Ensemble San Felice feat. Federico Bardazzi - Carissimi: Iudicium extremum & Jephte (2020)
BAND/ARTIST: Ensemble San Felice, Federico Bardazzi
- Title: Carissimi: Iudicium extremum & Jephte
- Year Of Release: 2020
- Label: Bongiovanni
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:45:11
- Total Size: 219 mb
- WebSite: Album Preview
Tracklist
01. Iudicium extremum: Sinfonia-Aspiciebam in visione noctis
02. Iudicium extremum: Tunc, horribili sonitu
03. Iudicium extremum: Quam magna
04. Iudicium extremum: Quam magna II
05. Aria sopra la bergamasca
06. Jephte: Cum vocasset in proelium
07. Jephte: Transivit ergo Iephte
08. Jephte: Fugite, fugite cedite impii
09. Jephte: Et ululantes filii
10. Jephte: Cantemus omnes Domino
11. Jephte: Cum vidisset Iephte
12. Jephte: Abiit ergo Iephte
13. Jephte: Plorate colles
14. Jephte: Plorate filii Israel
The Counter-Reformation was intended to elevate the spiritual feelings of the Catholic faithful and the oratorio was influenced by monodic song and the transformation of the lauda spirituale into a more dramatic, performance-oriented form. Indeed, the term “oratorio” initially meant somewhere that a lay congregation met to pray and sing hymns like the Lauda. Carissimi’s are the first real oratorios in the history of music and although he did not invent the genre, he certainly put it on the map. Most of his 16 surviving oratorios are in Latin and among the finest are not only his renowned Jephte, but Iudicium extremum itself with its majestic three-choir structure. Carissimi had a huge influence on the development of the oratorio in Italy and throughout Europe in the work of his many pupils who achieved greatness, such as Charpentier in France and Kerll in Germany. And that influence continued upon later composers such as Haendel and all the major exponents of the mature Baroque.
01. Iudicium extremum: Sinfonia-Aspiciebam in visione noctis
02. Iudicium extremum: Tunc, horribili sonitu
03. Iudicium extremum: Quam magna
04. Iudicium extremum: Quam magna II
05. Aria sopra la bergamasca
06. Jephte: Cum vocasset in proelium
07. Jephte: Transivit ergo Iephte
08. Jephte: Fugite, fugite cedite impii
09. Jephte: Et ululantes filii
10. Jephte: Cantemus omnes Domino
11. Jephte: Cum vidisset Iephte
12. Jephte: Abiit ergo Iephte
13. Jephte: Plorate colles
14. Jephte: Plorate filii Israel
The Counter-Reformation was intended to elevate the spiritual feelings of the Catholic faithful and the oratorio was influenced by monodic song and the transformation of the lauda spirituale into a more dramatic, performance-oriented form. Indeed, the term “oratorio” initially meant somewhere that a lay congregation met to pray and sing hymns like the Lauda. Carissimi’s are the first real oratorios in the history of music and although he did not invent the genre, he certainly put it on the map. Most of his 16 surviving oratorios are in Latin and among the finest are not only his renowned Jephte, but Iudicium extremum itself with its majestic three-choir structure. Carissimi had a huge influence on the development of the oratorio in Italy and throughout Europe in the work of his many pupils who achieved greatness, such as Charpentier in France and Kerll in Germany. And that influence continued upon later composers such as Haendel and all the major exponents of the mature Baroque.
Year 2020 | Classical | FLAC / APE
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