Patrizia Ciofi - Meyerbeer: Dinorah (2016)
BAND/ARTIST: Patrizia Ciofi, Etienne Dupuis, Philippe Talbot, Orchester der Deutschen Oper Berlin, Enrique Mazzola
- Title: Meyerbeer: Dinorah
- Year Of Release: 2016
- Label: CPO
- Genre: Classical
- Quality: flac lossless +booklet
- Total Time: 02:14:04
- Total Size: 583 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Dinorah, Act I: Act I: Overture-Salve! Salve! (Chorus)
02. Dinorah, Act I: Act I Scene 1: Le jour radieux (Villagers)
03. Dinorah, Act I: Act I Scene 2: Bellah! (Dinorah)
04. Dinorah, Act I: Act I Scene 2: Air de cornemuse
05. Dinorah, Act I: Act I Scene 3: Dialogue: Diantre! (Corentin)
06. Dinorah, Act I: Act I Scene 3: Couplets: Dieu nous donne à chacun en partage (Corentin)
07. Dinorah, Act I: Act I Scene 3: Dialogue: Hein? (Corentin)
08. Dinorah, Act I: Act I Scene 4: Duet: Ah! Encore! (Dinorah, Corentin)
09. Dinorah, Act I: Act I Scene 5: Dialogue: Holà! père Alain! (Hoel, Corentin)
10. Dinorah, Act I: Act I Scene 5: Aria: O puissante magie! (Hoel)
11. Dinorah, Act I: Act I Scene 7: Dialogue: C'est moi ... (Hoel, Corentin)
12. Dinorah, Act I: Act I Scene 6: Duet: Un tresor! (Corentin, Hoel)
13. Dinorah, Act I: Act I Scene 6: Trio: Ce tintement ... (Dinorah, Corentin, Hoel)
CD2
01. Dinorah, Act II: Act II: Entracte
02. Dinorah, Act II: Act II Scene 1: Qu'il est bon (Woodcutters)
03. Dinorah, Act II: Act II Scene 3: Recitative: Me voici! (Dinorah)
04. Dinorah, Act II: Act II Scene 3: Aria: Comme cette nuit est lente à se dissiper! (Dinorah)
05. Dinorah, Act II: Act II Scene 4: Dialogue: Avance donc! (Hoel, Corentin)
06. Dinorah, Act II: Act II Scene 5: Aria: Ah! que j'ai froid! (Corentin)
07. Dinorah, Act II: Act II Scene 6: Dialogue: C'est toi, sonneur? (Corentin, Dinorah)
08. Dinorah, Act II: Act II Scene 6: Sombre destinée! (Dinorah, Corentin)
09. Dinorah, Act II: Act II Scene 6: Dialogue: Le traitre! (Corentin)
10. Dinorah, Act II: Act II Scene 7: Stt! (Hoel, Corentin)
11. Dinorah, Act II: Act II Scene 7: Dialogue: Mais, je te répète ... (Hoel, Corentin, Dinorah)
12. Dinorah, Act II: Act II Scene 7: Trio: Est-ce une ombre (Hoel, Corentin, Dinorah)
13. Dinorah, Act III: Act III: Entracte
14. Dinorah, Act III: Act III Scene 1: En chasse! (Huntsman)
15. Dinorah, Act III: Act III Scene 1: Les bles son bons a faucher (Reaper)
16. Dinorah, Act III: Act III Scene 1: Duet: Sous les genevriers (Goatherds)
17. Dinorah, Act III: Act III Scene 1: Bref, nous retrouvons (Huntsman, Goatherds)
18. Dinorah, Act III: Act III Scene 2: Comment? (Corentin, Hoel)
19. Dinorah, Act III: Act III Scene 2: Dialogue: Pouvait-on prévoir ... (Corentin, Hoel)
20. Dinorah, Act III: Act III Scene 3: Et maintenant, mélasse! (Hoel, Corentin)
21. Dinorah, Act III: Act III Scene 3: Dialogue: Dieu! (Hoel, Dinorah)
22. Dinorah, Act III: Act III Scene 3: Un rêve! (Hoel, Dinorah, Corentin, Chorus)
Patrizia Ciofi has become a leading soprano exponent of the major operas of Bellini, Rossini, Donizetti, Verdi, Puccini, and the Italian operas of Mozart. Not that her choice of repertory is limited to that clutch of composers: she has sung a vast array of roles in works by Monteverdi (Euridice from Orfeo), Handel (Polissena from Radamisto), Vivaldi (Idaspe from Bajazet), and much else further afield, including Bizet, Offenbach, Massenet, Wagner, Richard Strauss, Debussy, Mussorgsky, and countless others. She has also sung contemporary opera: her major debut came in Gino Negri's Giovanni Sebastiano. It can be argued she has sung as many different roles on major operatic stages as any soprano of her time. Her attractive voice is bright in timbre and versatile, affording her the ability to tackle so many roles with such pleasing character and spirit. Ciofi has made over 50 recordings, the bulk of them available on EMI, Virgin Classics, Harmonia Mundi, Dynamic, and Decca.
