Weser-Renaissance Bremen feat. Manfred Cordes - Rore: Missa vivat felic Hercules & Motets (2019)
BAND/ARTIST: Weser-Renaissance Bremen, Manfred Cordes
- Title: Rore: Missa vivat felic Hercules & Motets
- Year Of Release: 2019
- Label: CPO
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:09:45
- Total Size: 348 mb
- WebSite: Album Preview
Tracklist
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01. 26 Motets (Excerpts): No. 25, Ave regina caelorum
02. Missa vivat felic Hercules: I. Kyrie
03. Missa vivat felic Hercules: II. Gloria in excelsis Deo
04. Plange quasi virgo
05. Exaudiat me Dominus
06. Missa vivat felic Hercules: III. Credo in unum Deum
07. 26 Motets (Excerpts): No. 6, Sub tuum praesidium
08. Gaude Maria virgo
09. Missa vivat felic Hercules: IV. Sanctus
10. 26 Motets (Excerpts): No. 13, Pater noster
11. Missa vivat felic Hercules: V. Agnus Dei
12. 26 Motets (Excerpts): No. 12, Agimus tibi gratias
13. 26 Motets (Excerpts): No. 14, Labore primus Hercules
14. 26 Motets (Excerpts): No. 18, Da pacem Domine
Cipriano de Rore, a native of Ronse, embodies with his music the multifacetedness and cosmopolitan influence of the Franco-Flemish epoch. His significance in music history can hardly be overestimated, and his extraordinary position between the prima practica and seconda practica makes him simultaneously a guardian of the tradition and a trailblazer of the “new music.” The Mass “Vivat felix Hercules secundus” from the genre of Masses for secular princes was probably composed by de Rore shortly after his arrival in Ferrara and is to be understood as a tribute to his employer, Ercole II d’Este, whose name de Rore honored in a remarkable manner. In each part of the Mass the tenor voice sings the text “Vivat felix Hercules secundus, dux Ferrariae quartus” (Long live the happy Ercole II, the fourth Duke of Ferrara). In addition to the text of the Ordinary, then, a second, worldly level is integrated into the Mass composition, which at the same time works toward the goal of lending the secular ruler – as a mediating instance between the sacred and secular spheres – a quasi-divine status. Along with the Mass, motets by de Rore are also heard here: works in which the composer assimilates techniques such as the canon, cantus firmus, and soggetto ostinato.
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01. 26 Motets (Excerpts): No. 25, Ave regina caelorum
02. Missa vivat felic Hercules: I. Kyrie
03. Missa vivat felic Hercules: II. Gloria in excelsis Deo
04. Plange quasi virgo
05. Exaudiat me Dominus
06. Missa vivat felic Hercules: III. Credo in unum Deum
07. 26 Motets (Excerpts): No. 6, Sub tuum praesidium
08. Gaude Maria virgo
09. Missa vivat felic Hercules: IV. Sanctus
10. 26 Motets (Excerpts): No. 13, Pater noster
11. Missa vivat felic Hercules: V. Agnus Dei
12. 26 Motets (Excerpts): No. 12, Agimus tibi gratias
13. 26 Motets (Excerpts): No. 14, Labore primus Hercules
14. 26 Motets (Excerpts): No. 18, Da pacem Domine
Cipriano de Rore, a native of Ronse, embodies with his music the multifacetedness and cosmopolitan influence of the Franco-Flemish epoch. His significance in music history can hardly be overestimated, and his extraordinary position between the prima practica and seconda practica makes him simultaneously a guardian of the tradition and a trailblazer of the “new music.” The Mass “Vivat felix Hercules secundus” from the genre of Masses for secular princes was probably composed by de Rore shortly after his arrival in Ferrara and is to be understood as a tribute to his employer, Ercole II d’Este, whose name de Rore honored in a remarkable manner. In each part of the Mass the tenor voice sings the text “Vivat felix Hercules secundus, dux Ferrariae quartus” (Long live the happy Ercole II, the fourth Duke of Ferrara). In addition to the text of the Ordinary, then, a second, worldly level is integrated into the Mass composition, which at the same time works toward the goal of lending the secular ruler – as a mediating instance between the sacred and secular spheres – a quasi-divine status. Along with the Mass, motets by de Rore are also heard here: works in which the composer assimilates techniques such as the canon, cantus firmus, and soggetto ostinato.
Year 2019 | Classical | FLAC / APE
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