Charlotte de Rothschild & Adrian Farmer - Peterkin: The Songs of Norman Peterkin (2017)
BAND/ARTIST: Charlotte de Rothschild, Adrian Farmer
- Title: Peterkin: The Songs of Norman Peterkin
- Year Of Release: 2017
- Label: Lyrita Recorded Edition
- Genre: Classical, Art Song, Modern Era
- Quality: flac lossless
- Total Time: 01:08:42
- Total Size: 231 mb
- WebSite: Album Preview
Tracklist
---------
01. The Fidil Is Singing
02. The Song of Fionula
03. Five Poems from the Japanese
04. All Suddenly the Wind Comes Soft
05. Pierrette in Memory
06. O Men from the Fields
07. The Garden of Bamboos
08. Advice to Girls
09. Never More, Sailor
10. Little Red Hen (Irish Folk Tale)
11. A Little Wind Came Blowing (An Irish Air)
12. Sleep White Love
13. The Chaste Wife's Reply
14. Hours of Idleness
15. I Wish and I Wish
16. The Song of the Secret
17. The Fiddler
18. If I Be Living in Eirinn
19. Dubbuldideery 'The Monkeys' Journey Song
20. Song of the Water Maiden
21. So We'll Go No More a-Roving
22. I Heard a Piper Piping
23. Rune of the Burden of the Tide
24. The Bee's Song
25. The Tide Rises, the Tide Falls
26. Beata Solitudo
In December 1982 my old friend Norman Peterkin passed away in his sleep at the age of almost 96 in a Guildford hospital. for so many years he had seemed immortal that I could scarcely believe the news. At first the grief was personal, but later I realized that he had been making a significant contribution to many different aspects of British music for over sixty years and so the loss was thus more widespread. Latterly he had been known in two roles: as a 'grandad' figure for the Music Department of Oxford University Press and as the composer of the song, 'I heard a piper piping'. He had outlived most of the contemporaries who might have remembered other facets of his life, e.g. his contributions to musical life in far flung parts of the old Empire, and his work in the 1920s with the composers' circle in Liverpool. To begin with his own compositions were written in a style similar to that of Grieg, but he was open to all the contemporary influences in music and literature - to Debussy and Delius and to Yeats and Maeterlinck. Another significant influence was the music of Cyril Scott, whose First Piano Sonata of 1909 made a great impression on the young Peterkin and was to remain a favorite with him. History will give Norman Peterkin an unusual position in the hierarchy of twentieth century British music and musicians. For some of his songs he will be known as a subtle, imaginative composer of considerable distinction. As a publisher he will always be associated with Hubert Foss, but as one who was known as a poet in music and a musician in publishing he will have a niche all his own.
---------
01. The Fidil Is Singing
02. The Song of Fionula
03. Five Poems from the Japanese
04. All Suddenly the Wind Comes Soft
05. Pierrette in Memory
06. O Men from the Fields
07. The Garden of Bamboos
08. Advice to Girls
09. Never More, Sailor
10. Little Red Hen (Irish Folk Tale)
11. A Little Wind Came Blowing (An Irish Air)
12. Sleep White Love
13. The Chaste Wife's Reply
14. Hours of Idleness
15. I Wish and I Wish
16. The Song of the Secret
17. The Fiddler
18. If I Be Living in Eirinn
19. Dubbuldideery 'The Monkeys' Journey Song
20. Song of the Water Maiden
21. So We'll Go No More a-Roving
22. I Heard a Piper Piping
23. Rune of the Burden of the Tide
24. The Bee's Song
25. The Tide Rises, the Tide Falls
26. Beata Solitudo
In December 1982 my old friend Norman Peterkin passed away in his sleep at the age of almost 96 in a Guildford hospital. for so many years he had seemed immortal that I could scarcely believe the news. At first the grief was personal, but later I realized that he had been making a significant contribution to many different aspects of British music for over sixty years and so the loss was thus more widespread. Latterly he had been known in two roles: as a 'grandad' figure for the Music Department of Oxford University Press and as the composer of the song, 'I heard a piper piping'. He had outlived most of the contemporaries who might have remembered other facets of his life, e.g. his contributions to musical life in far flung parts of the old Empire, and his work in the 1920s with the composers' circle in Liverpool. To begin with his own compositions were written in a style similar to that of Grieg, but he was open to all the contemporary influences in music and literature - to Debussy and Delius and to Yeats and Maeterlinck. Another significant influence was the music of Cyril Scott, whose First Piano Sonata of 1909 made a great impression on the young Peterkin and was to remain a favorite with him. History will give Norman Peterkin an unusual position in the hierarchy of twentieth century British music and musicians. For some of his songs he will be known as a subtle, imaginative composer of considerable distinction. As a publisher he will always be associated with Hubert Foss, but as one who was known as a poet in music and a musician in publishing he will have a niche all his own.
Year 2017 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads