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Rotary Connection - The Rotary Connection (Reissue, Remastered) (1968/1996)

Rotary Connection - The Rotary Connection (Reissue, Remastered) (1968/1996)

BAND/ARTIST: Rotary Connection

Rotary Connection - The Rotary Connection (Reissue, Remastered) (1968/1996)


Tracklist:

01. Amen (04:01)
02. Rapid Transit (00:39)
03. Turn Me On (03:19)
04. Pink Noise (00:22)
05. Lady Jane (05:01)
06. Like A Rolling Stone (04:53)
07. Soul Man (03:18)
08. Sursum Mentes (00:43)
09. Didn't Want To Have To Do It (03:13)
10. Black Noise (00:21)
11. Memory Band (03:20)
12. Ruby Tuesday (04:27)
13. Rotary Connection (02:51)

Line-up::
Arranged By, Keyboards – Charles Stepney
Artwork By [Original] – Steve Kolanjian
Bass – Louis Satterfield, Phil Upchurch
Conductor – David Chausow
Design [Original] – Hurpis, Binzer & Churchill
Design [Reissue Art Director] – Vartan
Drums – Morris Jennings
Electronics – Bill Bradley
Guitar – Bobby Christian, Bryce Roberson, Pete Cosey
Liner Notes – Robert Pruter
Photography [Original] – Curt Cole Burkhart
Producer – Charles Stepney, Marshall Chess
Recorded By – Doug Brand
Reissue Producer – Andy McKaie
Remastered By – Mark Omann
Research [Reissue Photo] – Geary Chansley
Vocals – Bobby Simms, Chuck Barksdale, Judy Hauff, Kenny Venegas, Minnie Riperton, Mitch Aliota, Sidney Barnes

Rotary Connection is the eponymous debut album by the American psychedelic soul group of the same name. The album includes several cover songs by The Rolling Stones, Bob Dylan, The Lovin' Spoonful and Sam & Dave. The most inexplicable aspect of Rotary Connection's debut is that its strange and experimental qualities are often referred to as charming but dated, while Love's Forever Changes (released the same year), a record that is just a shade less bizarre and no more psychedelic, is universally viewed as timeless. There's no mistaking that this is hardly a flawless record -- this band, more an experiment than anything else, was only beginning to find its feet. For every cover that radically reshapes the original and either stuns ears or elicits screams of blasphemy ("Like a Rolling Stone"), there's one that falls completely flat in its blandness ("Soul Man"). And for every original that is rife with otherworldly melodies and luscious combinations of countless musical styles ("Memory Band"), there's something like the ghostly "what you've just heard" audio collage/megamix that closes out the album ("Rotary Connection"). The consensus seems to be that this is the only essential record this group released, and that they were such an oddball entity that this is all one can take of them. That's just plain silly, evident from any number of the sparkling moments found on the LPs that followed. Minnie Riperton had yet to take the spotlight she deserved in this group -- so in a sense, this could be seen as the least-representative Rotary Connection record, as fascinating as it is. Some strange force carried it to the Top 40 of the album chart, not that it was undeserving. ~ Review by Andy Kellman



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  • mufty77
  •  wrote in 02:23
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Many thanks for lossless.