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VA - Béla Bartók: The Concerto Album (2008)
BAND/ARTIST: VA
- Title: Béla Bartók: The Concerto Album
- Year Of Release: 2008
- Label: EMI Classics
- Genre: Classical
- Quality: FLAC (image+.cue,log,scans)
- Total Time: 03:44:34
- Total Size: 1 Gb
- WebSite: Album Preview
Tracklist:
CD 1:
01. Concerto for Orchestra, Sz. 116, BB 127- 1. Introduzione- Andante non troppo - Allegro vivace [0:09:53.69]
02. Concerto for Orchestra, Sz. 116, BB 127- 2. Giuoco della coppie- Allegretto scherzando [0:06:32.36]
03. Concerto for Orchestra, Sz. 116, BB 127- 3. Elegia- Andante non troppo [0:07:04.27]
04. Concerto for Orchestra, Sz. 116, BB 127- 4. Intermezzo interrotto- Allegretto [0:04:28.34]
05. Concerto for Orchestra, Sz. 116, BB 127- 5. Finale- Pesante - Presto [0:09:28.31]
06. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 1. Allegro non troppo [0:16:07.15]
07. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 2. Andante tranquillo [0:09:48.61]
08. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 3. Allegro molto [0:12:04.29]
Kyung-Wha Chung - violin
Royal Philharmonic Orchstra
City of Birmingham Symphony Orchestra
Rafael Kubelik - conductor
Sir Simon Rattle - conductor
CD 2:
01. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 1. Allegro [0:10:04.49]
02. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 2. Adagio - Presto - Adagio [0:14:07.49]
03. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 3. Allegro molto [0:06:34.74]
04. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 1. Allegretto [0:07:24.07]
05. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 2. Adagio religioso - Poco più mosso - Tempo 1 [0:10:45.11]
06. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 3. Allegro vivace [0:06:49.13]
07. Violin Concerto No. 1, Sz. 36, BB 48a- 1. Andante sostenuto [0:09:16.69]
08. Violin Concerto No. 1, Sz. 36, BB 48a- 2. Allegro giocoso [0:12:33.35]
Sviatoslav Richter - piano
Martha Argerich - piano
Dmitry Sitkovetsky - violin
Orchestre de Paris
Orchestre Philharmonique de Montréal
Philharmonia Orchestra
Lorin Maazel - conductor
Charles Dutoit - conductor
Libor Pešek - conductor
CD 3:
01. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 1. Moderato - [0:12:58.09]
02. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 2. Adagio religioso [0:03:58.13]
03. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 3. Allegro vivace [0:04:31.47]
04. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Beginning [0:01:24.04]
05. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The curtain rises [0:01:15.49]
06. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): First Seduction Game [0:03:59.28]
07. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Second Seduction Game [0:03:29.04]
08. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Third Seduction Game [0:01:44.66]
09. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The Mandarin enters [0:00:48.58]
10. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Dance of the Girl [0:05:13.68]
11. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The Chase [0:02:17.66]
12. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 1. Andante tranquillo [0:07:48.49]
13. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 2. Allegro [0:07:36.60]
14. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 3. Adagio [0:07:08.52]
15. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 4. Allegro molto [0:07:30.47]
Tabea Zimmermann - viola
Symphonieorchester des Bayerischen Rundfunks
Philadelphia Orchestra
David Shallon - conductor
Eugene Ormandy - conductor
[center][/center]
CD 1:
01. Concerto for Orchestra, Sz. 116, BB 127- 1. Introduzione- Andante non troppo - Allegro vivace [0:09:53.69]
02. Concerto for Orchestra, Sz. 116, BB 127- 2. Giuoco della coppie- Allegretto scherzando [0:06:32.36]
03. Concerto for Orchestra, Sz. 116, BB 127- 3. Elegia- Andante non troppo [0:07:04.27]
04. Concerto for Orchestra, Sz. 116, BB 127- 4. Intermezzo interrotto- Allegretto [0:04:28.34]
05. Concerto for Orchestra, Sz. 116, BB 127- 5. Finale- Pesante - Presto [0:09:28.31]
06. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 1. Allegro non troppo [0:16:07.15]
07. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 2. Andante tranquillo [0:09:48.61]
08. Violin Concerto No. 2 in B minor, Sz. 112, BB 117- 3. Allegro molto [0:12:04.29]
Kyung-Wha Chung - violin
Royal Philharmonic Orchstra
City of Birmingham Symphony Orchestra
Rafael Kubelik - conductor
Sir Simon Rattle - conductor
CD 2:
01. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 1. Allegro [0:10:04.49]
02. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 2. Adagio - Presto - Adagio [0:14:07.49]
03. Piano Concerto No. 2 in G major, Sz. 95, BB 101- 3. Allegro molto [0:06:34.74]
04. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 1. Allegretto [0:07:24.07]
05. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 2. Adagio religioso - Poco più mosso - Tempo 1 [0:10:45.11]
06. Piano Concerto No. 3 in E major, Sz. 119, BB 127 (completed by Tibor Serly)- 3. Allegro vivace [0:06:49.13]
07. Violin Concerto No. 1, Sz. 36, BB 48a- 1. Andante sostenuto [0:09:16.69]
08. Violin Concerto No. 1, Sz. 36, BB 48a- 2. Allegro giocoso [0:12:33.35]
Sviatoslav Richter - piano
Martha Argerich - piano
Dmitry Sitkovetsky - violin
Orchestre de Paris
Orchestre Philharmonique de Montréal
Philharmonia Orchestra
Lorin Maazel - conductor
Charles Dutoit - conductor
Libor Pešek - conductor
CD 3:
01. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 1. Moderato - [0:12:58.09]
02. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 2. Adagio religioso [0:03:58.13]
03. Viola Concerto (completed in 1949 by Tibor Serly), Sz. 120, BB 128: 3. Allegro vivace [0:04:31.47]
04. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Beginning [0:01:24.04]
05. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The curtain rises [0:01:15.49]
06. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): First Seduction Game [0:03:59.28]
07. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Second Seduction Game [0:03:29.04]
08. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Third Seduction Game [0:01:44.66]
09. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The Mandarin enters [0:00:48.58]
10. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): Dance of the Girl [0:05:13.68]
11. The Miraculous Mandarin, suite for orchestra, Sz. 73a, BB 82 (Op. 19): The Chase [0:02:17.66]
12. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 1. Andante tranquillo [0:07:48.49]
13. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 2. Allegro [0:07:36.60]
14. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 3. Adagio [0:07:08.52]
15. Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 4. Allegro molto [0:07:30.47]
Tabea Zimmermann - viola
Symphonieorchester des Bayerischen Rundfunks
Philadelphia Orchestra
David Shallon - conductor
Eugene Ormandy - conductor
How, you might ask yourself, could Béla Bartók's concertos take up three whole discs? After all, he only wrote three piano concertos, two violin concertos, and a viola concerto, and altogether they'd take up pretty much exactly two discs. So how did the artist and repertoire people at EMI manage to fill out three discs here? In a word, they cheated. They've added not only the Concerto for Orchestra, arguably a fair call considering the nature of the work, but the Suite from The Miraculous Mandarin and the Music for Strings, Percussion, and Celesta, as well.
But they've done more than cheat; they've also dropped the first of the three piano concertos, which is inexplicable because they have two in their catalog: Peter Donohoe's edgy 1992 recording with Simon Rattle and the City of Birmingham Symphony, and Daniel Barenboim's muscular 1967 recording with Pierre Boulez and the New Philharmonia.
That issue aside, the results are mixed both in terms of performance and sound quality. Rafael Kubelik's swashbuckling 1958 account of the Concerto for Orchestra is followed by Kyung-Wha Chung's passionate, but not particularly persuasive, 1990 reading of the Second Violin Concerto with Simon Rattle. Sviatoslav Richter's fire-breathing 1969 Second Piano Concerto goes perfectly with Martha Argerich's hair-raising 1997 Third Piano Concerto, but the second disc then concludes with Dmitry Sitkovetsky's humdrum 1991 First Violin Concerto. The third disc concludes the incomplete survey of the concertos with Tabea Zimmermann's resolute 1989 Viola Concerto with the Symphonieorchester des Bayerischen Rundfunks under David Shallon, but then moves on to amazing 1978 performances of Bartók's Miraculous Mandarin Suite and Music for Strings, Percussion and Celesta with Eugene Ormandy leading the Philadelphia Orchestra. While these may not be the greatest performances of the works ever recorded, they are brilliantly conducted, sumptuously played, and surprisingly affectionate performances that deserve to be heard by anyone who enjoys the music or admires the conductor.
Recorded in seven different halls in five different countries over a range of 39 years, the sound here understandably varies considerably from performance to performance, but is still consistently fine.
But they've done more than cheat; they've also dropped the first of the three piano concertos, which is inexplicable because they have two in their catalog: Peter Donohoe's edgy 1992 recording with Simon Rattle and the City of Birmingham Symphony, and Daniel Barenboim's muscular 1967 recording with Pierre Boulez and the New Philharmonia.
That issue aside, the results are mixed both in terms of performance and sound quality. Rafael Kubelik's swashbuckling 1958 account of the Concerto for Orchestra is followed by Kyung-Wha Chung's passionate, but not particularly persuasive, 1990 reading of the Second Violin Concerto with Simon Rattle. Sviatoslav Richter's fire-breathing 1969 Second Piano Concerto goes perfectly with Martha Argerich's hair-raising 1997 Third Piano Concerto, but the second disc then concludes with Dmitry Sitkovetsky's humdrum 1991 First Violin Concerto. The third disc concludes the incomplete survey of the concertos with Tabea Zimmermann's resolute 1989 Viola Concerto with the Symphonieorchester des Bayerischen Rundfunks under David Shallon, but then moves on to amazing 1978 performances of Bartók's Miraculous Mandarin Suite and Music for Strings, Percussion and Celesta with Eugene Ormandy leading the Philadelphia Orchestra. While these may not be the greatest performances of the works ever recorded, they are brilliantly conducted, sumptuously played, and surprisingly affectionate performances that deserve to be heard by anyone who enjoys the music or admires the conductor.
Recorded in seven different halls in five different countries over a range of 39 years, the sound here understandably varies considerably from performance to performance, but is still consistently fine.
[center][/center]
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