Patrizia Ciofi was born in Tuscany, Casole d'Elsa (near Siena), Italy, in 1967. She studied with famed Polish soprano Anastasia Tomasewska-Schepis in Siena and later graduated from the Conservatorio Pietro Mascagni in Livorno. She attended master classes at the Accademia Chigiana in Siena led by Shirley Verrett, Carlo Bergonzi, Alberto Zedda, and Giorgio Gualerzi.
After her 1989 debut at Florence (Teatro Comunale) in Negri's Giovanni Sebastiano, she appeared as Donna Anna in Mozart's Don Giovanni in several smaller Italian and foreign opera houses, and from 1991-1993 she appeared in a number of Verdi operas at the Teatro Verdi in Pisa, where she scored major critical successes.
By 1996, when she first sang Lucia in Donizetti's Lucia di Lammermoor, in Savona, she had become a rising international star. She drew rave reviews for her Violetta (Verdi's La Traviata) in 1997 at La Scala. Ciofi's recordings were drawing attention, too: her 1998 Lucia (in the French version) on Dynamic was a huge success.
A string of notable debuts followed: Opera Bastille (1999), where she sang Nanetta in Falstaff; Covent Garden (2002), portraying Gilda (Rigoletto); Chicago (2003) as Violetta, and others. Ciofi's long-awaited debut at the Vienna State Opera did not come until 2008, when she sang Amina in Bellini's La Sonnambula.
Ciofi has had several recordings released in 2009, including the acclaimed Bel Canto Spectacular on Decca, a collection of popular arias by Donizetti, Rossini, and Bellini.
Following our successful release of Giacomo Meyerbeer’s opera Vasco da Gama , a production awarded the Echo Prize for the Best Editorial Achievement of 2015, cpo are now present another opera by the same composer. Here Meyerbeer, late in his life, succeeds in producing playful, poetic, and humorously ironic evocations of the world of romantic spirits and fairies. Meyerbeer’s setting of the story focusing on the lovers Dinorah and Hoël, separated under mysterious circumstances during a pilgrimage and then happily reunited, mixes lyrical, folkloric, and comical elements lending the music a subtle colour palette all of its own.
-----------
CD1
01. Dinorah, Act I: Act I: Overture-Salve! Salve! (Chorus)
02. Dinorah, Act I: Act I Scene 1: Le jour radieux (Villagers)
03. Dinorah, Act I: Act I Scene 2: Bellah! (Dinorah)
04. Dinorah, Act I: Act I Scene 2: Air de cornemuse
05. Dinorah, Act I: Act I Scene 3: Dialogue: Diantre! (Corentin)
06. Dinorah, Act I: Act I Scene 3: Couplets: Dieu nous donne à chacun en partage (Corentin)
07. Dinorah, Act I: Act I Scene 3: Dialogue: Hein? (Corentin)
08. Dinorah, Act I: Act I Scene 4: Duet: Ah! Encore! (Dinorah, Corentin)
09. Dinorah, Act I: Act I Scene 5: Dialogue: Holà! père Alain! (Hoel, Corentin)
10. Dinorah, Act I: Act I Scene 5: Aria: O puissante magie! (Hoel)
11. Dinorah, Act I: Act I Scene 7: Dialogue: C'est moi ... (Hoel, Corentin)
12. Dinorah, Act I: Act I Scene 6: Duet: Un tresor! (Corentin, Hoel)
13. Dinorah, Act I: Act I Scene 6: Trio: Ce tintement ... (Dinorah, Corentin, Hoel)
CD2
01. Dinorah, Act II: Act II: Entracte
02. Dinorah, Act II: Act II Scene 1: Qu'il est bon (Woodcutters)
03. Dinorah, Act II: Act II Scene 3: Recitative: Me voici! (Dinorah)
04. Dinorah, Act II: Act II Scene 3: Aria: Comme cette nuit est lente à se dissiper! (Dinorah)
05. Dinorah, Act II: Act II Scene 4: Dialogue: Avance donc! (Hoel, Corentin)
06. Dinorah, Act II: Act II Scene 5: Aria: Ah! que j'ai froid! (Corentin)
07. Dinorah, Act II: Act II Scene 6: Dialogue: C'est toi, sonneur? (Corentin, Dinorah)
08. Dinorah, Act II: Act II Scene 6: Sombre destinée! (Dinorah, Corentin)
09. Dinorah, Act II: Act II Scene 6: Dialogue: Le traitre! (Corentin)
10. Dinorah, Act II: Act II Scene 7: Stt! (Hoel, Corentin)
11. Dinorah, Act II: Act II Scene 7: Dialogue: Mais, je te répète ... (Hoel, Corentin, Dinorah)
12. Dinorah, Act II: Act II Scene 7: Trio: Est-ce une ombre (Hoel, Corentin, Dinorah)
