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Billy Boy Arnold - Boogie N Shuffle (2001)

Billy Boy Arnold - Boogie N Shuffle (2001)

BAND/ARTIST: Billy Boy Arnold

  • Title: Boogie N Shuffle
  • Year Of Release: 2001
  • Label: Stony Plain Records
  • Genre: Chicago Blues, Harmonica Blues
  • Quality: Mp3 320 / Flac (tracks, .cue, log)
  • Total Time: 01:06:11
  • Total Size: 206/471 Mb (scans)
  • WebSite:
Billy Boy Arnold - Boogie N Shuffle (2001)


Tracklist:

01. Bad Luck Blues (3:20)
02. Let's Work It Out (3:08)
03. Just Got To Know (5:08)
04. Greenville (4:37)
05. Hello Stranger (2:50)
06. Home In Your Heart (2:29)
07. Blackjack (5:35)
08. Boogie & Shuffle (6:21)
09. Every Night, Every Day (3:47)
10. Come Here Baby (3:46)
11. Just Your Fool (3:58)
12. Greenback (5:44)
13. Interview With Billy Boy Arnold (15:29)

Line-up::
Bass - John Packer
Drums - Jeffery McAllister
Piano - Matt McCabe
Saxophone - Doug James, 'Sax' Gordon Beadle
Vocals, Harmonica - Billy Boy Arnold
Written-By - Billy Boy Arnold (tracks: 1, 2, 4, 5, 8, 10)
Executive-Producer - Holger Petersen
Recorded By - John Paul Gauthier, Thom Hiller
Graphics, Design - Halkier + Dutton Design
Interviewer - Holger Petersen
Liner Notes - Peter North
Mastered By, Engineer - Jonathan Wyner
Guitar, Producer, Recorded By, Mixed By, Photography By - Duke Robillard

At this point in his career, harmonica legend Billy Boy Arnold could just coast on his Chicago blues laurels, rehashing his old tunes and tricks whenever he decides to cut a new album. But fortunately, Arnold doesn't buy into shortcuts, and neither does his producer for this session, Duke Robillard. On Boogie 'n' Shuffle, Arnold really lets it rip -- not only in the John Lee Williamson tradition he's well-known for, but also in the R&B traditions of Ray Charles and Jimmy McCracklin. Robillard's band is certainly up to the task, seamlessly switching from flashy soul grooves ("Home in Your Heart") to lazy Jimmy Reed-styled boogies ("Come Here Baby") to Delta blues barrelhouse ("Greenville"). As for Arnold, he's still yet to prove himself a singer of much power or range (he gets a bit overwhelmed by the busy arrangements on "Just Your Fool" and "Greenback"), but he makes up for it with classy phrasing that can turn a run-of-the-mill 12-bar shuffle into a masterpiece -- the swinging "Let's Work It Out" being the best example here. While Arnold does show off some nice harmonica riffs, this isn't exactly a blues harp extravaganza; three of the tunes are harpless, and the emphasis is clearly on Arnold's singing and songwriting. The bonus track interview offers a colorful, anecdotal history of the Chicago blues scene according to Arnold, with glimpses of John Lee Williamson, Willie Dixon, and the hallowed '50s Chess sessions that produced the Bo Diddley beat.


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  • nrwsps
  •  wrote in 00:27
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