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Fredrik Ullen - Liszt, Messiaen (2012)

Fredrik Ullen - Liszt, Messiaen (2012)

BAND/ARTIST: Fredrik Ullen

  • Title: Liszt, Messiaen
  • Year Of Release: 2012
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:12:07
  • Total Size: 270 Mb
  • WebSite:
Tracklist:

LISZT, Ferenc (1811–86)
01 Sancta Dorothea, S. 187 (1877) 3'08
02 St. François d’Assise: La prédication aux oiseaux 9'36
No. 1 of Deux Légendes, S. 175 (1863)
MESSIAEN, Olivier (1908–92)
from Petites esquisses d’oiseaux (1985) (Leduc)
03 I. Le rouge-gorge (Erithacus rubecula) 2'31
LISZT, Ferenc
from Consolations, S. 172 (1844–50)
04 I. Andante con moto 1'21
MESSIAEN, Olivier
from Petites esquisses d’oiseaux (Leduc)
05 II. Le merle noir (Turdus merula) 2'34
LISZT, Ferenc
from Consolations
06 II. Un poco più mosso 2'40
MESSIAEN, Olivier
from Petites esquisses d’oiseaux (Leduc)
07 III. Le rouge-gorge (Erithacus rubecula) 2'40
08 IV. La grive musicienne (Turdus ericetorum) 1'50
LISZT, Ferenc
from Consolations
09 III. Lento placido 3'57
10 IV. Quasi Adagio 2'34
MESSIAEN, Olivier
from Petites esquisses d’oiseaux (Leduc)
11 V. Le rouge-gorge (Erithacus rubecula) 3'03
12 VI. L’alouette des champs (Alauda arvensis) 2'20
LISZT, Ferenc
from Consolations
13 V. Andantino 2'27
14 VI. Allegretto sempre cantabile 3'10
15 Unstern! Sinistre, disastro, S. 208 (1881) 5'21
MESSIAEN, Olivier
16 Cantéyodjayâ (1949) (Universal Edition) 11'55
LISZT, Ferenc
17 St. François de Paule marchant sur les flots 8'07
No. 2 of Deux Légendes

Performers:
Fredrik Ullén (piano)

Franz Liszt and Olivier Messiaen don't usually spring to mind as similar figures, let alone as an expected pairing for an album, since the former was the arch-Romantic virtuoso pianist and tone poet, while the latter was an influential modernist composer and organist. Yet both men were devout Roman Catholic musicians with mystical ideas that found expression in their works. To be sure, this disc by pianist Fredrik Ullén illustrates the differences between them by presenting their solo piano pieces in alternation, so the listener is never lulled by one style or the other but stays attentive throughout the program. There is no mistaking Liszt's placid, sometimes bland, tonality for Messiaen's dense, dissonant chromaticism, and the generally dreamy atmosphere of Liszt's meditations contrasts with Messiaen's spiky, percussive approach to the piano. But both composers were adept at creating trancendental meditations that carry the mind to other worlds, and their strains of mysticism color the listener's reception of the music, whether it is the peaceful, paradisiacal realm of Liszt's Consolations or the cosmic visions of Messiaen's Petites esquisses d'oiseaux. Ullén is best known for his recordings of avant-garde music, yet he possesses the technical skills and musicality to interpret pieces from the 19th century with equal conviction, so his abilities make the pairing of Liszt and Messiaen less unlikely and even more fascinating. BIS gives Ullén transparent audio, and the piano has credible presence with ample resonance.





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