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Rinaldo Alessandrini, Concerto Italiano - Bach: Ouvertures for Orchestra (2019) [Hi-Res]

Rinaldo Alessandrini, Concerto Italiano - Bach: Ouvertures for Orchestra (2019) [Hi-Res]
  • Title: Bach: Ouvertures for Orchestra
  • Year Of Release: 2019
  • Label: naïve classique
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 88.2kHz
  • Total Time: 02:10:15
  • Total Size: 735 / 2384 mb
Tracklist
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CD1
01. Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
02. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
03. Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes
04. Orchestral Suite No. 3 in D Major, BWV 1068: V. Bourrée
05. Orchestral Suite No. 3 in D Major, BWV 1068: VI. Gigue
06. Ouverture-Suite in E Minor: I. Ouverture. Allegro
07. Ouverture-Suite in E Minor: II. Air I
08. Ouverture-Suite in E Minor: III. Les plaisirs. vitement
09. Ouverture-Suite in E Minor: IV. Menuets
10. Ouverture-Suite in E Minor: V. Air II
11. Ouverture-Suite in E Minor: VI. Rigaudons
12. Ouverture-Suite in E Minor: VII. Courante
13. Ouverture-Suite in E Minor: VIII. Gavotte en rondeaux
14. Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
15. Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
16. Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes
17. Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
18. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets
19. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées
20. Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds

CD2
01. Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture
02. Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourréess
03. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavottes
04. Orchestral Suite No. 4 in D Major, BWV 1069: V. Menuets
05. Orchestral Suite No. 4 in D Major, BWV 1069: VII. Réjouissance
06. Ouverture in G Major: I. Ouverture
07. Ouverture in G Major: II. Air I
08. Ouverture in G Major: III. Menuet
09. Ouverture in G Major: IV. Gavotte
10. Ouverture in G Major: V. Air II
11. Ouverture in G Major: VI. Bourrée
12. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
13. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
14. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
15. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées
16. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise-Double
17. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
18. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie


For several decades, as solo harpsichordist and director of his ensemble Concerto Italiano, Rinaldo Alessandrini has been exploring not just the Italian repertoire that he is so passionate about but also the works of Bach - as in his benchmark recording of the Brandenburg Concertos in 2005. In this new recording, Alessandrini has mounted a challenge to all currently available recordings of those four Orchestral Suites that Bach called ‘Overtures’, after their imposing opening movements. It’s uncertain when these dance suites were composed or where they were first performed but they were certainly played in Leipzig at the time Bach was directing its celebrated Collegium Musicum.

Here Alessandrini has once again sifted all available sources, putting the composer’s entire output under the microscope to identify the most authentic details of style and orchestration. The result is a subtle balance between Bach’s intricate contrapuntal writing and the spontaneity of his dances, with their French and Italian influences. Together with these majestic, festive, radiant works by JS Bach, Concerto Italiano presents two Overtures in the same instrumental mould by Johann Bernhard and Johann Ludwig Bach - two composer cousins with whom Johann Sebastian enjoyed lifelong ties of mutual friendship and esteem. During his Leipzig years he had their Overtures copied out, so he could perform them with the Collegium Musicum. Here then is a welcome opportunity to hear these two superb orchestral pieces in the contemporary context of Bach’s own music.




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  • User offline
  • olga1001
  •  wrote in 14:58
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    • 0
Dances are good but how about his approach to overtures with long phrases ?
I expected also this from their Brandenburg Concertos ...
Thanks
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  • platico
  •  wrote in 03:29
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    • 0
gracias....