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Bernhard Klapprott - All Lust und Freud - The Clavicytherium of the Germanisches Nationalmuseum, Nuremberg. South German Keyboard Music around 1600 (2019) [Hi-Res]

Bernhard Klapprott - All Lust und Freud - The Clavicytherium of the Germanisches Nationalmuseum, Nuremberg. South German Keyboard Music around 1600 (2019) [Hi-Res]

BAND/ARTIST: Bernhard Klapprott

  • Title: All Lust und Freud - The Clavicytherium of the Germanisches Nationalmuseum, Nuremberg. South German Keyboard Music around 1600
  • Year Of Release: 2020
  • Label: Aeolus
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
  • Total Time: 01:14:12
  • Total Size: 509 / 1.5 gb
  • WebSite:
Tracklist
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01. Canzona sexti toni
02. Je prends en grè
03. Canzona quarti toni
04. Ricercar noni toni sopra le fuge “Io son ferito, ahi lasso” e “Vestiva i colli”
05. Toccata in g
06. Canzona in g
07. Canzon in G
08. Balletto in D
09. Corrente in d
10. Sonata in a
11. Ricercar quarti toni
12. Ist mir ein fein braun Meg[delein]
13. Du hast mich wollen nemmen
14. Schirazula Marazula
15. Aus frischem freyem muth
16. Ungarescha – Saltarello
17. Canzon 12 toni
18. Allamanda varirt
19. Canzon in d
20. Ach Schatz, ich sing und lache
21. Mit deinen lieblichen Augen
22. All Lust und Frewdt
23. Ach weh der schweren Pein
24. Nun last uns fröhlich sein
25. Ihr Musici, frisch auff und last doch hören
26. Canzon in F


For the first time the large clavicytherium of the Germanisches Nationalmuseum (Nuremberg) – a kind of vertical harpsichord built by an anonymous German master during the late sixteenth century – is recorded here on disc. The present instrument is undoubtedly a pinnacle of the art of instrument making, with unusual timbres and an astonishingly complex action.

Bernhard Klapprott, a former pupil of Bob van Asperen and today Professor of Harpsichord in Weimar, has selected appropriate music for this rare instrument: to be heard are delicate polyphonic works as well as full-voiced adaptations of popular songs of the time by South-German composers such as Hassler, Erbach, Paix, and Staden.

The unique instrument and the special repertoire are described in detail in the extensive booklet. In addition, Bernhard Klapprott explains the special background of the historical ornamentation employed.




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