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James Griffin - Just Like Yesterday: The Solo Anthology 1974-1977 (2013)

James Griffin - Just Like Yesterday: The Solo Anthology 1974-1977 (2013)

BAND/ARTIST: James Griffin

  • Title: Just Like Yesterday: The Solo Anthology 1974-1977
  • Year Of Release: 2013
  • Label: Hux Records
  • Genre: Soft Rock, Country Rock
  • Quality: Mp3 320 / Flac (tracks, .cue, log)
  • Total Time: 01:14:22
  • Total Size: 300/599 Mb (scans)
  • WebSite:
James Griffin - Just Like Yesterday: The Solo Anthology 1974-1977 (2013)


Tracklist:

Breakin' Up Is Easy:
01. Breakin’ Up Is Easy (Robb Royer) 03:57
02. Someday (James Griffin) 02:39
03. Love You Till the Cows Come Home (James Griffin) 03:04
04. She Knows (James Griffin/Robb Royer) 02:31
05. Father & Son (James Griffin/Robb Royer) 04:36
06. You’ll Get Along (James Griffin) 05:16
07. Lifeline (James Griffin/Robb Royer) 03:46
08. Goin’ Back to Boston (James Griffin/Robb Royer) 03:46
09. Only Now (James Griffin/Robb Royer) 02:41
10. Love to Light the Way (James Griffin/Robb Royer) 02:57

James Griffin:
11. Laura Lee (David Palch) 03:33
12. Hanalei (James Griffin/Robb Royer) 04:07
13. Goin’ Back to Tennessee (James Griffin) 03:49
14. Blood from a Stone (James Griffin/Robb Royer) 04:24
15. How Do You Say Goodbye (James Griffin) 02:39
16. Treat Her Right (David Palch) 03:12
17. That’s All I Need (Robb Royer) 03:48
18. My Love Is Mine (James Griffin) 03:04
19. I Repent (James Griffin) 05:01

Bonus:
20. Just Like Yesterday (James Griffin) 02:33
21. She Knows (James Griffin/Robb Royer) 02:57

David Gates got all the attention, but James Griffin stood proudly as his cohort during the early days of Bread. Once Bread crumbled, Gates also had hits but Griffin didn’t, despite developing a strong body of work that finally gets anthologized via Hux’s 2013 compilation, Just Like Yesterday: The Solo Anthology 1974-77. During these four years, Griffin released just two albums—1974’s Breakin’ Up Is Easy and 1977’s eponymous LP—and both records are here, along with the bonus tracks of “Just Like Yesterday” and “She Knows,” the latter coming from a May 1974 performance on the Old Grey Whistle Test. Compared to Gates, Griffin isn’t quite as buttery: his voice is fine-grain sandpaper and he is sometimes happy enough to skirt the boundaries of soft rock, particularly on his 1974 debut. His 1977 album is softer and sweeter, an exemplary specimen of late-’70s SoCal soft rock, where the professionalism is as alluring as the songcraft. Often, Griffin excelled at the veneer, not the structure; his songs aren’t memorably melodic but his albums are welcoming and warm, delivering a distinctly ’70s soundscape that captures the era while eluding the specificity of its time. Griffin is appealing: as a frontman, he has a casual touch, something that may have kept him from the charts but is nevertheless charming, as there’s an ease to his delivery that accentuates the mellowness of the two albums. Perhaps he could’ve stood to be a little more forceful—and the 1977 LP does show more muscle than its predecessor—but what gave Griffin his identity was his slight ragged, ultimately smooth delivery; he wasn’t as seamless as Gates but he followed the same path and found equally interesting detours, all of which are collected on this de facto two-fer.



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  • User offline
  • mufty77
  •  wrote in 17:27
    • Like
    • 1
Many thanks for lossless.
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  • whiskers
  •  wrote in 19:03
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    • 0
Many Thanks