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Barbara Hannigan, Ludwig Orchestra - La Passione: Nono, Haydn & Grisey (2020) [Hi-Res]

Barbara Hannigan, Ludwig Orchestra - La Passione: Nono, Haydn & Grisey (2020) [Hi-Res]
  • Title: La Passione: Nono, Haydn & Grisey
  • Year Of Release: 2020
  • Label: Alpha
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks+booklet)
  • Total Time: 01:12:36
  • Total Size: 269 / 643 MB
  • WebSite:
Tracklist:

1. Djamila Boupacha for Soprano Solo (5:00)
2. Symphony No. 49 in F Minor, Hob. I:49 'La Passione': I. Adagio (14:17)
3. Symphony No. 49 in F Minor, Hob. I:49 'La Passione': II. Allegro di molto (6:11)
4. Symphony No. 49 in F Minor, Hob. I:49 'La Passione': III. Minuet - Trio (4:00)
5. Symphony No. 49 in F Minor, Hob. I: 49 'La Passione': IV. Finale. Presto (2:59)
6. Quatre chants pour franchir le seuil for Soprano & Ensemble: Prélude - I. La mort de l'ange (12:27)
7. Quatre chants pour franchir le seuil for Soprano & Ensemble: Interlude - II. La mort de la civilisation (7:05)
8. Quatre chants pour franchir le seuil for Soprano & Ensemble: Interlude - III. La mort de la voix (4:13)
9. Quatre chants pour franchir le seuil for Soprano & Ensemble: Faux interlude - IV. La mort de l'humanité (11:32)
10. Quatre chants pour franchir le seuil for Soprano & Ensemble: Berceuse (4:58)

The starting point for Barbara Hannigan’s third recording for Alpha is a work by Gérard Grisey (1946-98) that is particularly close to her heart. Grisey wrote: ‘I conceived the Quatre Chants pour franchir le seuil [Four songs for crossing the threshold] as a musical meditation on death in four parts: the death of the angel, the death of civilisation, the death of the voice and the death of humanity... The texts chosen belong to four civilisations (Christian, Egyptian, Greek, Mesopotamian) and have in common a fragmentary discourse on the inevitability of death.’ Luigi Nono (1924-90) was a politically engaged composer. His stunning monody Djamila Boupacha, a heart-rending cry for solo soprano, pays tribute to a freedom fighter tortured by French paratroopers during the Algerian war; Picasso also portrayed her in charcoal. Once again Barbara Hannigan both sings and directs this pair of twentieth-century works with her friends of the Ludwig Orchestra. She has chosen to couple them with a Classical symphony by the master of the genre, Joseph Haydn, which also deals with the theme of the Passion. Her interpretation is extremely intense and highly personal.




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  • User offline
  • platico
  •  wrote in 01:06
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gracias....
  • User offline
  • olga1001
  •  wrote in 16:33
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    • 1
Turned into evil !?
Today is tough for me to listen to it through.
Thanks
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  • gibheid
  •  wrote in 03:07
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Thanks sddd.
  • Guest Thehague
  •  wrote in 17:49
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@olga1001, you have no right to call this music ‘evil’, only because you don’t understand and feel it. Barbara Hannigan is one of the greatest sopranos/conductors of this age. She was Reinbert de Leeuw’s pupil. Her musicianship is fabulous.