Listening - Listening (Reissue) (1968/2000)
BAND/ARTIST: Listening
- Title: Listening
- Year Of Release: 1968/2000
- Label: Akarma
- Genre: Prog Rock, Jazz-Rock, Psychedelic Rock
- Quality: Mp3 320 / Flac (image, .cue, log)
- Total Time: 39:57
- Total Size: 105/266 Mb (scans)
- WebSite: Album Preview
Tracklist:
1. You're Not There (4:09)
2. Laugh at the Stars (4:14)
3. 9/8 Song (4:30)
4. Stoned Is (4:41)
5. "Forget It, Man!" (3:25)
6. I Can Teach You (2:23)
7. So Happy (2:33)
8. Cuando (2:51)
9. "Baby: Where Are You?" (6:22)
10. Fantasy (1:04)
11. See You Again (3:45)
Line-up::
Michael Tschudin - vocals, vibes, keyboards, conga drum
Walter Powers - bass
Peter Malick - guitars
Ernie Kamanis - vocals, drums, guirro
Listening was an American psychedelic rock band formed in Boston, Massachusetts in the late 1960s.
Listening became the leading Boston stage act in 1968 and was an example of what is now called the Bosstown Sound. The band released one self-titled album on the Vanguard label and one non-LP promo single. The group is famous for its ambiguous song lyrics, sometimes related to marijuana and psychedelic acid trips.
The group's sound reflected a confluence of hard rock and psychedelic influences, with added elements of progressive rock. Nevertheless, some of songs, such as "9/8 Song" and "Cuando" were gentler. The band's approach had a great impact in the period and helped define the Bosstown Sound. Michael Tschudin, a leading figure, was an accomplished and inventive piano player and organist. Bassist Walter Powers had previously played with the Lost and ended up in Boston punk groups until the 1970s.
Listening became the leading Boston stage act in 1968 and was an example of what is now called the Bosstown Sound. The band released one self-titled album on the Vanguard label and one non-LP promo single. The group is famous for its ambiguous song lyrics, sometimes related to marijuana and psychedelic acid trips.
The group's sound reflected a confluence of hard rock and psychedelic influences, with added elements of progressive rock. Nevertheless, some of songs, such as "9/8 Song" and "Cuando" were gentler. The band's approach had a great impact in the period and helped define the Bosstown Sound. Michael Tschudin, a leading figure, was an accomplished and inventive piano player and organist. Bassist Walter Powers had previously played with the Lost and ended up in Boston punk groups until the 1970s.
Oldies | Rock | FLAC / APE | Mp3
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