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Małgorzata Zarębińska, Katarzyna Oleś-Blacha, Jan Krzeszowiec, Marcin Misiak, Piotr Grodecki - Crumb: Three Early Songs, Vox Balaenae, Celestial Mechanics (2019) [Hi-Res]

Małgorzata Zarębińska, Katarzyna Oleś-Blacha, Jan Krzeszowiec, Marcin Misiak, Piotr Grodecki - Crumb: Three Early Songs, Vox Balaenae, Celestial Mechanics (2019) [Hi-Res]
  • Title: Crumb: Three Early Songs, Vox Balaenae, Celestial Mechanics
  • Year Of Release: 2019
  • Label: DUX
  • Genre: Classical
  • Quality: flac 24bits - 96.0kHz
  • Total Time: 00:53:29
  • Total Size: 915 mb
  • WebSite:
Tracklist
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01. 3 Early Songs: No. 1, Night
02. 3 Early Songs: No. 2, Let It Be Forgotten
03. 3 Early Songs: No. 3, Wind Elegy
04. Vox Balaenae: Vocalize (...For the Beginning of Time)
05. Vox Balaenae: Variations of Sea-Time (Sea Theme)
06. Vox Balaenae: Var. 1, Archeozoic
07. Vox Balaenae: Var. 2, Proterozoic
08. Vox Balaenae: Var. 3, Paleozoic
09. Vox Balaenae: Var. 4, Mesozoic
10. Vox Balaenae: Var. 5, Cenozoic
11. Vox Balaenae: Sea-Nocturne (...For the End of Time)
12. Celestial Mechanics (Makrokosmos IV): I. Alpha Centauri
13. Celestial Mechanics (Makrokosmos IV): II. Beta Cygni
14. Celestial Mechanics (Makrokosmos IV): III. Gamma Draconis
15. Celestial Mechanics (Makrokosmos IV): IV. Delta Orionis


This album includes three completely stylistically different compositions by George Crumb, depicting different stages of the composer's sonoristic quest, performed by Malgorzata Zarebinska (piano), Katarzyna Oles-Blacha (soprano), Jan Krzeszowiec (flute), Marcin Misiak (cello) and Piotr Grodecki (piano).

For over 60 years, George Crumb's music has been recognised as a sonoristic phenomenon that cannot be compared to the output of other artists composing at the same time. Although the catalogue of artistic influences under which Crumb was over the years is extremely extensive (starting from introducing quotes from the works by Johann Sebastian Bach, ending with a sporadic use of harmonic and rhythmic means identical with the style of Claude Debussy and Bela Bartok), these inspirations - even in the earliest phase of his activity - would usually turn out to be only a contribution to the creation of original music forms and crystallisation of a sonoristic sound landscape typical of the composer.





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