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Pierre Hantaï, Skip Sempé - Rameau: Symphonies à deux clavecins (2012)

Pierre Hantaï, Skip Sempé - Rameau: Symphonies à deux clavecins (2012)
  • Title: Rameau: Symphonies à deux clavecins
  • Year Of Release: 2012
  • Label: Mirare
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:14:30
  • Total Size: 514 Mb
  • WebSite:
Tracklist:

01. Ouverture (Les Indes galantes, 1735)
02. Musette en rondeau (Les Indes galantes)
03. Menuets (Les Indes galantes)
04. Tambourins (Les Indes galantes)
05. Musette (Platée, 1745)
06. Air pour les Polonais (Les Indes galantes)
07. Air pour les Esclaves africains (Les Indes galantes)
08. Menuet en rondeau (Zoroastre, 1749)
09. Chaconne (Dardanus, 1739)
10. Sarabande (Pièces de Clavecin, 1728 - Zoroastre)
11. Air très gay (Les Paladins, 1757)
12. Gavotte (Les Indes galantes)
13. Air pour les Bostangis (Les Indes galantes)
14. Ouverture (Pygmalion, 1747)
15. Menuet (Hippolyte et Aricie, 1733)
16. L'Agaçante (Pièces de clavecin en concerts, 1741)
17. Prélude (Dardanus)
18. Tambourins en rondeau (Pièces de clavecin, 1724 - Les Fêtes d'Hébé), 1737
19. Menuets dans le goût de la vièle (Platée)
20. La Pantomime (Pièces de clavecin en concerts)
21. L'indiscrète (Pièces de clavecin en concerts)
22. Air tendre en duo (Dardanus)
23. Les Sauvages (Pièces de clavecin, 1728 - Les Indes galantes)
24. La Timide (Pièces de clavecin en concerts)
25. Tambourins (Dardanus)
26. Prélude (Dardanus)
27. Chaconne (Les Indes galantes)
28. Gavotte un peu lente (Les Paladins)
29. La Marais (Pièces de clavecin en concerts)

Performers:
Pierre Hantaï, Skip Sempé (harpsichord)

Those confused by the existence of a hitherto-unknown set of Symphonies à deux clavecins by Rameau should be assured that what's heard here isn't some new discovery by the fabulous harpsichord duo of France's Pierre Hantaï and American Skip Sempé. Instead, it's a reconstruction and expansion of something Rameau himself seems to have done in a few instances, and did more often to produce music for a single harpsichord. What you're hearing here are keyboard arrangements of instrumental numbers ("symphonies") from Rameau's operas, along with a few selections from the Pièces de clavecin en concerts. Rameau himself published reductions of pieces from perhaps his most elaborate and pageant-like opera, Les Indes galantes, and other composers including Couperin-issued instructions for realizing music like this. So, while most of this music did not appear in precisely this form in Rameau's time, it certainly could have. Hantaï and Sempé, both masters of the French Baroque keyboard repertory, have a great deal of fun with the music and have the right relaxed style for it. The existing examples by Rameau and others reduce the music to two staves, but a lot of the details are left to the keyboardists to fill out, and the coordinated but seemingly spontaneous duo work here would be worthy of top-flight jazz players. The individual pieces represent Rameau at his most colorful: they are dances, illustrations of operatic scenes, and little airs, all of them bright and tuneful. The result is a recording that will be of equal interest to serious French Baroque specialists and general listeners who enjoy Baroque harpsichord music.





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