died 1782) lived and worked in the Ospedale della Pietà. The Venetian orphanage for girls did more than just offer a home and a refuge to girls abandoned by their mothers. It was a school, a musical conservatory and a tourist attraction at the same time, a flourishing part of the city-state’s economy in which Anna Maria rapidly rose to stardom. Defying conventional expectations, the orphanage provided the springboard and proved the perfect setting for a career otherwise denied a female orphan in 18th-century Italy.
As maestro di concerto of the Ospedale, Antonio Vivaldi took Anna Maria under his wing. Starting out as her mentor and teacher, he eventually wrote over two dozen Concerti per Anna Maria. She for her part brilliantly mastered the violin and a host of other instruments, and was praised as the “veritable embodiment of all that is good and beautiful”, as a creature “ascending into Paradise”. Before long everyone was demanding to hear her and it is largely thanks to her that Vivaldi’s instrumental concertos blossomed as they did. Baroque specialist Midori Seiler and her congenial partners in Concerto Köln offer a virtuoso portrayal of this artistic teamwork between Anna Maria and Vivaldi. This album is the record of a fruitful collaboration: Antonio Vivaldi and Anna Maria – Midori Seiler and Concerto Köln.
Midori Seiler and Anna Maria: as an equally virtuosic female violinist, Midori Seiler is the ideal candidate to challenge and emulate her Baroque predecessor. As a member of Berlin’s Akademie für Alte Musik, Seiler was a part of the ensemble’s international breakthrough, from 2005 to 2014 directing from the leader’s desk. After a period as Professor at the Salzburg Mozarteum University she returned to Germany in 2017 as Professor at the Franz Liszt College of Music in Weimar. Holder of the Saxon Mozart Prize, she has enjoyed a long partnership with Concerto Köln. The orchestra has been one of the leading ensembles in the field of historical performance practice for more than 30 years, and as EU Cultural Ambassador 2012 is one of North Rhine-Westphalia’s claims to musical fame.
Four of the Concerti per Anna Maria have been selected for this album, together with one concerto each by Vivaldi’s contemporaries Galuppi and Albinoni. On La Venezia di Anna Maria, exceptional readings by Midori Seiler and Concerto Köln shed unique light on Venice as a flourishing centre of the arts at the height of its musical prowess.
Year 2018 | Classical | FLAC / APE | CD-Rip
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