13. Dinorah, Act III: Act III: Entracte
14. Dinorah, Act III: Act III Scene 1: En chasse! (Huntsman)
15. Dinorah, Act III: Act III Scene 1: Les bles son bons a faucher (Reaper)
16. Dinorah, Act III: Act III Scene 1: Duet: Sous les genevriers (Goatherds)
17. Dinorah, Act III: Act III Scene 1: Bref, nous retrouvons (Huntsman, Goatherds)
18. Dinorah, Act III: Act III Scene 2: Comment? (Corentin, Hoel)
19. Dinorah, Act III: Act III Scene 2: Dialogue: Pouvait-on prévoir ... (Corentin, Hoel)
20. Dinorah, Act III: Act III Scene 3: Et maintenant, mélasse! (Hoel, Corentin)
21. Dinorah, Act III: Act III Scene 3: Dialogue: Dieu! (Hoel, Dinorah)
22. Dinorah, Act III: Act III Scene 3: Un rêve! (Hoel, Dinorah, Corentin, Chorus)
Patrizia Ciofi has become a leading soprano exponent of the major operas of Bellini, Rossini, Donizetti, Verdi, Puccini, and the Italian operas of Mozart. Not that her choice of repertory is limited to that clutch of composers: she has sung a vast array of roles in works by Monteverdi (Euridice from Orfeo), Handel (Polissena from Radamisto), Vivaldi (Idaspe from Bajazet), and much else further afield, including Bizet, Offenbach, Massenet, Wagner, Richard Strauss, Debussy, Mussorgsky, and countless others. She has also sung contemporary opera: her major debut came in Gino Negri's Giovanni Sebastiano. It can be argued she has sung as many different roles on major operatic stages as any soprano of her time. Her attractive voice is bright in timbre and versatile, affording her the ability to tackle so many roles with such pleasing character and spirit. Ciofi has made over 50 recordings, the bulk of them available on EMI, Virgin Classics, Harmonia Mundi, Dynamic, and Decca.
Patrizia Ciofi was born in Tuscany, Casole d'Elsa (near Siena), Italy, in 1967. She studied with famed Polish soprano Anastasia Tomasewska-Schepis in Siena and later graduated from the Conservatorio Pietro Mascagni in Livorno. She attended master classes at the Accademia Chigiana in Siena led by Shirley Verrett, Carlo Bergonzi, Alberto Zedda, and Giorgio Gualerzi.
After her 1989 debut at Florence (Teatro Comunale) in Negri's Giovanni Sebastiano, she appeared as Donna Anna in Mozart's Don Giovanni in several smaller Italian and foreign opera houses, and from 1991-1993 she appeared in a number of Verdi operas at the Teatro Verdi in Pisa, where she scored major critical successes.
By 1996, when she first sang Lucia in Donizetti's Lucia di Lammermoor, in Savona, she had become a rising international star. She drew rave reviews for her Violetta (Verdi's La Traviata) in 1997 at La Scala. Ciofi's recordings were drawing attention, too: her 1998 Lucia (in the French version) on Dynamic was a huge success.
A string of notable debuts followed: Opera Bastille (1999), where she sang Nanetta in Falstaff; Covent Garden (2002), portraying Gilda (Rigoletto); Chicago (2003) as Violetta, and others. Ciofi's long-awaited debut at the Vienna State Opera did not come until 2008, when she sang Amina in Bellini's La Sonnambula.
Ciofi has had several recordings released in 2009, including the acclaimed Bel Canto Spectacular on Decca, a collection of popular arias by Donizetti, Rossini, and Bellini.
Following our successful release of Giacomo Meyerbeer’s opera Vasco da Gama , a production awarded the Echo Prize for the Best Editorial Achievement of 2015, cpo are now present another opera by the same composer. Here Meyerbeer, late in his life, succeeds in producing playful, poetic, and humorously ironic evocations of the world of romantic spirits and fairies. Meyerbeer’s setting of the story focusing on the lovers Dinorah and Hoël, separated under mysterious circumstances during a pilgrimage and then happily reunited, mixes lyrical, folkloric, and comical elements lending the music a subtle colour palette all of its own.
Year 2016 | Classical | FLAC / APE
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