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Javier Perianes, Orchestre de Paris & Josep Pons - Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019) [Hi-Res]

Javier Perianes, Orchestre de Paris & Josep Pons - Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019) [Hi-Res]
  • Title: Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso
  • Year Of Release: 2019
  • Label: harmonia mundi
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
  • Total Time: 01:20:56
  • Total Size: 245 / 689 MB
  • WebSite:
Tracklist:

1. Miroirs, M. 43: IV. Alborada del gracioso (orchestra version) (7:52)
2. Le Tombeau de Couperin, M. 68: I. Prélude. Vif (Piano version) (3:21)
3. Le Tombeau de Couperin, M. 68: II. Fugue. Allegro moderato (Piano version) (3:35)
4. Le Tombeau de Couperin, M. 68: III. Forlane. Allegretto (Piano version) (6:07)
5. Le Tombeau de Couperin, M. 68: IV. Rigaudon. Assez vif (Piano version) (3:14)
6. Le Tombeau de Couperin, M. 68: V. Menuet. Allegro moderato (Piano version) (5:11)
7. Le Tombeau de Couperin, M. 68: VI. Toccata. Vif (Piano version) (4:27)
8. Piano Concerto in G Major, M. 83: I. Allegramente (9:05)
9. Piano Concerto in G Major, M. 83: II. Adagio assai (9:01)
10. Piano Concerto in G Major, M. 83: III. Presto (4:14)
11. Le Tombeau de Couperin, M. 68a: I. Prélude. Vif (Orchestral Suite) (3:21)
12. Le Tombeau de Couperin, M. 68a: II. Forlane. Allegretto (Orchestral Suite) (6:24)
13. Le Tombeau de Couperin, M. 68a: III. Menuet. Allegro moderato (Orchestral Suite) (4:44)
14. Le Tombeau de Couperin, M. 68a: VI. Rigaudon. Assez vif (Orchestral Suite) (3:18)
15. Miroirs, M. 43: IV. Alborada del gracioso (Piano version) (7:09)

Josep Pons and Javier Perianes collaborate once again on a new album dedicated to Maurice Ravel entitled Jeux de Miroirs. The recording, released by harmonia mundi internationally on 29 November, features Ravel’s Le Tombeau de Couperin and Alborada del gracioso for solo piano, their respective orchestrations and Piano Concerto in G major with Orchestre de Paris. These musical ​‘mirror effects’ allow us to compare the original piano versions of two key works by Ravel with the orchestrations he made of them. Alongside these, the Concerto in G major offers an example of how the composer combines piano and orchestra, both when the piano is integrated into the overall sound and when it plays its traditional solo role.


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  • platico
  •  wrote in 19:30
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gracias....
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  • oakland
  •  wrote in 19:49
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Thanks for sharing.
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  • Jarre2010
  •  wrote in 00:23
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Merci beaucoup
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  • gemofroe
  •  wrote in 18:03
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Thanks a lot