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Robert Crowe & Il Furioso - Handel: The Complete "Amen, Alleluia" Arias (2017) [Hi-Res]

Robert Crowe & Il Furioso - Handel: The Complete "Amen, Alleluia" Arias (2017) [Hi-Res]

BAND/ARTIST: Robert Crowe, Il Furioso

  • Title: Handel: The Complete "Amen, Alleluia" Arias
  • Year Of Release: 2017
  • Label: Toccata Classics
  • Genre: Classical, Baroque Era, Sacred
  • Quality: flac lossless / flac 24bits - 88.2kHz
  • Total Time: 00:57:44
  • Total Size: 275 mb / 1.1 gb
  • WebSite:
Tracklist
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01. Amen No. 1 in F Major, HWV 270
02. Intavolatura di tiorba, Op. 1, Sonata No. 9 in D Minor: II. (Andante)
03. A Hymn on Divine Musick "What Art Thou"
04. Amen, Alleluia in G Major, HWV 273
05. Amen, Alleluia in G Minor, HWV 271
06. Amen, Alleluia in A Minor, HWV 274
07. Intavolatura di tiorba, Op. 1, Sonata No. 10 in G Major: I. Grave
08. Intavolatura di tiorba, Op. 1, Sonata No. 10 in G Major: II. Allegro
09. Intavolatura di tiorba, Op. 1, Sonata No. 10 in G Major: III. Allegro
10. Amen, Alleluia in F Major, HWV 276
11. A Divine Song on the Passion of Our Saviour
12. Amen, Alleluia in D Minor, HWV 269
13. Intavolatura di tiorba, Op. 1, Sonata No. 9 in D Minor: Ib. (Andante)
14. Amen, Alleluia in F Major, HWV 277
15. Pieces for the Braamcamp Handel-Clay Clock: No. 3, Minuet (From HWV 436)
16. Pieces for the Braamcamp Handel-Clay Clock: No. 4, Variation (From HWV 436)
17. A Divine Hymn
18. Pieces for the Braamcamp Handel-Clay Clock: No. 10, 6th Air
19. Amen, Alleluia in D Minor, HWV 272
20. Intavolatura di tiorba, Op. 1, Sonata No. 11 in A Minor: III. (Andante)
21. Amen, Alleluia in C Major, HWV 275
22. Amen in F Major, HWV 270 (Ornamented)


Over a period of some twenty years, from the late 1720s, Handel composed a series of virtuoso arias using only the words Allelujah and Amen as his texts. They were probably for use in private worship, and take their place in the tradition of Divine Song established by Purcell and other composers. Here they receive their first recordings, set in a context of contemporary sacred song and instrumental music, with theaccompaniment provided by the beguiling sound of two theorbos and chamber organ. They are heard here in the extraordinarily dramatic timbres of a male-soprano voice perhaps as close as modern listeners can come to the vocal acrobatics of the castrati who so amazed their own audiences.




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